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I did this follow up story on ex-Omaha heavyweight boxer Ron Stander about seven or eight years after the first story I did on him, which you will also find on this blog. In that earlier piece Stander was still fighting some demons, still in the throes of recovery. In the interim, Stander had come to terms with some things in his life and by the time I did this second story he seemed more at peace with himself and his place in the world. Stander was and is a tough dude, but he’s also a big teddy bear of a man with a heart of gold. That’s one thing that’s never changed about him. This story, which originally appeared in the New Horizons, portrays Stander as the good man he is, just a regular guy who helps his friends, including some fellow ex-boxers who have fallen on various hard times. To a man, his buddies love him. It’s heartening to know that Stander is now happily remarried and writing his life story. It should be a helluva read. Ron Stander, Still Making the Rounds for Friends in Need
©by Leo Adam Biga Originally published in the New Horizons Far from the spotlight he inhabited when he fought for the world heavyweight boxing title 35 years ago, Ron “The Bluffs Butcher” Stander goes about his daily routine these days in relative obscurity. That’s fine with him. He had his moment in the sun. He’d rather be remembered anyway as a good man, a good father and a good friend than as a good fighter. “Yeah, right, that’s exactly it,” he said. “I just want to be a good person.” He lives a simple life, both by choice and circumstance. He may be poor in finances, but he’s rich in friends. Despite his own problems, he aids folks less well-off and able than him, often making the rounds to visit old pals, many of whom he knows “from boxing.” Some, like Tony Novak, Gabe Barajas and Art Hernandez, are ex-fighters. Novak and Hernandez sparred with Stander back in the day. Fred Gagliola coached a young Stander as an amateur Golden Gloves fighter. Maurice “Mad Dog” Vachon is an ex-pro wrestler quite popular here. Stander and Vachon know the highs and lows of life inside and outside the ring. Tom Lovgren was the matchmaker for many Stander fights and at one time managed him. Each man suffers some kind of health impairment or disability. All befriended Stander at one time or another and he’s never forgotten it. “They all helped me. Now I attempt to give back in some way. I like to help out. They were in my corner and now I’m in their corner,” said Stander, who variously does chores, runs errands and offers companionship for them. Lovgren is afflicted with multiple sclerosis. The effects of the advanced disease confine him to a wheelchair. When his wife Jeaninne broke a leg last winter she could not get her large husband out of his chair into bed. “So I called Ronnie and said, ‘Can you come down and help me into bed every night?’ — and he did,” Lovgren said. “He came down at 10:30 every night and put me to bed. I paid him, because he didn’t have to do that. He’s a good friend.” Not long ago Lovgren took a fall at home, unable to get up by himself or even with an assist from his petite wife. Enter Stander. “It was about 10 o’clock at night. I was beat, tired. I worked hard that day and I was all out of gas. I’d just had my first beer of the night when Jeaninne called. ‘Can you help out?’ I went down to their place. He was flat on the floor and I had to pick him up…and put him in his chair. It was a tough lift. Boy, he’s getting heavy. Probably weighs 250. Dead weight,” Stander said. “I about didn’t make it. Jeaninne had to get on his side and grab his pants and pull him up. We got him though.” Stander’s glad to help the man who so much did for him. Lovgren not only got him fights, but was part of the team that readied him for his May 25, 1972 title bout with champ Joe Frazier in a jam-packed Civic Auditorium. Lovgren prodded Stander to get in fighting trim and stay away from late night beer binges. “He would always get me to do the road work real good,” Stander said. “He’d take me running, count laps. He was a real disciplinarian. But fun, too. I respected him.” Before he challenged for the championship, Lovgren arranged what Stander called a “steppingstone” match with future contender Earnie Shavers. Considered one of the hardest punchers in the heavyweight division, Shavers’ blows “felt like getting hit by a night stick or a ball bat,” Stander said. “It was like a whip cracking at the end.” After a slow start that saw him get pummeled, he KO’d Shavers in the fifth. Shavers reportedly had to be carried off by his corner. That became Stander’s signature win. His most notable loss, of course, came in his title bid. After losing to Frazier, Stander sank into a deep depression and his career nose-dived. “I didn’t have any desire,” he said. Except when Lovgren got him a marquee match against former contender Ken Norton on the undercard of the Muhammad Ali-Jimmy Young bout. Norton won when the fight was stopped in the fifth due to cuts he opened up on Stander, who was prone to bleed, but to this day “The Butcher” feels he would have had a tiring Norton “out of there in another round or two.” Coulda’, woulda, shoulda’. “You can’t fight destiny” Stander said. Away from the ring, the fighter admires how Lovgren has never given up in his own battle with MS. Despite the debilitating disease, Lovgren has raised a family, worked, traveled and maintained his passion for sports, especially boxing. “He’s been an inspiration,” Stander said. “He’s paid his dues.” The other men Stander helps are inspirations to him, too. Former world middleweight contender Art Hernandez lost a leg after a freak fall from a roof, but he hasn’t let it stop him from living a life and enjoying his family. “I’ve got all the respect for him, too,” said Stander, who, like Lovgren, considers Hernandez to have been the best fighter, pound-for-pound, to ever come out of Nebraska. As an undersized but much quicker sparring partner, Hernandez used to frustrate Stander in the gym, confounding and evading the lumbering heavyweight. “I couldn’t hit him with a handful of rice,” Stander said. Stander admires too how “Mad Dog” Vachon has not allowed the mishap that cost him a leg to embitter him. “’Mad Dog’s’ a good guy,” he said. “He has a great attitude.” Through “Mad Dog” Stander met an array of pro wrestling legends, such as Andre the Giant. “When I shook his hand it was like grabbing a pillow,” he said. When Hernandez first got fitted with his prosthesis Stander brought him over to “Mad Dog’s” place so these two old warriors with artificial limbs would know they were not alone. The gesture touched the two men. “He did me a favor that day,” Hernandez said. “He’s got a heart of gold,” Vachon said. “He’s a very nice man. A real softee. He’s the kind of guy who would give you the shirt off his back.” Since suffering a series of strokes Fred Gagliola, the man who helped show Stander the ropes as an amateur, has trouble getting by. “I was just weeding in his yard the other day,” Stander said one summer morning outside the south downtown home of the man he calls Coach. “He can’t do much. I sweep and mop the floor for him.” “He cuts the grass, he throws out the garbage,” Coach said. “Whatever it takes,” added Stander. “I just try to help him however I can. He was on my side in the Gloves, you know. He backed me, supported me. He did favors, I do favors. He helped me, I try to help him now. So it’s pay back.” Although he can use the money, Stander doesn’t lend a hand for the “couple bucks” he earns “here and there.” “Other things,” besides money, “make him happy,” Vachon said. Like doing good deeds. Friends and family are all that are left once the money runs dry and the glory fades. “Mad Dog” and “The Butcher” made names for themselves in the late ‘60s and early ‘70s. Vachon reigned as an All-Star Wrestling king on cards at the Omaha Civic Auditorium. That’s where Stander enjoyed his greatest ring success, topped by challenging Frazier for “all the marbles” in what may have been the biggest sporting event Omaha’s ever seen. The title fight was the pinnacle of his career. But life goes on. Things change. Stander was 27 and fighting on the biggest stage his sport has to offer — in his adopted hometown no less. Before friends and family and the assembled boxing world he put himself on the line and he failed. The fight was stopped after four rounds, Stander’s face a bloody, pulpy mask. He never went down, though. He pleaded for the fight to continue, but ringside physician Jack “Doc” Lewis made the only call he could given that Stander was blinded by blood from ugly gashes and could no longer defend himself. A longtime friend said Stander cried in the dressing room, sure he’d disappointed everyone. The friend assured him he hadn’t. The incident reveals a couple things: how much Stander, often accused of taking a nonchalant approach to his training, cared about representing his hometown; and his never-say-die attitude. “I trained hard for the fights I cared about. I wanted to prove I was a legitimate contender,” he said. No one could ever call him a quitter. “He’s got a heart the size of this room,” Lovgren said from his spacious living room. “When Joe Frazier is unloading on you and you’re still standing, you’re something special. Tough guy.” Life hasn’t been a bed-of-roses since the Frazier fight. Stander’s contentious first marriage ended. He didn’t get to see much of his oldest two kids growing up. He remarried and had two boys before this second marriage soured. He has custody of the boys, Rowan and Ryan. He tried being an entrepreneur, owning his own bar, but that didn’t last. Long an imbiber, he developed a problem with alcohol and a DWI landed him behind bars. “I was stupid. I made some wrong decisions. I didn’t know when to say no. Let the good times roll. Let the party begin. When I had to go away for three months it was like shock treatment,” Stander said. “I was going to grow up sooner or later. Maybe it helped me to.” The biggest blow — to both his pocketbook and ego — was losing the best job he ever had, as a machinist at Vickers. Through it all, he’s stayed sober and tried to do the right thing for his kids and his pals. “He’s a good guy,” Lovgren said. “He’s a good father. He takes good care of those kids. He’s really a caring person. If you ask him to do something he makes a real effort to do that. If I need anything I know he’ll come.” Largely unemployed since 2000, Stander leads a hand-to-mouth existence that finds him scrounging for discarded cans and car batteries he brings to the recycler for chump change. He also does odd jobs for people who reward him with scratch. “Most of the time I’m trying to hustle some gas money and food money,” he said. One of his frequent stops is A. Marino Grocery, a South 13th Street throwback, or as Stander likes to say, “blast from the past.” Proprietor Frank Marino joked, “He’s my pacifier. If somebody doesn’t pay a bill we send him out to collect.” In reality, Marino said, “We have him do little things, cleanup a little bit, make a delivery every once in awhile for me.” “Take some boxes out,” added Stander, who on a recent visit grabbed a bundle of flattened cardboard boxes and deposited them in the dumpster out back. “It’s the same at Louie M’s (Burger Lust). We’re paisan.” It puts a few extra dollars in Stander’s pocket. Otherwise, he gets by on his monthly Social Security check. There’s no pension, no nest egg to draw on. Fighters don’t have retirement plans. He does have a 401K through Vickers, but he’s had to dip into it to make ends meet. All of which makes things tight for a man raising his two youngest boys alone. One silver lining is that his house, a mere two blocks from Rosenblatt Stadium, is paid for. Another is that his son Rowan, a senior at Creighton Prep, is a top wrestler who might earn a college athletic scholarship. Stander’s a robust 62, but he has health issues. He’s overweight, with high blood pressure and diabetes. He’s missing several teeth. For comic relief he slips his dentures out and opens wide to show his bare mouth. He has trouble remembering things. It’s what becomes of old fighters, even one as strong as an ox like him He doesn’t complain much, except to bemoan the loss of that machinist’s job at Vickers, where he operated drill presses, grinders and lathes. The Omaha plant closed just before Christmas 2000, leaving him and more than 1,000 co-workers out in the cold. He was 55, an age when it’s hard to start over. With only a high school education and no marketable skills, he’s got few prospects. “When Vickers closed up, that was it, that was the final straw for me,” he said, “because by the time you’re 55 or 60, if you’re not locked into something, you’re done, you’re screwed. So I’m screwed.” He sometimes wonders if he did the right thing pursuing a boxing career. He began at Vickers in ‘65 while still an amateur. After turning pro in ‘69 he quit his job, even though his early purses were negligible. He got $75 his first fight. A few hundred each the next few bouts. Until Frazier his biggest purse was a few thousand. “I had a good job at Vickers…If I had stayed there all those years and not taken a shot at the title I’d be retired right now. I went back to Vickers in ‘93 and when I finally started getting the big money in ‘95 they closed the plant. That’s what grieved me. People say, ‘Well, you can start over and work your way up again’ Yeah, right, whatever.” Men his age aren’t in demand by employers. “I’m ready to work, but people don’t want to hire ya. I’ve talked to friends in construction and they say, ‘We’re looking for guys 35, not 55. I talked to a friend in the heating and air business and he said, ‘Well, you know, Ron, at your age we don’t want you to be up on a roof when it’s 120 degrees working on an air conditioning unit. You could have a heart attack.’ There again, the age factor.” He did attend Vatterott College to learn a trade. He was an apartment maintenance man, but tired of tenants calling in the middle of the night demanding their leaking toilets be fixed. His pride won’t let him take an $8 or $9-an-hour job. Until a few years ago he made extra dough refereeing boxing matches in Nebraska, Iowa, the Dakotas and Minnesota. He even did a few televised title bouts. But those gigs dried up with the loss of independent promoters. He’s shut out by the casinos, where the fight action is these days, and their contract refs. Besides, with two boys, in his care he can’t be gone on those overnighters anymore. Like the old pug in Requiem for a Heavyweight, he’s at a loss what to do now. Fighting is all he knew. For a time he did have his own bar, The Sportsman’s Club, but his weakness for the drink made that an unhealthy environment for him to be in. He’s clean and sober now, but that alone doesn’t pay the bills. Money worries nag at him, especially with the boys to clothe and feed. “It’s a struggle,” he said. “We live on $953 a month Social Security.” Come College World Series time he pulls in some much-needed cash parking fans’ cars, at $5 a pop, on his property. His record for one game is 26 vehicles. But that happens only two weeks a year. He also makes some money from autograph signings he does in Omaha, Lincoln, Des Monies, et cetera. Enough time has passed that he doesn’t carry the cachet he once did, when his mug and name were enough to buy him drinks and meals and perks wherever he went. As Omaha’s last Great White Hope, everyone wanted a piece of him then. “It’s not like it used to be,” he said. The Vickers job seemed like a sure thing and then, poof, it was gone — the steady paycheck, the security, his self-esteem. “When I had money, when I had a job,” life was good, he said, “before things went from sugar to *** in a short time.” Quicker than you can say, Whatever happened to?, the career club fighter blew the six-figure purse he earned for his only shot at immortality. There were a handful of other big paydays. But the pay outs in his era were small potatoes compared to the millions contenders command today. Long gone are the days when media hounded him for quotes. His last real exposure came in 2001, when he appeared with Joe Frazier, the man who gave him a Rockyesque chance at the title. For only the second time since that fight, the two warriors met — for a Big Brothers, Big Sisters of the Midlands promotional event in Omaha. In the way that old combatants do, they embraced like long lost buddies. They were never close, but the mutual respect is real. The ensuing years wrought much change. Their hair’s flecked with gray, their mid-sections grown soft, their speech slowed. Yet, to their good fortune, each shows few effects from the punishing blows to the head they absorbed as sluggers who took many shots to land one of their own. They still have their wits about them. But Stander’s life is a far cry from the ex-champ’s. Frazier is an icon within the larger sports canon for his Olympic gold medal, undisputed heavyweight crown, his three memorable fights with Muhammad Ali and the dramatic way he lost the championship against George Foreman. He has his own gym and other business interests in his hometown of Philly. His much sought-after autograph brings hundreds of dollars, compared to a fraction of that for Stander’s. Where Frazier is a featured storyline in boxing history, “The Butcher” is a sidebar and footnote. Or an answer to a trivia question: Who was the last fighter Joe Frazier beat while world champ? Ron Stander. Stander’s match with “Smokin’ Joe” came between Frazier’s two most historic fights — eight months after beating Ali at New York’s Madison Square Garden and eight months before being brutally beaten in Jamaica by Foreman, who took the crown only to lose it a year later to Ali. The boxing world can be a small community. Even though Stander’s career is forgettable by all-time Ring Magazine standards, he’ll always be a part of boxing history for having fought for the title. The fight occasionally shows up on ESPN Classic. His bid, too, came at a time when the title was still unified. Plus, he squared off with some of the sport’s biggest names — Frazier, Shavers, Norton, Gerrie Coetzee. Then there’s the fact his career intersected with other legends, like Foreman, who was at the title bout in Omaha and reportedly saw something he exploited when he later faced and destroyed the champ. Specifically, Stander worked on an uppercut to take advantage of a flaw in Frazier’s defenses. In the third round he saw his opening and let the uppercut fly, missing by an inch. He figured he’d only get one chance and he was right. Conversely, Foreman pushed Frazier off and caught him coming in with the same punch. Then there were Stander’s meetings with The Greatest. He said on four occasions he was a surrogate member of Ali’s entourage. He said Ali liked having him around for his parodies of Aliisms like, “I’m the greatest of all time.” Stander does a fair impression of Ali, of sports broadcaster Howard Cosell, who once interviewed Stander, and of Mike Tyson, the troubled ex-champ. Stander met Tyson in Las Vegas in the ‘90s, long after his own career had ended. There’s a story behind their encounter. In preparation for Frazier, Stander manager *** Noland wanted him far from distractions and so shipped him off to Boston to work under famed Johnny Dunn. After the Frazier fight Stander parlayed the connections he’d made back east and went to the Catskills to train under legendary Cus D’Amato. It was D’Amato who went on to mentor the young Tyson. Stander was in Vegas, where Tyson was training for a title defense against James Broad, when he paid a call on the then-champ. As dissimilar as the two men were, they did share a pedigree in the person of Cus D’Amato. “He knew all of Cus’ disciples and he knew I was with Cus, so he let me in the gym. No introduction, he just came right up to me, ‘Hello, Mr. Stander.’ ‘Hey, champ, how ya doin’?.’ ‘I’m working on an uppercut that will drive that nose bone into the brain.’ ‘Yeah, that’s a good move, champ,’ said Stander in a wickedly dead-on Tyson impersonation — childlike voice, silly lisp and all. “He was something.” “The Butcher” even ended up in a film, The Mouse, based on the life of his real-life friend, ex-boxer Bruce “The Mouse” Strauss. Stander also hung out with non-sports celebrities — as a bodyguard for the Rolling Stones and The Eagles. He said Evel Knievel, whom he got to know, offered him $3,500 to work the security detail for his Snake River Canyon jump. Instead, Stander took a fight in Hawaii, where he’d never been, for the same money. All these brushes with fame please Stander, but as he likes to say, “That and 50 cents will get you a cup of coffee.” He experienced about everything you can in boxing. Good, bad, indifferent. He never really announced his retirement, but he knew when it was time to quit. “You know when you’re almost done,” he said. “You don’t have the desire or the hunger. You’re tired of the running and the road work. You’re tired working out all the time. The stitches start mounting up. Your nose gets a little flatter. Your teeth get a little looser. Your brain gets a little jiggled. You just lose it.” If anything, he hung on too long, waiting for one more big payday that never came. “Yeah, that’s probably right,” he said. “There at the end I fought a lot out of shape because I didn’t care. But a guy’s gotta have money. It wasn’t like I was gaining seniority working for U.P.” Rather than work for meager wages today, he scrapes by. He’d like to run his own gym, but that takes moolah. One benefit of not having a regular job is that he has time to spend with his kids and help friends. “I try to be a role model and do the right thing for these kids. I have to show them the right way to go,” he said. As for his friends, Stander said, “They did right by me,” and now he’s trying to do right by them. Gabe Barajas appreciates having Stander as a friend. Barajas, the former owner of Zesto’s near the zoo and stadium, said, “We’re pretty close. He used to come up and help me out there, too, shaking everybody’s hand, bringing the heavy pop coolers up to us. He did lots of things. He ate a lot, too.” Stander’s visits to the nursing home Barajas resides in bring a smile to his friend’s face. Stander sometimes takes Barajas, who has MS, for drives, down to old haunts. He lifts Barajas from the bed or recliner into his wheelchair and puts him and the chair in his car. Stander said his friend needs outings like these. Otherwise, “that’s his life — in that room and down in the dining hall,” he said. Fred Gagliola, Stander’s old coach, knows he can count on him. “Oh, hell, yeah. He comes down here all the time to help me out,” Gagliola said. “He’s a good friend.” Tony Novak, Stander’s first sparring partner, lives alone in a Carter Lake trailer home. Stander frets over his buddy’s health. “Ron’s been a good, true loyal friend for 40 years. He checks on my every day,” Novak said. The breaks maybe haven’t gone “The Butcher’s” way since he lost to Frazier, but he just chalks it up to “fate” and appreciates what he does have. “No matter how good you are, how smart you are, how well-built you are, you gotta have a little bit of luck to go along with it,” he said. And you gotta have “a few good friends.” That he has. It’s why he’s not about to quit now. There are too many rounds to go, too many friends in need. “You gotta do whatchya gotta do. Hang in there. You can’t fight destiny.”
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This is the first story I wrote about Omaha sports legend Ron Stander, a journeyman heavyweight boxer who got his Rocky and Great White Hope moment in the sun when he fought reigning world champion Joe Frazier for the title in the challenger’s adopted hometown of Omaha, Neb. My story appeared some 30 years after that 1972 bout in which Frazier bloodied and bruised but did not knock down Stander. The fight was called after four rounds. As a fighter, Stander was strong and brave and always stood a puncher’s chance. But he forever sabotaged whatever chance he had to be a legit heavyweight contender by the way he conducted his life, which was to overeat and drink and recreate and to avoid training whenever possible. He paid for that lack of discipline in a number of ways, both professionally and personally. But the reason why people have always loved Stander is that he’s a sweet, generous Every Man whose triumphs and struggles we can identify with. At the time I wrote this article he was somewhat a sad, down-and-out figure. More recently, his life has taken an upswing I am happy to report. I understand he’s now writing his life story. It should be one helluva read. Requiem for a Heavyweight ©by Leo Adam Biga Originally published in the defunct Omaha Weekly It is tempting to cast local boxing legend Ron “The Bluffs Butcher” Stander in the role of a heavyweight in need of a symbolic requiem. A certain sadness surrounds this one-time contender who, since retiring from the ring in 1982, has often battled opponents he could not lay a glove on — including himself. While this smart ex-pug is no permanent resident of Palookaville and clearly still has all his wits about him, he does fit the part of a man haunted by having had the world in the grasp of his beefy hands only to let it all slip away. Like some real-life Rockyesque figure, this hometown Great White Hope was just another up-and-coming club fighter when he got a once-in-a-lifetime chance to fight for the heavyweight championship of the world. It happened 30 years ago right here in Omaha, Neb. On May 25, 1972 he squared-off with “Smokin” Joe Frazier at a jam-packed Civic Auditorium. What transpired next has defined Stander ever since. Unlike the fictional “Rocky,” his moment in the sun ended not in fame or fortune but as the answer to a trivia question: “The last fight Frazier fought as champion? It was against me,” Stander will tell you at the drop of a hat. Before sitting down for a recent interview at the comfortable south Omaha home he shares with his second wife Becky and their two children, he excused himself, saying, “I have to put my teeth in,” referring to the denture plate he inserts to replace the many ivories he lost over the course of his ring life. Reposed in a recliner, his fleshy face a contour map of scars and crevices, he spoke about the Frazier fight and its implications in his life. For four brutal rounds the local slugger stood toe-to-toe with the fierce Frazier, then only months removed from having beaten Muhammad Ali in the first of their epic fights, and traded body blows and head butts with him. They were like two big-horned antelope locked in mortal combat, neither giving an inch. “We could have fought the fight in a telephone booth,” is how Stander describes it. The challenger got in a few good licks, even stunning the champ in the 1st, but by the time the bell sounded to end round 4 his pasty face was a bloody, swollen mask. Ringside physician Dr. Jack Lewis put a stop to the slaughter before the start of the 5th. Local boxing fans fondly recall Stander’s courage in waging war the way he did. It was a frontal assault all the way, as he absorbed multiple blows just to connect one or two. His friend and former matchmaker, Tom Lovgren, said, “Ron Stander was not going to be embarrassed. He was not going down at the first thing that came close. He had a heart the size of a house. He’d walk right at you.” Never one to pull his punches, even when discussing himself, Stander said, “As far as taking several punches to land one, that’s not the smartest thing. It was more a result of my short height and short reach.” Despite all the techniques and strategies he was taught over the years, in the heat of battle the Butcher always returned to his unschooled, bull-rush style. “You resort back to whatever comes natural to you, I guess,” he explained. “I was just a slugger. I was very aggressive.” Much like he fought, Stander approached life head-on also, over-indulging in food and drink, taking risks, making rash decisions, leading with his chin and heart instead of keeping his guard up. He paid the price, too. His tempestuous first marriage ended in divorce. He became estranged from his first two children and his grandchildren. There were much publicized drunken driving offenses, the second of which landed him in a men’s reformatory and a detox unit for several months (“That was pretty bad.”) There was the failure of his Council Bluffs watering hole, The Sportsman’s Bar. His weight ballooned to nearly 300 pounds. He lingered far past his prime as a prizefighter, hoping against hope another big pay day would emerge. It never did. He entered the title fight with a promising 21-1-1 record, including 15 KOs, and staggered to a disappointing 14-19-2 mark after it, often going into fights poorly conditioned and mentally unprepared. Near the end, Lovgren refused putting him in with heavy hitters or expert boxers for fear his fighter might be badly hurt. Friends feel Stander hung on too long. “Yeah, that’s probably true,” the Butcher said. “You know when you’re almost done. You don’t have the desire or the hunger. You’re tired of the roadwork. You’re tired of working out all the time. The stitches start mounting up. Your nose gets a little flatter. Your teeth get a little looser. Your brain gets a little more giggled. You just lose it. But a guy’s gotta have money. It wasn’t like I was earning a pension working for U.P. (Union Pacific).” He was a fighter. That’s all he knew. Along the way, he was exposed to the seamier side of boxing. While training back east he met some wise guys who had their hooks into boxers. He heard stories of fighters refusing to take dives being thrown off a pier or getting their hands busted with hammers. “Yeah, it happened,” he said. “There’s a lot of backstabbers in boxing.” Then there’s the whole dirty business of being a gladiator under contract, which is like being an indentured servant. He got only a small piece of the financial pie. “Everybody gets their hands in the till, see? I got $100,000 for the Frazier fight and I only came home with $40,000 by the time my manager took his cut, somebody else took his and the IRS took theirs,” he said. On three occasions his contract was bought outright by managers in other states and he had no choice but to pack-up, relocate and take his marching orders from a new boss. “You move to their town, you train in their gym, you fight in their fights and they take half,” is how he put. All in all, though, he feels he was well treated, especially by Noland and Lovgren. “They did right by me.” One of the quirks of being a once-name fighter is hanging out with sports icons. On several occasions he was with Ali as The Greatest prepared for fights. He witnessed him practicing pre-fight poetry out loud like an actor running his lines and lording over his entourage like some sultan overseeing his minions. He was with a young Mike Tyson (of whom he does a dead-on impression) in Las Vegas. He chummed around with pro wrestlers like Jesse “The Body” Ventura. He made friends with such ringside characters as Cus D’Amato and Bruce “The Mouse” Strauss. With the perspective of time, Stander now blames his many travails on the deep funk he says he descended into after losing the title shot. “After the Frazier fight I was really depressed. I wanted to win so bad,” This once hometown hero became seemingly overnight, a has-been. Upon his retirement he stayed on the fringes of the game refereeing bouts and appearing on fight cards, where he was a bloated shadow of his former self. He searched in vain for something, anything, that could replace the rush of stepping into the ring to throw leather. For a while, alcohol became his elixir. It didn’t help when he endured the loss of his mother and step-father, who adopted him and whom he idolized. As a child the future boxer and his mother were abandoned by his biological father. He said when she remarried (getting hitched to Frank Stander, a hard working World War II vet who accepted Ron as his own) it “was the greatest thing that ever happened to me.” With the help of his second wife, Becky — “She’s a doll” — with whom he has two boys, ages 11 and 13, Stander is clean and sober these days, but out of work. When a reporter recently read him a litany of his troubles and asked what went wrong, this man who never took a dive in the ring answered candidly about the hard fall he took after hanging up the gloves. “Yeah…yeah…yeah. Depression. Losing the Frazier fight. Yeah, that and stupidity. Probably irresponsibility. I made some wrong decisions. I didn’t know when to say no. I was like, ‘Let the party begin.’ When I had to go away (for rehab) it was like shock treatment. I was going to grow up sooner or later and maybe going away helped me to. Now, I just want to raise these two kids and enjoy my grandkids and try to be a role model and do the right thing. I have to show them the right way to go,” he said sheepishly. When the Vicker’s plant closed a few years ago, Stander lost his well-paying machinist’s job there and has lately been attending Vatterott College’s heating and air conditioning school in an attempt to learn a new trade. He worries, though, how a man his age can find a job that will enable him to support a family. “People say, ‘Well, you can start over and work your way up again.’ Yeah, right. Whatever,” he said, sarcasm dripping from his tongue. “I’m ready to go, I’m ready to work. But people don’t want to hire ya when you’re my age. I talked to friends at Hawkins Construction and they said, ‘We’re looking for guys 35, not 55.’ I talked to a friend who’s in the heating and air business and he said, ‘Well, you know Ron, we don’t want someone your age up on a roof when it’s 120-degrees. You could have a heart attack. Heart attack, hell, I feel fine. I can fight Frazier tonight.” Like many athletes who once enjoyed success and celebrity, Stander clings to the memory of his halcyon days as the popular hard-hitting heavyweight who, as Lovgren said, “put asses in seats better than anyone ever has in Omaha, Nebraska.” Lovgren, a boxing historian, feels Stander was “one of the last good heavyweights under 6’0 tall.” To be sure, Stander made some waves in the fight game. Early in his career he peaked at just the right time for a fight with the formidable Earnie Shavers, widely considered one of the hardest punchers ever in the heavyweight ranks, and knocked Shavers out in five. In total, he faced nine men who fought for the title, never ducking anyone. But he admits he often didn’t train as hard as he should have. According to Lovgren, Stander lacked a fire in his belly. “It was hard to get Ron enthusiastic about fighting,” he said. “When he fought for me I was on him all the time, but there was no inner drive, no fire in the furnace, except for certain fights. I don’t know why he didn’t have it. I tried talking to him about it. I tried playing mind games with him. I did everything I could do.” As for himself, Stander holds fast to the dream of what-might-have-been glory days if he had only connected with one solid blow that fateful May night 30 years ago. There is still enough cockeyed machismo and never-say-die hope left in him that when discussing old ring rivals Joe Frazier, Ken Norton and Muhammad Ali, he says, not entirely facetiously, “I have all the respect in the world for those guys, but the simple fact is if we fight today — I knock ‘em out. I’d knock ‘em all three out in less than one round because of their poor physical condition. Frazier’s got diabetes. His weight’s down. His arms look kind of arthritic. Norton was in a coma for months after a car wreck. He can’t hardly walk now. Ali’s got Parkinson’s.” Then, as if catching himself in the absurdity of boasting over dismantling such debilitated old men, he added, “That and 50 cents will get you a cup of coffee.” Stander, today a robust 57 with a big belly and forearms as hard and round as telephone poles, appreciates the irony of how he, the once prohibitive underdog, would now be the odds-on favorite, given the ravages of time, in imaginary pugilistic contests against these old greats. Even though his own post-boxing life has been anything but a joy ride, Stander is physically unscarred compared to his fellow warriors. And he undoubtedly could whip their asses today, too. A lot of good that does him now, though. The point is, as he knows all too well, is that “when it really counted — when all the money was on the line, it would have been different,” he said. “I would still have been a 10-1 underdog.” And he still would have lost for the same reasons he did when he fought Frazier and met Norton in a matchup of former contenders. The simple fact is Stander, even in his prime, had a bad penchant for being cut in the ring. Sure, he could take you out with one punch, but the slim chance of landing a haymaker made him a long shot against elite fighters, who pummeled him at will and invariably opened up gashes over his eyes from which blood obscured his vision. Cuts led to the early stoppage of both the 1972 title bout and his 1976 fight with Norton. He never faced Ali, but if he had the results would surely have been the same. Making matters worse, Stander was a notoriously slow starter and sometimes he had barely warmed up before cuts opened up and the fight was halted. Like the tough guy he is, Stander still believes he could have taken out both Frazier and Norton if the fights hadn’t been stopped on account of what he calls “chicken *** cuts.” Indeed, anyone who worked with Stander will tell you he was not hurt during those fights or during any of his fights for that matter, that he was rarely dropped and that he was never counted out. Despite ineffective defensive skills, his massive neck, sturdy chin, heavy leather and refusal to go down made him a pain-in-the-ass for any foe. His losses could be attributed more to his poor training and his accursed propensity for bleeding than anything else. Of his legendary ability to knock men out cold and to stay on his feet, he said, “I was just blessed with it. You either have it or you don’t, I guess.” That’s not to say Stander didn’t incur his share of punishment during his ring career. His injuries included an oft-broken nose, fractured hands, shattered teeth and myriad cuts requiring more than 200 stitches. His face is a kind of Frankenstein monster’s patchwork. He feels fortunate he avoided long-term damage. Therefore, he does not take lightly how his more famous fellow ex-practitioners of The Sweet Science have suffered physically in recent years. About Frazier, with whom he was reunited last summer for a Boys and Girls Club of Omaha promotion, he said he was shocked by how much the former champ has failed. “I’m not putting him down. I’m just telling you the facts. He had 41 brutal rounds with Ali. And Big George Foreman scrambled his brain, too. Frazier’s a mucho-macho champion, but all that pounding takes its toll on a guy. Norton hasn’t been right since his car wreck. And Ali, with his rope-a-dope tactics, took a lot of shots he shouldn’t have late in his career.” Still, Stander, who once said, “I’ll fight any living human and most animals,” can’t resist, as crazy as it sounds, entertaining the notion of a seniors boxing circuit pitting him against the men who kept the crown out of his reach. “Let’s do it, please. Line it up,” he said, smiling at the thought of cashing-in once more on his God-given KO punch, stiff chin and brave heart. As ludicrous as it may be, boxing is given to extremes, whether it’s an ancient George Foreman returning to fight after a more than decade-long hiatus or Roberto Duran still mixing it up well into his 50s. He knows the fights he imagines can’t happen, of course, but it’s all he has to content himself with after missing out on boxing’s money parade. As he puts it, “I fought the title in 1972, B.C. — that’s before cash and before cable.” He has watched the film of the Frazier fight countless times by now. Viewing it is part penance and part nostalgia. He trained hard, even staying with Lovgren and his family in the weeks preceding the action so that Lovgren could act as a kind of chaperon closely monitoring his roadwork, escorting him to and from the Foxhole gym where he trained under the watchful eye of Leonard Hawkins, supervising his diet and ensuring he did not stray far from home for nights out on the town. Lovgren can recall Stander giving him the slip only once to, presumably, go out and party. But even with Stander mostly attending to business, there were distractions galore. Fans clamored for his autograph. Old “friends” came out of the woodwork and pleaded for tickets. The media hounded him for interviews, ranging from the foreign press calling to even the venerable CBS newsman Heywood Hel Broun showing up at Lovgren’s doorstep one day with a camera crew in tow. Then there was the marital strife Stander and his then wife Darlene, who was widely quoted disparaging her husband’s chances, were coping with. Finally, there was the broken nose he suffered two weeks before the fight while sparring with “Mighty” Joe Young in Boston, where Stander trained for a time under Johnny Dunne. It all got to be too much. “It was annoying and aggravating,” he said. “I just know there were some distractions. It was hard to concentrate. It was a mess. Plus, the anxiety of it. It was for all the marbles. The stress was a factor. Well, you know how they say — Never let them see you sweat? – well, you would have seen me sweating fight night. My armpits were wet. I was anxious, you know? I wasn’t scared. It was psychological. You were going to fight no matter what, but you were just tense. Ready to rumble.” Then there was the pressure of the money involved. Win or lose, more jack was at stake than he he had ever seen before. His share was $100,000 where his previous best pay day was maybe $1,500. Should he have won, he knew he could command riches even far beyond that. As it was, the money disappeared all too soon and he would never take home more than $5,000 for a fight again. Another factor rarely mentioned in accounts of the fight was the huge disparity in experience between the two combatants. Frazier had been a world class amateur competitor, winning America’s only boxing gold medal at the 1964 Tokyo Olympics. Heading into the Stander fight his pro career saw him face one leading contender after another in top venues like Madison Square Garden. By contrast, Stander had a limited amateur career against mostly local foes and as a pro had fought, with few exceptions, much lesser lights than Frazier. Then there was the fact Frazier routinely sparred with top flight men in Philadelphia’s talent-rich boxing gyms while Stander made do with whomever he could find here. In short, Frazier outclassed Stander in every way. “Experience was a big part of it,” said Stander. “I had less than 40 fights, amateur and pro combined whereas Frazier had 100-some fights. I turned pro in ‘69 and then in ‘72 I fought for the title.” So, was it a classic case of too much, too soon? “Yeah…maybe,” he said. That the fight came off at all was a golden opportunity for Stander, plus a coup for his manager, the late *** Noland, and for matchmaker Lovgren, who were the president and vice-president, respectively, of the now defunct Cornhusker Boxing Club. Negotiations for the event, Omaha’s first and last title card, bogged down at one point, Lovgren said, over the size of the take that Stander and his people would get. Frazier’s camp wanted the lion’s share and only when syndicated national television entered the picture and anteed up big bucks for the live broadcast rights did enough money appear on the table to satisfy both parties. Regardless of whether Stander was a worthy opponent for Frazier, he was a natural choice because he fit the bill for what the champ’s camp was looking for in a last tuneup before the Frazier-Foreman bout: First, Stander was an action fighter who would eagerly mix it up with the champ and therefore give him a good workout and provide some crowd-pleasing moments; next, he was prone to cuts and so the odds were good the fight would not go anywhere near the distance; and, finally, he was a popular white contender — when that was fast-becoming an endangered commodity in a division dominated by African-Americans — who would attract enough fans to guarantee a nice pay day. Stander gave them just what they wanted, too. He fought gamely, he bowed out before Frazier got in any real danger and he helped fill the auditorium and generate a nearly quarter million dollar gate. If his later career was a letdown, there were some highlights. Perhaps his most satisfying post-Frazier bout came in 1975 when he knocked out Terry Daniels in the first round. Daniels, another White Hope, had also lost to Frazier and by destroying him Stander hoped to proved that he was still “a legitimate contender.” That win helped him secure the matchup with Norton but after losing that one he never fought a marquee fight again. All these years later Stander’s still slugging it out, only now his fight is about trying to make a go of it as a middle-aged blue collar breadwinner amid a landscape of layoffs, cutbacks and tough times. He sometimes wonders what-might-have-been had fortune turned the other way in his life. “As good as you are and as hard as you work, you need a little bit of luck on top of everything else. Things just never happened for me. Now, I’m lookin’ for a job.” But at least when he’s low he can always take heart in the fact he once fought for the most coveted title in boxing. “It’s the biggest sporting event for one man in the world. It was a great time.” That and 50 cents will get you a cup of coffee.
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I remember as a kid learning about the rich sports legacy at Boys Town, the youth development center founded by Father Edward Flanagan and forever immortalized in the MGM movie classic. When I looked into that athletic history a few years ago for a story I was struck by the amazing success Boys Town teams enjoyed for several decades and by how the football team in particular became a national powerhouse that actually traveled coast to coast to play games against elite prep teams before big crowds in college and professional stadiums. Flanagan and his immediate successor seized upon athletics as a healthy outlet and socialization model for residents and as a promotional tool for the campus. The story of the football team’s many triumphs and travels would make a good movie itself. Football was the school’s poster sport, but Boys Town enjoyed tremendous success and followings in basketball, baseball, wrestling, and track and field as well. All the changes that came down at Boys Town beginning in the late 1960s and early 1970s resulted in the athletic program suffering several lean years. It’s only in the last decade that there’s been a resurgence in Boys Town sports, not to the heights of its former glory perhaps, but enough to link this era to that earlier Golden Age. The following story originally appeared in Nebraska Life Magazine. Look for more Boys Town stories in future posts. Rich Boys Town Sports Legacy Recalled ©by Leo Adam Biga Originally published in Nebraska Life Magazine “I didn’t know a jock strap from a toothbrush,” said alumnus George Pfeifer of his arrival at Boys Town from a Kansas farm in 1939. Like some of the finest athletes at Rev. Edward Flanagan’s home for “lost” boys, the future coach had never played organized sports before coming there. Most of the boys were either poor inner city or rural kids who’d played only sandlot ball or street ball. They came from all parts of the country, boys with different racial, ethnic and religious backgrounds, and on their shoulders was built an athletic dynasty that became the envy of the nation. From the Great Depression through the 1960s, the Boys Town football team played elite Catholic prep schools and military academies in Los Angeles, Chicago, Detroit, Pittsburgh, New York, Miami and other cites. The games attracted dignitaries and made headlines. Playing against the nation’s toughest competition in large stadiums before tens of thousands of fans, the Cowboys won more than twice as often as they lost. During the same era, Boys Town won multiple state championships in football and basketball, and produced scores of all-state athletes and individual champions, even some high school All-Americans. Its great track-and-field athletes include two-time Olympian Charles “Deacon” Jones (1956 and 1960) and quarter-miler Jimmy Johnson, who won the Pan Am Games only a few years after graduating. It began with the dream of Boys Town’s founder, Father Flanagan, who was a fair soccer and handball player in his day, and a vocal champion of sports. He made sports an integral, even compulsory part of residents’ experience at Boys Town. Intramural athletics became a big deal. In those days, the boys lived in dorms and staged competitions between their respective buildings to see who were kings of the field or the court. By the mid-1930s, Flanagan hired a coach and pushed for Boys Town to compete in sanctioned interscholastic events. Born and raised in Ireland, Flanagan made his long-held dream for Boys Town a reality through conviction, blarney and bluff. With his silver-tongued brogue and big sad eyes, he elicited sympathy and loosened purse strings for the plight of America’s orphaned. With his politician’s ability to build consensus, he got people of all persuasions and faiths to contribute to the home. It didn’t hurt that Flanagan harbored a bit of P.T. Barnum in his soul. Almost from the start of the home in 1917, he made use of the media to further the cause of children’s care and rights. In the 1920s he hosted a nationally syndicated Sunday radio program, “Links of Love,” broadcast from the old WOW studios in Omaha. On a larger scale, there was the 1938 MGM box office smash “Boys Town,” starring Spencer Tracy and Mickey Rooney. Tracy won the Best Actor Oscar for his portrayal of Flanagan. The movie made Flanagan and BT household names. He used his and the home’s growing reputation to bring national figures, including sports stars, to “the city of little men.” The BT archives detail visits by such sports icons as Babe Ruth, Lou Gehrig, Jack Dempsey and Joe Louis. Hollywood celebrities were also frequent visitors. “Deacon” Jones, then learning the barber trade at BT, recalls being summoned with his clippers to the quarters of Flanagan’s successor, Rev. Nicholas Wegner, where he found Spencer Tracy in need of a haircut. Jones complied. Just as Flanagan earlier made the school band and choir ambassadors for BT, so he did with football. The same year the movie “Boys Town” was released, the football squad boarded the Challenger super liner at Omaha’s Union Station for a trip west, where they played a benefit game against Black Foxe Military Institute of Los Angeles. The film’s producer, John Considine, Jr., made it happen. Among the 10,000 or so in attendance at Gilmore Stadium were numerous Hollywood stars. Boys Town won, 20-12. The good turnout seems to have convinced Flanagan to take his football team on the road as a gypsy, bring-on-all-comers sideshow featuring orphans from the world-famous Boys Town. The bigger the stage, the tougher the opponent, the more Flanagan liked it. He would often wend his way to wherever the football team appeared, posing for photos, making pre-game or halftime on-the-field speeches, and generally getting the Boys Town name in the press. A big banquet, often in his honor, usually preceded or followed the game, giving Flanagan another chance to spread the gospel. BT alum Ed Novotny of Omaha, who played for Boys Town in the early 1940s, recalls the time Flanagan was on the field during pre-game festivities in New Jersey. Novotny says a press photographer asked to snap a few pictures of the famous priest doing a mock kickoff. Sensing a good photo op, Flanagan obliged. As he lined up for the kick, Novotny turned to an opposing player and said, “He’s in a bad spot” – meaning the photographer crouched in front of the ball, holding a Speed Graphic camera overhead. “What do you mean?” the other player said. “Father Flanagan can kick. He’ll blast that thing right over the goal post.” “Really? A priest?” Novotny will never forget what happened next. “No sooner did I say, ‘Yeah,’ than he kicked that ball and knocked that camera right out of the guy’s hands.” Novotny recalls Flanagan as an enthusiastic presence on the sideline or in the locker room. The priest stood in the players’ circle to lead pre-game prayers. At basketball games he sat on the end of the bench with players and coaches. He greeted guys by name or with his favorite terms of endearment, “Dear” or “Laddie.” “When you were in his presence you were the most important person in that room,” Novotny said. The padre fired up the troops and fussed over injured players. “He would tell us, ‘good job’ whether we were winning or losing.” More than a spectator, Novotny said, “he was a participant.” To compete with the nation’s best, Flanagan hired Maurice “Skip” Palrang, who came to Boys Town after successful stints at Omaha Creighton Prep and Creighton University. Over his 29-year career at Boys Town, he led Cowboy teams to football, basketball and baseball titles. He won National Coach of the Year honors from the Pop Warner Foundation of Philadelphia, Pa., and Nebraska High School coaching plaudits from the Omaha World-Herald. As athletic director, Palrang oversaw construction of a mammoth field house, modeled after those at Purdue and Michigan State. Its classic brick facade features sculpted panels of Greek-like figures in various athletic poses, stained glass windows and a vast arched metal roof that spans the length of a football field. Great facilities like these helped set BT apart.
Palrang hired coaches to carry BT’s dominance into other sports, but it was best known for football. “It wasn’t like Boys Town would play the weakest teams we could find – we’d play the baddestteams we could find,” said ’50s star halfback “Deacon” Jones. “We knew we played the best teams Skip could get to play. A lot of the players we played against went on to make All-American in college. Some went to the pros. We traveled to play Aquinas in Rochester, N.Y. That was like a Notre Dame prep school. And, whew, they had some tough players.” Under Palrang, the Cowboys went 75-33-6 in these intersectional matchups. BT also participated in intersectional basketball and baseball contests, but on a far more limited basis. Jones said players got “five dollars per trip for eating and fun money.” For some, like him, it was their first time on a train, a big deal for “kids that didn’t have anything,” he added. Seeing the sights was part of the experience – Chicago’s Field Museum, New York’s Rockefeller Center and Radio City Music Hall. But the road trips, which lasted up to three weeks, were not all fun and games. An instructor traveled with the team and made sure they kept up on their schoolwork. Lessons of another kind came on the few road trips south of the Mason-Dixon Line. “We would go to some areas where they wouldn’t allow the black kids on our team to stay in the same hotel as the whites,” Pfeifer said. “A few times we had to arrange for those kids to stay with some people in the community. It was a terrible blow to Fr. Flanagan. That’s probably why we didn’t play that much in the South.” Wilburn Hollis was among a black contingent denied access to a hotel. Although from the Jim Crow South, he’d been shielded from the worst of segregation – the same at color-blind Boys Town. “We were buddies, but even more than that we felt like we were brothers and we just lived like that,” said Hollis, a Possum Trot, Miss. native who became a high school All America quarterback at Boys Town and a signal caller for an Iowa University team that won a share of the Big 10 title. “I never heard anything racial.”
“At Boys Town I never thought about ethnicity or race,” said Ken Geddes, who grew up in Florida and went on to play for Nebraska and in the National Football League. “…We were all part of a family.” Within that family of athletes, Palrang was the unchallenged head of household. “He was about six-four and probably 220 pounds and he was mean as a goat,” Hollis said. “But he was a wonderful coach. He loved the kids, he loved Boys Town….” Hollis told of an incident involving Flanagan’s successor, Rev. Nicholas Wegner. (Flanagan died in 1948 on a goodwill mission in Berlin, Germany). Like his predecessor, Wegner was a sports booster, but apparently didn’t share Skip Palrang’s competitive philosophy. Once when BT was losing a football game, the priest tried to deliver a halftime pep talk. Wegner advised the team to do their best, Hollis recalls, “and honestly he used that old cliché, ‘It’s not if you win or lose, it’s how you play the game.’ Well, Skip was pretty hot and he said, ‘Bulls__t. We’re going to win this game.’ Monsignor was like, Oh-oh. And we went out and won the game.” But Palrang’s success was based on more than force of will. Stern but fair, he was known for his precise preparation, a quality that fit his favorite hobby of watch repair. Ex-sportscaster Jack Payne of Omaha recalls Palrang in his field house office “hovered over a well-lighted table…wearing an eye shade, jeweler’s glasses, meticulously at work on a watch.” An innovator, Palrang used his vast contacts to learn new offensive and defensive schemes from college and professional colleagues, often implementing packages years before anyone else at the prep level. He’d get reels of game or practice film with the latest sets to study. Sought out for his expertise, he often conducted clinics around the country. Pfeifer said that once, at the request of an old buddy, Palrang sent BT quarterback Jimmy Mitchell to Kansas State to help Wildcat signal callers learn the T-formation Skip helped initiate in high school.
The Cowboys often played far from home, so Palrang sent an assistant ahead to scout. Palrang’s protégé, George Pfeifer, inherited the thankless job. In order to see distant teams, he traveled by plane, train, automobile or any available mode of transport. He once flew into Chicago’s Midway Airport on his way to see an opponent that night in Wisconsin. In Chicago he was bumped from the last connecting flight north. With only a few hours until game time and hundreds of miles between him and the stadium, he was stuck. Desperate, he asked, “Is there any other way?” He was directed to a helicopter pad. For $15 and a slight case of nausea, he arrived “just about the time they were kicking off.” Skip Palrang’s physician son, Art, who played for his father one year at BT, said besides the advantage Palrang got by scouting opponents “the Boys Town kids in those days… were really tough, tough boys. They weren’t very big but they were tough… There weren’t a lot of distractions out there, like girls. He had kind of a captive audience.” Palrang also had the advantage of working with kids who came out of BT pee-wee, freshman and junior varsity programs imbued with his coaching systems. By the time they made varsity, kids were well-schooled in the Palrang way. It led to potent team chemistry. Despite offers to leave, Palrang remained loyal to Boys Town. Art Palrang believes this allegiance stemmed from Skip being an orphan himself. “His mother died when he was two and left his father with three boys and three girls,” he said. “He was always sympathetic to the Boys Town kids, although he was typical Irish in that he would not show his emotions.” Today, Palrang’s accomplishments are commemorated in a big memorial just inside the field house dedicated in his honor. The memorial is next to a long row of display cases reserved for trophies and plaques won by Boys Town coaches, athletes and teams. There are hundreds of items. There’d be more, except Palrang made a habit of giving them away to kids.
By the time Palrang retired in 1972, he was only coaching his main passion, football. Years earlier, he’d entrusted the basketball program to Pfeifer, another coach often described as a “no-nonsense father figure.” Pfeifer’s basketball teams went 202-45 (two state titles), and his track teams (two titles) were always a threat. He recently joined his mentor in the Nebraska High School Sports Hall of Fame.
Like his predecessor, Pfeifer encountered racist attitudes toward his players, as when he started five black players on his state championship basketball teams of 1965 and 1966. One morning after a game, a caller demanded, “Why you playing all them n_____s?” “Because they’re my five best players,” Pfeifer replied. Boys Town’s barnstorming era was prompted by publicity and the guaranteed payoff for its football games. But BT was also compelled to travel for another reason. Once it became a winner, it could find only a handful of area schools willing to schedule games. Despite many attempts, BT was long denied membership in the Omaha Inter-City League, comprised of large Omaha area schools. Pfeifer said Wegner reportedly had to threaten to withdraw funds from local banks to gain admittance. It finally happened when the Inter-City League was disbanded and the new Metropolitan High School Activities Association was created in 1964. Everyone has a theory about the blacklisting. Speculation ranges from envy over BT’s athletic riches to rumors, denied by BT alums, that it practiced off-season, suited older student-athletes, or recruited prospects. An image of BT suiting up juvenile delinquents, true or not, may have also accounted for schools not wanting to schedule the Cowboys. BT athletic equipment manager and head baseball coach Jim Bayly said that when he was a player at Omaha South, “we were afraid of Boys Town.” Shane Hankins, quarterback for BT this past season, senses that the “jail” or “criminal” perception still haunts BT. But far from intimidating foes, he said it makes them “want to fight us even harder to prove we’re not tougher.” He concedes BT has some rough players, but points out that the Cowboys win sportsmanship awards. Even without conference membership, Boys Town had a metro rival. “In the middle ’40s, when Boys Town was really taking off,” Art Palrang said, “Creighton Prep was also in its heyday and they played bitter, bitter battles. Rumor has it the archbishop said, ‘Hey, you guys have got to stop this. We can’t have two Catholic teams fighting each other.’” Adding fuel to the fire was the fact Palrang once coached Prep. There was no one he enjoyed beating more.
Aside from Prep, Palrang said, “Boys Town was obviously cleaning up on everybody and Omaha didn’t want ’em in their league because… Boys Town would have won everything.” By contrast, Prep had long been a conference member. And once let in, BT proved as dominant as feared by soon piling up Metro titles. Perhaps nothing explains the ostracism better than what one alum called BT being “an island unto itself.” A certain arrogance surely came with all that independence, winning and notoriety. Besides, there was the perception – if not reality – that BT didn’t really need to be in a local athletic league. In fact, cross-country travel was expensive and eventually became cost-prohibitive. By the time Boys Town’s reign ended in the mid-1970s, BT had evolved from a place where boys lived in dormitories to a family housing model where residents – girls too – live with teacher parents. Changes in the way BT works with youth lowered the number of residents from a high of about a thousand (elementary and high school combined) to about half that today, and decreased the average stay from six or eight years to about 18 months. The smaller enrollment forced BT to drop from the big school to small school ranks, and the shorter stays gave coaches less time to develop athletes and mold teams. For years, BT athletic prowess declined. Today’s BT coaches are again turning out winning teams and top athletes, their job complicated by kids who present complex behavioral disorders. BT teams again compete for titles, but in Class C1, not Class A. The football team has its rivals, but a road trip today is an hour by bus, not overnight by train. Girls and Boys Town (as the institution has been known since 2000) still uses athletics to further its mission of helping at-risk youth develop life skills that prepare them for adulthood. Head football coach Kevin Kush sets a high bar for his players, and makes no exceptions in holding them accountable. By late September 2006, he’d already let a few of his best players go for violating team rules, which brought his varsity squad down to 26. He could have supplemented the varsity by promoting JV players, but he refused, saying, “They haven’t paid the price. I’m not going to change my philosophy. I’m not going to lower my standards. See, these kids have standards lowered for them for their whole lives. We don’t do that. We want our kids to be committed to something and a lot of them have never been committed to anything.” This past season’s star quarterback, Shane Hankins, said he appreciates that coaches and others care enough to make football special again. “Our goal is to achieve, to shoot for something in our lives some people say is impossible for us to do since we’re here. But we prove them wrong. We want to bring more winning to this campus because before we came here, most of us weren’t recognized as winners.” All last basketball season, head boys basketball coach Tom Krehbiel relied heavily on an unofficial assistant, the 81-year-old George Pfeifer who, despite health woes, came to practices weekly to distill some of his wisdom to players young enough to be his great-grandchildren. Pfeifer’s championship teams of 1965 and ’66 are still regarded as two of Nebraska’s best high school basketball teams ever. “I wanted to get him involved in the program,” Krehbiel said of Pfeifer. “I reached out to him. We ate lunch, hit it off and he’s been a big part of our program ever since. I don’t think it’s a coincidence we started winning since then. Coach has been a great mentor to me and just a great resource for us. For our current players he’s a link to success.” After last year’s team won Boys Town’s first state basketball championship in 40 years, guard Dwaine Wright dedicated the victory to Pfeifer live on Nebraska Educational Television. Pfeifer said that after a period of adjustment, he and the team forged a strong bond. “When I’d come out there, some of the kids warming up before the game would come over and say, ‘God, we’re glad to see you coach. You feeling alright? We’re going to play hard for you.’ That last night when they accepted the trophy the one kid held it up and said, ‘This is for you, Coach Pfeifer…’ Those are the kind of kids….” Choked with emotion, Pfeifer’s voice trailed off. The experience brought him full circle to how as a kid he was welcomed and encouraged by Father Flanagan, Skip Palrang and others, and how he did the same for kids as a BT coach, vocational education teacher and middle school principal. “I knew I wanted to be there to help those type of kids,” Pfeifer said of Boys Town students past and present. “You know, they come there with a hole in their heart. Nobody cares about them, nobody encourages them – they just think there’s no way they can make it. We set up goals and objectives. We praise them when they succeed. When a kid comes up to you and says, ‘God, I wish you were my dad’…then you know you made a difference.” Note: The Boys Town Hall of History features displays and a film that relive some of BT’s glory years in football.
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Here’s another Boys Town sports story. It’s about tradition and legacy and giving back, George Pfeifer played for legendary Boys Town coach Skip Palrang when the school’s founder, Father Edward Flanagan, was still there. After Pfeifer graduated high school and served in World War II he came back to Boys Town to coach under Palrang. Later, he took over as head basketball coach, leading the hoops program to some of its greatest successes. Now, many years into retirement, he’s back again, this time as a kind of unofficial coach and mentor, at the invitation of current head basketball coach Tom Krehbiel. The old coach and the young coach have bonded like father and son and together they’ve helped Boys Town recapture some of the magic that made the school’s athletic teams juggernauts back in the day. The story originally appeared in the New Horizons. A Good Deal: George Pfeifer and Tom Krehbiel are the Ties that Bind Boys Town Hoops
©by Leo Adam Biga
Originally published in the New Horizons When George Pfeifer coached the Boys Town varsity basketball team in the 1960s to great success, he used an adage with his players, “Get a good deal,” as a way of impressing upon them the advantage of working the ball to get an open shot. The 81-year-old is long retired but a special tie he’s forged with current BT head basketball coach Tom Krehbiel finds Pfeifer offering kids young enough to be his grandchildren the same sage advice he gave players decades before. Krehbiel credits the recent turnaround in BT hoops — culminating in a Class C-1 state title last season — to the input of his unofficial assistant. “Coach Pfeifer is, in my mind, the school’s all-time greatest basketball coach. I wanted to get him involved in the program. I reached out to him and he’s been a big part of our program ever since. I don’t think it’s a coincidence we started winning” once he got involved, said Krehbiel, who previously coached at Omaha Skutt High School. The association between the men peaked last season when the Cowboys’ won their first state championship in 40 years. Until beating Louisville in the finals, the school hadn’t won a state roundball title since 1966, when Pfeifer was head coach. That ‘66 crown was the second of back-to-back Class A titles won by Pfeifer’s teams, squads considered two of the best ever to play in Nebraska prep history. It was an era of athletic dominance by the Cowboys. Since the summer before the 2003-2004 season, when he accepted Krehbiel’s invitation, Pfeifer’s worked with BT hoops. When his arthritis isn’t too bad, the tall man with the folksy manner makes his way on campus, over to the Skip Palrang Memorial Field House named after the legendary man he played and coached under and where he toiled away countless hours on drills. He’ll keenly observe practice from the sideline, noting things he sees need correcting. This recent Nebraska High School Sports Hall of Fame inductee is still a master diagnostician at breaking down systems and plays. He does the same when he goes to see a Boys Town game or analyzes tape of one, as his sharp mind dissects the action with razor precision. “He’ll notice little technical things that only someone who knows basketball can detect. He really sees and knows the game. It’s amazing,” Krehbiel said. Pfeifer shares his insights with the players, kids not unlike the ones he coached years ago — boys full of attitude but hungry for love. Krehbiel said Pfeifer knows just how to prod people to improve. “He doesn’t criticize — he kind of suggests.” Tremayne Hill, a starting guard from last year’s team whom Pfeifer got close to, said the old coach got the most out of him with his “encouraging” words. “He told us to stay positive and to work hard in trying to overcome adversity. He was a lot like a father figure,” said Hill, adding Pfeifer and Krehbiel are like a father-son team. It doesn’t surprise Pfeifer he can get through to kids weaned on PlayStation and X-Box, not Fibber Magee and Molly. You see, he was a BT resident himself from 1939 to 1943, giving him a bond he feels makes him forever simpatico with kids there. It’s why his reconnection with the institution is more than a former coach returning to the fold. It’s a son or brother coming home to his family. It’s why the vast age difference doesn’t hamper him in talking to today’s kids. “I talk their language,” Pfeifer said. “I grew up there, so I know. When I first went back out there I said, ‘Yeah, I’m an old fogy, but I used to be out here. I know all the tricks you guys know, so you can’t trick me on anything. You can’t tell me anything I haven’t heard. I was just like you guys. My heart’s with you guys. I know what you’re going through. I’m here to be a friend of yours.’” Hill said Pfeifer’s BT roots make a difference as “he knows the type of stuff we go through. He knows how to relate to us. More than another coach would.” Pfeifer said he and the team developed a strong bond. “When I’d come out there, some of the kids warming up before the game would come over and say, ‘God, we’re glad to see you coach. You feeling alright? We’re going to play hard for you.’ That last night when they accepted the trophy the one kid held it up and said, ‘This is for you coach Pfeifer…’ Those are the kind of kids….” Choked with emotion, Pfeifer’s voice trailed off.
When Pfeifer coached in the ‘60s he did something rare then — starting five African Americans. One morning after a game, a caller demanded, “Why you playing all them n______s?” “Because they’re my five best players,” Pfeifer replied. Ken Geddes, a member of those teams, said race “was never even an issue.” Lamont McCarty, a teammate, said, “If you didn’t perform, you didn’t play… plain and simple. He was a wonderful coach. Same thing with Skip Palrang.” As is now a custom, Krehbiel had Pfeifer address the assembled 2006-2007 team at a mid-November practice. It was Pfeifer’s first contact with the team. He’d have been there before if not for tending to his terminally ill wife Jean. Gathered round him were about two dozen players, many of them new faces after the loss of so many off last year’s team to graduation. Pfeifer owned their rapt attention. He told them he was 13 when his father died. Left unsaid was the Depression was on, and with his widowed mother unable to support the poor Kansas farm family she sent him and a brother to Boys Town. There young George blossomed under iconic founder Rev. Edward Flanagan and star coach Skip Palrang.. Pfeifer also didn’t mention he became BT’s mayor (as did his brother) and excelled in football and basketball. That he developed an itch to give back to youth what he’d received. After serving in the U.S, Navy during World War II he coached at Fort Hays State down in Kansas, before accepting an offer to join Palrang’s BT staff. Intending to stay five years, Pfeifer, by then married with children, made it a 30-year career. He was a coach, a teacher and principal of the elementary school. “I knew I wanted to be there to help those type of kids,” Pfeifer said of BT students past and present. “You know, they come there with a hole in their heart. Nobody cares about them, nobody encourages them –- they just think there’s no way they can make it. We set up goals and objectives. We praise them when they succeed. When a kid comes up to you and says, ‘God, I wish you were my dad,’ well, those kind of grab you. Then you know you made a difference.” The campus holds a dear place in Pfeifer’s heart. It’s home. The people there, his family. He stays in touch with players by phone, letter, e-mail. He’s a regular at school reunions. But until Krehbiel asked him to come back as a consultant, Pfeifer hadn’t really felt welcome by previous coaches. “I think he had a desire to get back close to the program, to his home and to this community, and so the timing was right,” said Krehbiel, a Burlington, Iowa native with his own ties to the place. His father worked there and as a youngster Krehbiel spent many a summer day on campus, running about and canoeing in the pond. “So I always knew Boys Town,” he said. “I loved it.” As Pfeifer spoke to the kids that late afternoon in November, he was every inch the coach again, instilling values and commanding respect. “There’s nobody working here that doesn’t love you, I guarantee you,” he told them in measured tones.” “So listen to your family teachers, listen to your coaches, work hard, study in school. You have great coaches, good facilities. You’ve got everything you need, except you got to do your part. You gotta keep your nose clean. Don’t get in no trouble. Do what you’re told. Coach is going to tell you what he wants you to learn, how you’re going to do this and he’s going to tell you why. Those are three really important parts of your basketball training. “It takes a lot of hard work. You have to be focused. No matter what happens outside, you come here and be ready for basketball.” After Pfeifer wished them good luck and some players responded with, “Thanks, coach,” the huddled team charged back into practice. “If they know that you care about them and that you’re there for them, they’ll work for you — they’ll work hard. They appreciate you,” Pfeifer said. “It’s funny. Kids today are real hip-hop, you know, with this Snoop Dog slang and coach uses old school terminology that I cringe at sometimes, assuming the kids think its kind of corny, but the kids like it. I think too he provides a grandfatherly figure,” Krehbiel said. “These kids, more than any kids I’ve ever been around, they want somebody to take an interest. “He wants to help…It really comes down to his true interest and love for the kids in the program. He’s trying to give them that last tidbit…to help them on the court and help them in life. I think when he looks at our team and he’s rooting for these kids it’s like rooting for his family, his own kids or his own brothers….He gets emotional when he talks about this place. It’s his home.” It’s that been there-done that experience Pfeifer brings that Krehbiel wanted for his players. Then there’s the “link to success” Pfeifer represents. “He laid the foundation 40 years ago for all the nice things that have been said about us the last two or three years,” Krehbiel said. “I think we’re all proud to carry on a rich tradition. It’s just an honor to be associated with him. I was always taught to appreciate the people that came before you…You gotta respect the people who built up the history and this place is just full of history.” What Krehbiel got in the figure of Pfeifer was more than he could have imagined. “Coach has been a great mentor to me and a great resource for us,” he said. “You know he’s having an impact on our kids when after the state championship one of our starting five interviewed on TV” — Dwaine Wright — “spent his whole time on camera referencing coach Pfeifer, saying, ‘He told me in practice to get the good shots.’ We didn’t prompt him to do that. It just came out of his heart. You realize, Wow, this is an 80-some-year-old man having an affect on an 18-19 year-old kid. I was proud of our kids for the respect they showed coach. I’m proud of coach.” Pfeifer appreciates that Krehbiel sought his counsel, thus allowing him to be a teacher again. “He was so sincere and open about establishing a good relationship. He was willing to receive me and invest in some of my knowledge,” Pfeifer said. “A lot of guys that coach, they think they know it all. But he’s really receptive. And that’s great for me because I didn’t feel that with some of the other people that were out there. I said, ‘I’ll be happy to help you out anyway I can.’” When Krehbiel first approached him, he had no clear expectation other than getting some advice on the special demands of being a BT coach. “This is a unique position,” Krehbiel said, “maybe as unique a position as there is in the country in high school because you’re in a home for boys. There’s not only the athletics parts of it but there’s the home campus part of it, dealing with the troubled youth, the homeless youth, with all the things they present. “There are very few people who’ve had this position. There’s just a few of us around. There’s even fewer that have had the kind of success coach had.” Krehbiel did some research in the BT and Omaha World-Herald archives in compiling a school record book and came away duly impressed by just “how successful” Pfeifer was at producing winning teams. In 14 years as head coach — 1959 to 1973 — his teams won 205 games and lost only 82. He led nine teams to the state tourney and guided a pair to state titles. His track and field teams were also a formidable bunch, always a threat at the state meet. For Krehbiel, welcoming back someone like Pfeifer who’d given the best years of his life to BT was a way of honoring the man. “My initial intention was to just try to give back to him for all the years he gave to Boys Town. My initial thought was to get him up here to one practice at the beginning of the year, and it’s morphed into a great relationship and friendship,” said Krehbiel, whose wife and five daughters all know Pfeifer. Still, it took some convincing for Pfeifer to meet with Krehbiel that first time. “I called him up out of the blue and introduced myself. He was real reluctant but I finally got him to agree to go lunch with me at Big Fred’s. He told stories for hours. That’s when I told him, ‘You are welcome anytime.’ That fall I asked him to come out to practice. I gave him a pad of paper and a pen and said, ‘Watch me coach practice. Watch our kids. Give me some feedback about our team.’ He did that and from that point on he’s been popping in at practices whenever he feels like it.” It didn’t happen overnight. Pfeifer eased his way in, not wanting to impose himself, less he undermine Krehbiel’s authority. “When it first started we’d talk maybe once every couple weeks,” Krehbiel said. “He wouldn’t come to practices much. As he and I became closer and he became closer with all the other coaches, there was a comfort level. Last year he was out here about two or three times a week prior to the season opener, and we’d be talking about offenses and defenses and philosophies back and forth. “I was reaching out initially to find out, ‘How did you handle the job? How did you handle the kids? What are the issues beyond basketball I should know about?’ Then when he and I started talking I found just how solid his philosophies are in basketball and in life and I really wanted to get to know him more. You just can’t help but sense the way he approached things and did things is probably the best way as well as the right way to have a lot of success. I try to emulate him.” It doesn’t hurt that the two are cut from the same cloth. “Our personalities are a lot alike, so there’s a bond person-to-person, coach-to-coach,” Krehbiel said. That’s not to say these two see eye to eye on everything. “He believes in zone defense and I believe in man to man,” Krehbiel said. “But that’s the fun of it — debating the merits of each. But,” he added, “as far as what we demand of our players, how we treat our players,” they’re on the same page. It wasn’t until Krehbiel watched Pfeifer interact with the players that he understood all that the venerable old coach could bring. “Then when I saw him around the kids and I saw how he still has a lot of viable, valuable contributions…and I saw the kids take to him, it obviously was a great idea to have him around. It’s just kind of matured into what it is today. He’s around quite a bit. As much as he wants to be. The door is always open.” Along the way, Pfeifer’s shared some coaching secrets, including a list of offensive- defensive Dos and Donts and his mantra for teaching “technique, technique, technique” he got from coaching great Skip Palrang. Pfeifer’s passed along full-court press and matchup-zone tactics that made his teams so hard to beat. Above all, he’s preached taking the high percentage shot and protecting “the hole.” “He gave me a file folder of his coaching notes and a card with his pregame preparation notes,” Krehbiel said. “I read through it all and I copied it down in my own words and style. That’s the relationship he and I’ve built up. For him to give that to me, I mean, what do you say? That should tell anyone a lot about his willingness to give. I think he really, really wants this program to be successful and those are the lengths he’s willing to go.” What Pfeifer does for BT hoops can’t truly be measured. “He doesn’t come out and design plays and run drills. He’s in the background helping the coaches. He’s really helped me in my preparation for games. He talks to players one one one,” Krehbiel said. “The last couple years he’d take some of our better players aside, real fatherly like, and say, ‘Here’s what I see in your game. Take the good shots, not the bad shots.’” Wishing to remain in the background, Pfeifer chooses not to sit on the bench, but in the stands during games. He’s always watching, however. As last year’s team stormed through the season, losing only four times, including twice to Wahoo Neumann, Pfeifer noted a tendency for BT players to settle for three-point shots and to play soft in the middle. With his adjustments the Cowboys avenged Neumann in the first round of the state tourney. When last year’s star player, starting center and then-BT Mayor Vince Marshall, felt good about a game in which he scored well but recorded few rebounds, Pfeifer had a heart to heart talk with him. “I said, ‘I was mayor when I was at Boys Town. You’re the mayor and you got only three rebounds last game. What the hell were you doing? You’re the mayor, you’re going to make me look bad. Get your ass on the boards.’ That’s the way we talked. We were brothers.” Pfeifer’s known to intervene when emotions run over. Once, after a so-so practice on the eve of state, the admittedly “fiery” Krehbiel lost his cool when he noticed a couple players cutting up. “I lose it. I go up one kid and down another. I was furious they wouldn’t take this seriously,” Krehbiel said. “And here comes coach. He gets off his chair and gets right in the middle of us and says, ‘Wait a minute.’ I immediately shut up. He takes over and says something about not getting a big head and keeping yourself together and staying in the moment. “He was just that calming influence and that’s what he’s been. I’ve really calmed my demeanor in regards to the sidelines and the game-time stuff in my conversations with him. He’s really helped me with the handling of the kids around here. He reminds me they’re always watching you and they’re going to play off your demeanor. He’s a sounding board. I can pick up the phone and say, ‘Coach, we’ve had this issue with a young man, how would you handle that?’ He gives me tidbits on how to handle certain situations as head coach.” Pfeifer can still get fired up, as when he pulled his BT athletic jacket out of moth balls for a school pep rally to show how much he bleeds Big Blue. He told the crowd, “I’ve waited 40 years to wear this thing again.” There’s the sense of a circle being closed. That what Pfeifer got from Palrang is being handed down to Krehbiel. Lessons from 65 years ago live on, no doubt to be carried on by the young men Krehbiel and Pfeifer work with today. “The greatest thing for me, bar none, is to have my name linked with coach Pfeifer’s name and coach Palrang’s name in the same sentence. To be linked to that history is overwhelming,” Krehbiel said. When Pfeifer couldn’t get away to Lincoln to accept his Hall of Fame induction, he asked Krehbiel to accept in his place. For Pfeifer, Krehbiel was the natural choice. “I love him,” Pfeifer said of his coaching protege. “What an honor to accept for him. That just fortified our relationship. He’s a good old guy,” a tearful Krehbiel said. Krehbiel met many athletes Pfeifer coached. They were disappointed he couldn’t make it. “They all love him. Guys came in from both coasts and from all over the country to honor him with this induction, which was long overdue,” Krehbiel said. One of Pfeifer’s favorites, Charles ”Deacon” Jones, a standout BT miler and football player who became a University of Iowa All American and two-time Olympic long distance runner, was inducted into the Hall the same night. “I know it was killing coach not to be able to go and to be on the stage with Deacon,” Krehbiel said. But Deacon and the rest know Pfeifer was there with them in spirit. Like he always has been and will be. A brother under the skin. Krehbiel never competed for Pfeifer, but considers it a privilege coaching with him and “seeing all he does around kids.” He said it seems he and the players benefit more from the relationship than Pfeifer does. However, he added, “I hope we’re helping keep him active.” It’s clear when Pfeifer talks hoops it takes his mind off, if only a little while, his wife. Krehbiel’s visited Pfeifer at his house during this hard time. Krehbiel’s daughters say prayers for Jean. Perhaps the old coach’s greatest joy comes from watching his young protege catch the same passion he caught for Boys Town. Pfeifer said, “I’ve told him, ‘Tom, if you stay there long enough you’re going to get what I got.’ It’s a fever.” Krehbiel said the example of Pfeifer is one reason “why I stay here. It’s why I’ll always be here.”
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When I became aware of the fact that Father Edward Flanagan, the Catholic priest and Boys Town founder whom Spencer Tracy won an Oscar portraying in the classic MGM movie, was close friends with prominent American Jewish leader Henry Monsky, I was intrigued. Then when I discovered that Monsky was a key figure in the formation, survival, and growth of Boys Town, I knew there was a story to be told. I like how men of two different faiths found enough common ground to work together for the greater good. My story originally appeared in the Jewish Press. Flanagan-Monsky Example Of Social Justice and Interfaith Harmony Still Shows the Way 60 Years Later ©by Leo Adam Biga Originally published in the Jewish Press Even as the world grows ever flatter and more interconnected, political, religious, ethnic differences still separate people into divisive factions. One need only consult history or today’s news to see how this distrust of the other is the cause of conflict. Inroads to understanding can be made. The efforts of the NAACP, the Urban League, the National Conference for Community and Justice and many other organizations bring disparate groups together in a spirit of cooperation. Macro alliances can start at the micro level. All it takes is two persons willing to work toward the greater good. Ninety years ago in Omaha two men — a Catholic priest and a Jew — forged an enduring friendship that made famous a haven for homeless boys, shined a light on at-risk youth and demonstrated the power of unified action. Father Edward Flanagan was an Irish immigrant prelate dedicated to rescuing men from the bowery and children from delinquency. He dreamed of a home for wayward boys but lacked funds. Henry Monsky, a Jew from the Orthodox tradition, was a social activist and attorney with a law degree from Jesuit Creighton University, where he graduated top in his class (1912). As legend has it, Monsky is the mensch who loaned Flanagan $90 to start Boys Town in 1917. For the next 30 years he served, without pay, as Flanagan’s confidante and legal counsel. Monsky also drew his law office of Monsky, Grodinsky, Marer & Cohen into tending to the home’s affairs. One partner, William Grodinsky, joined Monsky in serving on the BT board of trustees. Like his fellow mensch, the priest, Monsky was involved in assisting children in the juvenile justice system, a cause he “felt deep in his bones, as Flanagan obviously did, too,” said Omaha historian Oliver Pollak. Recognizing they shared a vision for helping lost boys, they formed an association “of legendary proportions,” Pollak writes in his article, “The Education of Henry Monsky,” published in the journal Western States Jewish History. That association is much documented, even dramatized in the 1938 movie “Boys Town.” A Jewish merchant-benefactor in the film, Dave Morris, is based on Monsky, whose desire for anonymity led him to secure a promise from producers that neither his real name nor profession be used. Columnist Walter Winchel later revealed Monsky as the real Dave. In 1989 the Boys Town Hall of History and the Nebraska Jewish Historical Society co-curated an exhibition, “Father Flanagan and Henry Monsky: Men of Vision,” telling these men’s story. The exhibit, which showed at Boys Town and the Jewish Community Center, traveled widely. Boys Town plans to display the exhibit again next fall for the home’s 90th anniversary celebration. 2008 is the 60th anniversary of Flanagan’s death. 2007 marked the 60th anniversary of Monsky’s passing. “The close friendship between Father Flanagan and Mr. Monsky was very unique for its time,” said Boys Town Hall of History director Tom Lynch. “…Father Flanagan had developed an ecumenical outlook on life, especially when it came to helping children in need…Father forged many bonds with like-minded individuals of different races and religions. The first such friendship was with Henry Monsky, who represents the thousands of supporters who have assisted Boys Town…” The bond of brotherhood these men exemplified lives on today. “There is a respectful mutuality in the relationship between the Jewish community and Boys Town,” said Father Steve Boes, national executive director of Boys Town. At the 2005 ceremony introducing Boes as BT’s new leader “Rabbi Jonathon Gross of the Beth Israel Synagogue offered a prayer for our kids, our organization and for me. Since that day and in the spirit of Henry Monsky and Father Flanagan, we have developed a friendship meet monthly. “Our discussions range from the social problems that affect our community to personal issues like family, exercise and prayer. I have come to value our time together and see it as a great extension of Father Flanagan’s legacy. We also have a relationship with Beth Israel Synagogue. Members have helped serve Christmas dinner to our kids who can’t return home at the holidays.” Just as Boes and Gross make an intriguing contrast today, so did Flanagan and Monsky. Flanagan, the pale, soft-spoken, bespectaled Irish priest. Monsky, the dark-complexioned, loud, lion-headed, larger-than-life Jew.
Just as having a top flight attorney and lay Jewish leader in his corner was a coup for Flanagan and BT, having a preeminent child welfare advocate and Catholic priest on his side was a boon for Monsky and convergent Jewish interests. Each was a Great Man in his own right. Flanagan owned the ear of powerful figures on the national-international stages, traveling the globe on speaking, goodwill and fact-finding tours. He commanded large audiences through personal appearances he made, including many addresses before Jewish crowds, and interviews he gave. He openly supported interfaith alliances and Zionist causes. At the time of his death he was acting at the behest of President Harry S. Truman in appraising the war orphan situation in Europe, a mission he made the year before to Korea and Japan. Monsky served on many civic and charitable boards and from 1938 to 1947 presided as international president of B’nai B’rith, the largest Jewish service club, at a crucible time in history. As an ardent Zionist he implored U.S. and world leaders to intervene on behalf of Jews in Nazi-occupied Europe and supported the establishment of a Jewish homeland in Palestine. He helped form the American Jewish Conference (Congress), served as editor of the National Jewish Monthly and consulted the U.S. delegation at the formation of the United Nations. He and Omahan Sam Beber also established the AZA, the world’s largest Jewish youth organization. Like Flanagan, Monsky was in high demand as a public speaker, addressing audiences of all persuasions, and enjoyed entree into halls of power. He, too, encouraged interfaith collaboration and served on many Catholic boards. No one knows precisely when or how they met but there’s no question they saw each other as kindred souls working to save endangered or abandoned youth. The fact one was Jewish and the other Catholic seemed to matter little to them. Monsky’s widow, Daisy (Hirsch) Monsky, makes these points in the book she co-authored with Maurice Bisgyer, “Henry Monsky: The Man and His Work”: “The profound friendship and loyal devotion between Henry and Father Flanagan was based on the fact that, despite the vast difference in their formal religion, both believed in social justice and both were willing to work to achieve it. There are innumerable stories of the bond between them…Father Flanagan always knew that Henry could be depended upon to act for the benefit of the underprivileged.”
In her book Daisy recounts the time Flanagan borrowed $25,000 from a board member in order to post bail for a boy charged with murder in Iowa. The priest learned of extenuating circumstances in the case and decided the lad would be better served at BT rather than in a youth detention center while awaiting trial. In a letter Flanagan asked Monsky to smooth over the legalities of it all: “…Henry, this home is for saving boys, and we cannot let that boy stay in jail over there…I hope you will present the matter properly at the next meeting of the board, and explain what has been done.”
Always the trusted servant, Monsky persuaded the board to approve the loan and its repayment. Up until his trial the boy remained at Boys Town. The story illustrates how the men shared an implicit understanding of how BT matters should be handled. The symbiotic way they operated is not surprising when you consider the two knew each from the time they were young men. Ireland born and reared, Flanagan first came to America in 1904. That year or the next he arrived in Omaha on the coattails of older brother Patrick, a priest who started Holy Angels Church on the north side. It’s then that Edward may have first met Henry, who lived nearby. When Edward expressed interest in the priesthood, the Omaha bishop — a fellow Irishman named Harty — accepted him as a seminarian and sent him off to study in Rome. Ordained in 1912, Flanagan was assigned to Omaha, where he celebrated his first mass at Holy Angels. Monsky was studying law at nearby Creighton. After a stint in O’Neill, Neb. Flanagan returned to Omaha in 1913 at St. Patrick Catholic Church. He and Monsky soon worked together — to establish a Boy Scouts of America council and to advocate for youth with juvenile justice system judges and social workers. A 1945 address by Flanagan at a B’nai B’rith tribute for Monsky at the Commodore Hotel in New York City alludes to their longtime friendship: “…we have come here to honor a great man — a man with a brilliant mind and a loving heart. A man whose outstanding virtue is his love for his fellow man…Unlike most of you here, I have known him as a boy, a student at the university, a young lawyer entering upon a professional career — a fellow worker with whom it was my privilege to engage in charitable and welfare fields. He is a member of the board of Father Flanagan’s Boys Home, and my own attorney. He is my personal friend.”
The fondness they felt for each other is seen in their correspondence: Flanagan to Monsky on the receipt of a gift: “My dear Henry, I have received your wonderful gift…It is very kind of you, dear Henry, to think of me in this way — I don’t know what other gift would be appreciated as much right now. Wishing you God’s every blessing and success, I remain, dear Henry, Yours most sincerely…”
And on the occasion of Monsky’s marriage to Daisy: “…I am very happy to hear this good news, for I know it makes you happy, and my whole household joins with me in wishing you both every blessing and happiness that this old world can bring to people of good will…”
Monsky, in appreciation of that note, references an honor conferred on Flanagan: “…I know how interested you are in my welfare, and I assume that happiness that comes to me gives you the same thrill as I experienced when I witnessed your elevation (to monsignor) in last Sunday’s ceremony. I think I know as much as anyone does how well merited this recognition is. With kindest regards…”
And on the occasion of his election to international B’nai B’rith president: “I appreciate very much your telegram…It is delightful to know, in undertaking a responsibility of this character, that one has the confidence of those with whom he has been intimately associated for so many years…”
Monsky’s admiration for Flanagan is evident in a speech he gave at a 1942 dinner celebrating BT’s 25th anniversary. “This is a privilege that I would not like to have missed…Father Flanagan, you can be very proud for what you have contributed in the past 25 years…those of us who have been on the board have enjoyed the great privilege, not only in that we have worked with you, but accepted your philosophy of this unique institution that ‘there is no such thing as a bad boy”…It is perfectly understandable that he has become the outstanding individual in America for his work with boys.”
In 1921 Monsky chaired the speakers bureau for BT’s inaugural capital campaign, which bought the land and erected the first building for the campus. In a letter to Daisy, Flanagan wrote about his departed friend’s service on behalf of that campaign, which raised some $25,000: “He spent much of his time then in training our boys who constituted his principal speakers on the public platforms throughout Omaha and its environs for this campaign. He took even more interest in making this campaign a success than he did his own business, but it seems to me he did this with everything he took up…That is why he was a great man, a great friend and a great citizen.”
Perhaps the tug of the home and its mission led Monsky to build a home on 90th Street — on then still undeveloped farm land — to be near his “brother,” the padre. The home and Flanagan became national icons thanks to savvy marketing and the success of MGM’s 1938 hit “Boys Town.” Superstar Spencer Tracy won the Best Actor Oscar for his endearing portrayal of Flanagan and popular Mickey Rooney won new legions of fans as the plucky Whitey. Even before the movie Flanagan and the home gained national exposure via a weekly coast-to-coast radio broadcast he delivered. But the movie brought a whole new level of attention. From its two-week, on-location shoot in Omaha to its September 7, 1938 premiere at the Omaha Theatre downtown, “Boys Town” was a phenomenon. Thousands of curious onlookers descended on the campus for a glimpse of the stars during the filming, which unfolded in the middle of a July heat wave. There’s some suggestion the Monskys put up Rooney at their home and that Rooney and Henry’s son, Hubert, went out on the town more than once. At the movie’s world premiere, an estimated 30,000 people filled the streets, sidewalks and roofs around the Omaha Theater. Daisy recalled the excitement of that opening night in her book: “…the stage setting was irresistible…Klieg lights, loud speakers, all the Hollywood paraphernalia stretched for blocks…as we left the car..the master of ceremonies stopped my husband for a broadcast over the loud speaker…of his speech…In the theater we sat just in front of Father Flanagan, Bishop Ryan, Mickey Rooney and his date and other visiting celebrities. Mickey…wept at all of the touching scenes, including his own. So did Henry, whose emotions were always easily stirred.”
Besides being invited to make remarks for the pre-show program outdoors, Monsky was among the guests introduced inside the theater. Despite the hoopla, BT officials and MGM big wigs had little confidence in the pic. Flanagan-Monsky gave away the rights to the story for a measly $5,000. The story goes they didn’t think the movie stood a prayer of making money. And they probably weren’t wise to the going rates in Hollywood. Studio files indicate MGM boss Louis B. Mayer lacked enthusiasm for the property even after it’s completion, shelving it for months before Tracy-Rooney prevailed upon him to release it. The rest is history. When the movie hit big a new problem arose — donations dried up as the public assumed BT made a killing on it, not realizing the home saw nothing from the box office receipts. A desperate Flanagan, perhaps at the urging or with the blessing of Monsky, asked MGM to get the word out that BT needed help. Tracy signed his name to an appeal letter sent donors. The money flooded in. MGM, perhaps feeling guilty, gave $250,000 for the construction of a dormitory. The sequel to “Boys Town,” 1941’s “Men of Boys Town,” was not well received but it still carried the home’s message and name. Where Flanagan-Monsky erred in securing a small rights fee the first time, they negotiated $100,000 for the sequel, which proved a shrewd move when the movie bombed. Boys Town further capitalized on the films when a nationally broadcast radio serial aired weekly dramatizations based on the lives of residents there. Up to the time of his death in 1947 Monsky remained a close ally of Flanagan’s and key adviser to Boys Town. He was there for it all: from a fledgling start in an old 10-room house downtown; to the purchase of the Overlook farm for the present site; to an impressive campus build-out that turned corn fields into a “city of little men” with fine educational, vocational, residential and recreational facilities; to the household name status Boys Town gained and parlayed. The measure of high esteem in which Flanagan held Monsky and his contributions to BT is expressed in this letter to Daisy: “…Henry was Boys Town…He is as much responsible for the fine things the public sees out there as are my associates and me, for it was through his keen mind and advice that we were able to follow a pattern of prudence and good judgment. Never in all my association with men have I found one who seemed to understand what I wanted to do and who would advise me how best to do it. Over the years we have had many difficult problems…and Henry’s handling of all these matters was one of great satisfaction. I have received from him over the years hundreds of thousands of dollars worth of advice for which I paid nothing. It is only within the last few years that I was able to show my appreciation in a small way, and never have I considered anything that I did for Henry a recompense for his legal work…”
The late Hubert Monsky confirmed the selfless nature of his father in an interview for the “Men of Vision” exhibit: “…when my father passed away, in going through his desk…found a check written to my father for $25,000 by Father Flanagan…and a note attached to it which said, ‘Henry, dear, for years your services have been given to us with no renumeration, and now that we have the funds, you must accept this.’ That check was seven months old — my father would not cash it. That was very typical of the two people. Father Ed recognized what my father had done. He appreciated it deeply and in his fashion he was trying to say…’God bless you, Henry, for a job well done.’ But my father didn’t wish to be compensated for any work that he did for Boys Town because he felt that it was a project for everybody in Omaha.”
Referring to Monsky’s work as a board of trustee member, Flanagan wrote: “He was one of the most active members of the Board in determining policies, and was constantly concerned with anything which would further the interests of Boys Town. His fine legal mind would shine forth at these Board meetings…and I know that in following his advice we have made very few mistakes.”
Flanagan trusted Monsky’s judgment enough that he involved him in nearly all aspects of the home’s operations and interests. Further testimony of this high regard is found in the following except from a letter the priest wrote to Daisy:
“He was one of the most active members of the Board in the founding of the Boys Town Foundation Fund and in this, as in all other legal matters, resolutions, etc., he personally dictated those and gave much thought and consideration to them.
“Henry’s last and final act was giving advice and counsel in the establishment of the training program in Boys Counseling to be established at the Catholic University of America in cooperation with…Boys Town, which offers a two-year graduate training program leading to a degree, M.A., in Boys Counseling.”
Although neither made a fuss over it, Monsky’s and Flanagan’s nonsectarian brotherhood transcended their vastly different backgrounds. From the start Flanagan opened BT to boys of all races and creeds. While Jewish youths have always accounted for a tiny percentage of residents, one, Daniel Ocanto, was elected mayor of the incorporated village in 2002-2003. Whatever faith a youth professes, BT facilitates their practice of it. “If you’re a Lutheran, I’m gonna make you a better Lutheran than you are now. If you’re a Jew, I’m gonna make you a better Jew than you are now, ” said former Boys Town director Father Val Peter. Current director Father Steve Boes said, “When we admit Jewish students to campus, we work with local synagogues to secure their religious training, and our kids are always welcomed with open arms.”
Monsky’s association with Flanagan modeled his belief in interfaith outreach. That’s why this prominent Jew served on the Catholic Commission on American Citizenship and the National Catholic Welfare Conference and on the boards of other non-Jewish organizations, including the Community Chest, the Boy Scouts, the Nebraska Conference of Social Work, the Church Peace Union and the Urban League. Even though BT’s not Catholic per se, the fact a Catholic priest has always headed it lends it that church’s imprimatur. That was even more true during Flanagan’s regime. As far as the general public and media were concerned, the priest and BT were synonymous, making it a de facto Catholic ministry. That’s why the identification of a noted Jew like Monsky with BT was a model for how Jewish-Catholic relations could proceed both on a personal level and in regard to issues. “They were men of different faiths,” writes Omaha historian Oliver Pollak. “Both had faith, particularly faith in the next generation….No doubt exists that Monsky and Flanagan were men of great faith whose concern for troubled youth transcended parochial boundaries.”
Every time Monsky’s involvement with BT made headlines, as it did when at Flanagan’s invitation he gave the commencement speech for the 1942 graduating class, it illustrated the possibility of Jewish-Catholic unity. Monsky’s address to the 90 8th grade and high school grads emphasized sacrifice at a time of war: “You are, indeed, fortunate to have been taught here at Father Flanagan’s Boys Home…that life has significance, that life is purposeful…Thus conditioned, it is expected that you have the necessary equipment to assume and discharge adequately your share of the greater responsibility which each of us must bear in the present crisis…Not unlike other chapters in our nation’s history, the record of these difficult days will be resplendent with the glorious achievements of youth.”
Ties between the home and the Jewish community were strengthened by the Flanagan-Monsky bond. When elected to the BT board of trustees in ‘29 Monsky replaced another Jewish leader, the late Rabbi Frederick Cohn, of Temple Israel. Just as Monsky’s link with BT generated Jewish outreach with the Catholic community, Flanagan’s link with Monsky led to a close relationship between B’nai B’rith and BT. Flanagan addressed several B’nai B’rith gatherings, including those in Omaha, Philadelphia and Los Angeles. He spoke before the Jewish Ladies Auxiliary of the B’nai B’rith lodge in Detroit. He was the keynote speaker for the Jewish Children’s Home of Rhode Island, the Young Men’s Jewish Council for Boys’ Clubs in Chicago and the National Conference of Christians and Jews in Minneapolis. Evidence suggests Flanagan and Monsky recommended each other for interfaith engagements and appointments, and took satisfaction in doing so. A 1939 letter from Monsky to Flanagan refers to an invitation for the priest to speak before “a very substantial group of Jewish people in Chicago, which I am sure will give you a very acceptable audience…If acceptance of this invitation is possible, of course, I would appreciate it.” The Monsky letter also mentions “reports” about Flanagan’s appearance before another Jewish group “have pleased me very much. I am happy to note the great demand on the part of my co-religionists, and particularly B’nai B’rith lodges, for the message of Father Flanagan’s Boys Home.”
In another letter to his friend Monsky describes the positive feedback a Flanagan appearance before a B’nai B’rith group in Phillie elicited, adding that members expressed “pleasure in the fact that we appeared to be very good friends.” The BT-BB relationship is one that continues 60 years after the two friends’ deaths. “The B’nai B’rith historically brings its sports banquet speakers to Boys Town to meet our children” and to do media interviews, said John Melingagio, Boys Town director of public relations. “Their members also have individually or collectively done charitable activities ranging from donations of funds, services or needed items to mentoring or creating opportunities for our children in the community,” “I just can’t shake the feeling when we do that, that the two friends are looking down and smiling at the successful legacy of their dreams,” said Gary Javitch, president of the Omaha B’nai B’rith Henry Monsky Lodge #3306. Melingagio added its only natural for BT and the Jewish Community Center, where the local B’nai B’rith is headquartered, should be on good terms as the organizations are neighbors. Each extends open invitations to the other for various programs and activities. Boys Town and the Nebraska Jewish Historical Society at the JCC work cooperatively to update the Flanagan-Monsky exhibit. Temple Israel senior Rabbi Aryeh Azriel said Jewish-Catholic relations ebb and flow but the “special relationshp” Flanagan and Monsky exhibited serves as an example of how people of two faith groups can interact in constructive ways. He would like to see more such comradeship and collegiality today in serious interfaith dialogues. Examples of interfaith work abound locally. Monsky’s alma mater, Creighton University, has a tradition of being welcoming to Jews and promoting Jewish studies. Monsky was invited to make the 1925 commencement address at Creighton. Jews Rodney Shkolnik and Larry Raful were longtime deans of the Creighton Law School. CU’s legal aid center is named after Milton Abrahams. The university is home to the Klutznick Chair in Jewish Civilization, a post held by Leonard Greenspoon. CU’s Kripke Center, named for Rabbi Myer Kripke and his wife Dorothy, promotes understanding between the Jewish, Christian and Islamic faith communities. Despite its strong WASP roots the University of Nebraska at Omaha hosts: the Rabbi Sidney H. Brooks Lecture Series in honor of the late Omaha religious leader who worked for social justice and unity; and the Leonard and Shirley Goldstein Human Rights Lecture Series in honor of the Omaha Jewish couple long active in the Free Soviet Jewry movement. Additionally, Rabbi Azriel of Temple Israel has served on the United Catholic Social Services board and chairs the clergy committee for Omaha Together One Community (OTOC), a faith-based social action group. He’s won recognition for his human relations work, including a Black/Jewish Dialogue initiative he led. These efforts to be inclusive rather than exclusive and to foster fellowship rather than division coincide with the work of Project Interfaith. The Omaha Anti-Defamation League program directed by Beth Katz brings Christians, Jews and Muslims together to share the gifts of their respective faiths. Katz has traveled to the Vatican and to Israel with interfaith groups. “Fostering healthy interfaith relations…often begins with relationships. Friendships like the one Monsky and Father Flanagan enjoyed help humanize the other, enabling us to identify and appreciate the values common to both faiths while also allowing us to explore and hopefully to respect our differences,” Katz said. Similarly, Beth Seldin Dotan runs the Institute for Holocaust Education at the Omaha ADL. The institute’s Bearing Witness project trains Catholic educators to teach the Holocaust in their high schools. She works closely with the Archdiocese of Omaha on project curricula. Sam Fried’s Heartland Holocaust Education Fund supports college-university teaching about the Shoah. Tolerance is at the core of all these exchanges. Rarely have two men demonstrated the tolerance Monsky and Flanagan did. Their relationship grew out of fondness and, more fundamentally, respect. As leader of B’nai B’rith Monsky emphasized the need for unity — both among Jews and the general American population, a theme that resonated strongly with Flanagan and his ideals for BT and the nation. In his speech at the 1945 B’nai B’rith banquet honoring Monsky, Flanagan said: “I consider racial and religious prejudice one of the greatest and most insidious of all ills that attack our social life today…This grand and noble organization over which our honored guest is the international president is to be commended for its far-reaching influence toward bringing to public attention…the urgent need for greater unity and amity among the various nationalities and creeds…This is the mission that Mr. Monsky set out to do as a young man…How well he has done this, you and I know…God bless you, Mr. Henry Monsky.”
Wherever their mutual interests intersected each man embraced the other. The welfare of troubled youth was their common meeting ground. And so Monsky involved Flanagan in his work with the National Conference for the Prevention and Control of Juvenile Delinquency. A 1946 letter from Monsky to Flanagan outlined the conference’s latest resolutions and activities and requested his feedback. “Will you please, at your earliest convenience, send me your comments upon the foregoing…It was gratifying to work with you in the formulation of a program which has unlimited potentialities for service to the nation.”
Even as the men’s interests broadened beyond Nebraska’s and America’s borders they remained tethered in a way that only best friends do. Rose Blumkin Jewish Home resident Esther Schwartz Segel was Monsky’s secretary for his three terms as international B’nai B’rith president. She can attest to the hectic schedule he kept flitting across the U.S. by train and plane for meetings, speeches, et cetera. His travel itinerary and business correspondence were so great, she recalled in 2003, she sometimes worked 18-hour days to keep up with it all. Flanagan’s scheduled was no less hectic. Monsky was away attending to one of his causes, a meeting of the American Jewish Conference (Congress) in New York City, when he died of a cerebral hemorrhage on May 2, 1947. At the time he was speaking about Jewish unity. “It was such a tragedy that he died so young and with so many plans for the future of Jewish people,” Segel told a reporter in 2003. News of Monsky’s death reached Flanagan via telegram while abroad on a war orphan mission. In a letter to Daisy, Flanagan described the circumstances of his final meeting with his friend and what the loss meant to him: “The news of his death coming to me while I was in Tokyo, Japan was a great shock. Before leaving on that trip he prepared my Last Will and Testament. Little did I know…that this was my last business with my friend and legal advisor. His death was one of the great sorrows of my life.”
Flanagan died in Berlin, Germany on May 15, 1948, almost a year to the day Monsky died. A wire from B’nai B’rith officials to Flanagan’s successor at BT, Father Nicholas Wegner, noted the special regard Jews held for Flanagan: “His warm friendship with our late President Monsky exemplified (the) spirit of brotherhood which we fervently hope will someday encompass all people. Your loss is ours as well.”
Each was mourned by thousands in services that attracted dignitaries from all fields. Testimonials, dedications and commentaries praised them as great men and leaders. In recognition of the special place BT held in the life and work of Monsky and Flanagan, condolences and memorial contributions poured into the home, including many from B’nai B’rith lodges. Monsky is remembered today by BT in various ways. A street bears his name (and that of his law partner William Grodinsky), as does a donor recognition level. Then there’s the “Men of Vision” exhibit. Similarly, the Omaha B’nai B’rith lodge is named for Monsky. Photographs, paintings and a bust of Monsky reside at the JCC, where Monsky’s legacy looms large.
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TCM (Turner Classic Movies) is asking viewers to write in and tell stories about when Hollywood came to their hometown. In that spirit, I am reminded of perhaps the biggest film event in the history of my hometown, Omaha, Neb., and for that matter in the history of this state. In my opinion Omaha and Nebraska have never embraced or claimed their film heritage to the extent that they should. Many Hollywood greats have come from here. Some significant films have been made here. One of those pictures was Boys Town (1938), the MGM classic that while hardly a great film was a great success for its studio and for its subject, Boys Town, and for the home’s founder Father Edward Flanagan. Spencer Tracy won the Best Actor Oscar for his portrayal of Flangan and he donated the statuette to Boys Town, where it’s on display in the Hall of History. There can be no overstating what a big deal it was for Hollywood’s top studio, MGM, to come to Omaha to make a major motion picture starring two of its biggest stars, Tracy and Mickey Rooney. The picture has to be one of the most powerful marketing tools that’s ever been produced in terms of drawing attention to an organization, in this case a home for boys. The following story, which originally appeared in the New Horizons in conjunction with the film’s 70th anniversary, details just what a phenomenon the film’s production was in Omaha and then what a spectacle its world premiere became here, too. I trust you’ll find the behind-the-scenes stories surrounding it all as fascinating as I did. When Boys Town Became the Center of the Film World
©by Leo Adam Biga Originally appeared in the New Horizons Hollywood rarely comes to Nebraska. On those infrequent occasions when Tinsel Town ventures far afield to shoot a movie here it naturally creates a stir. Alexander Payne’s first three features made in his hometown of Omaha caused a sensation, especially when Jack Nicholson came to star in About Schmidt. Sean Penn’s The Indian Runner had the same effect on Plattsmouth. Terms of Endearment earlier turned Lincoln upside down. A handful of major Hollywood productions set up shop in state over the years. Some others, notably Cecil B. DeMille’s 1939 Union Pacific, premiered here. But no picture became a phenomenon the way 1938’s Boys Town did. For a solid year the real life subject of the title — Father Edward Flanagan’s haven for homeless youths in Nebraska — became the center of the film world. When the movie ended up a popular moneymaker, critical hit and Oscar-winner, Boys Town enjoyed a publicity boon and Flanagan turned icon. Always a savvy marketer, Flanagan had faith the film would pay off far beyond the small rights fee MGM paid the home. In a letter he wrote: “The picture has given us wonderful publicity and while we receive no direct aid from the picture, other than the $5,000 paid us for the use of our name and the grounds, I feel that eventually we will benefit from it because of the many friends we will make.” Before the movie Boys Town was little known outside the Midwest. The same was true of Flanagan. The movie’s success changed all that. “The movie had the impact of making Father Flanagan the authority on child care in the world. His child care philosophy were soon very much in demand. He began to consult numerous private and government agencies,” said Boys Town archivist Tom Lynch. “Demands for him to speak across the country poured in and soon he would be gone several weeks at a time… “The name Boys Town was soon known throughout the world as the movie was shown in various countries. It inspired people in these countries to start their own Boys Towns. Also, the number of boys wanting to live at Boys Town exploded. Every week hundreds of letters arrived from people wishing to place a boy at the home.” So how did Hollywood get wind of Boys Town? The studios aggressively searched for source material, scouring newspapers, magazines, reading galleys of new books, catching all the Broadway shows. The story goes that MGM producer John Considine Jr. happened upon a small item in an L.A. paper about the 1936 “city” election at Boys Town. Apparently he was intrigued by an incorporated village of 200 boys who elected a mayor and six commissioners from their own ranks. The home already operated a well-oiled publicity machine courtesy Flanagan and three Omaha PR men, Byron Reed, Morris Jacobs and Frank Miller. In a letter to Considine prior to the movie being made Flanagan referred to how Boys Town “has developed important publicity contacts” covering practically every newspaper or magazine of consequence in the U.S. Boys Town also sent out its choir and band as ambassadors for the home, netting much press wherever they performed. Flanagan had already taken to inviting prominent figures to Boys Town. When celebrities like Will Rogers and Admiral Richard Byrd visited it made national news. Pathe News featured Boys Town in 1933. That foundation paid dividends when the movie blew up. Story after story in print and on radio detailed the film and the real life village and priest it depicted. Lynch said the movie made Boys Town and Flanagan “household names.” The enduring popularity of this classic has introduced Boys Town and Flanagan, who died in 1948, to succeeding generations of viewers. The film provides Boys Town exposure it could never afford to buy. With the passage of time the movie only further reinforces and embellishes the legacy of that place and the man who started it, making Boys Town the stuff of legend. In its time Boys Town was the rare motion picture that not only chronicled an actual institution still in operation but the leader who still ran it. The timing of the movie was perfect. With America still reeling from the Great Depression inspirational stories of triumph over hard times were in vogue. The uplifting message of Flanagan — “There’s no such thing as a bad boy” — resonated with the New Deal’s optimism. The self-governing boys home appealed to the democratic ideals of a nation warily eying communism’s and facism’s hold around the world. Lynch said the movie also came at a crossroads moment in the village’s history: “When the movie project began the home had just barely survived the Great Depression and Dust Bowl years. The home had no money and the offer of a movie was a dream come true. Just a few years before the movie Boys Town was on the verge of closing and just a few years later it was an American institution.” Everything about the project aligned to make it front page news in 1938. For starters, the movie told the sentimental story of one of Nebraska’s own beloved institutions. Further heightening interest was the fact the movie was partially shot on location at Boys Town. The production used the campus buildings and green spaces, along with the rural backdrop and adjoining highway, as local color. Most authentically, the film utilized several resident boys as extras. Adding luster were the principals behind the production. The company making Boys Town, Metro-Goldwyn-Mayer, ruled the Hollywood roost as the biggest studio with the most prestigious pictures and the greatest roster of stars under contract. Two of MGM’s hottest actors, Spencer Tracy and Mickey Rooney, headlined the cast. Tracy was not only an A-list matinee idol and sure-fire box office draw but perhaps the most respected screen actor of his generation. He started Boys Town mere months after winning the Best Actor Oscar for his dramatic turn in Captains Courageous. One of Tracy’s co-stars in that picture was Rooney, a fast-rising juvenile star thanks to the popular Andy Hardy series he appeared in opposite Judy Garland.Boys Town director Norman Taurog brought solid credits behind him, especially helming children’s fare (Skippy, Tom Sawyer). The company of actors and crew of technicians spent two weeks on location in Omaha. Tracy was a boozer then and Rooney a carouser but reportedly each stayed on his best behavior. The presence of Hollywood royalty made the company’s base headquarters at the Fontenelle Hotel and the film’s location on the Boys Town campus popular destination stops for hordes of fans and the merely curious. The hoopla started long before the cameras rolled or the movie premiered. MGM script writers J.C. Dull, Eleanor Griffin, William Rankin, John Meehan and Dore Schary, who all contributed to various drafts of the screenplay, visited Boys Town on research trips. The director originally assigned the pic, J. Walter Ruben, also visited. The only way these artists could get a real feel for Flanagan and his boys was to spend time with them. The scenarists soaked up the atmosphere, took stills, interviewed residents, all of which helped give the film a sense of verismilitude. Flanagan was hardly a passive figure in the script process. He nixed several drafts before one finally suited him to his satisfaction. Even after giving his blessing to the final draft he received script updates right up to and through the film’s making. Early drafts took an odd slant, even positing British child actor Freddie Bartholomew as the lead. The original emphasis on wayward boys and their misadventures transitioned into a story focusing on the priest and his methods. Flanagan made clear he didn’t want a sentimental “Oliver Twist orphanage picture.” He pushed instead for a picture that showed in clear-eyed terms his way of handling boys, which was to treat each as “a definite individual”…He chafed at any representation of Boys Town as a reformatory: “Boys Town is NOT an institution. It is a township where fine little men live and work, study and play, govern themselves and mold…the strength of character essential to a good life.” MGM went out of its way to please him. Flanagan wrote a critic: “I was surprised at the great amount of pains exerted to get authentic facts, to be accurate…” Norman Taurog replaced Ruben as director after Ruben was diagnosed with a heart ailment. Taurog had the disadvantage of having never been to Boys Town but he was able to draw on a mountain of research. By the time production began Flanagan was convinced that Schary and Meehan, who shared the script credit and the Oscar for Best Original Screenplay, “captured the feel of the township, its spirit, ends and aims.” Flanagan considered the movie “a real welfare picture” whose “results will be far-reaching in the amount of good it will do throughout the country for youth.” Throughout the preproduction phase Boys Town’s founder kept up a steady correspondence with several MGM figures, particularly producer Considine, but also with studio chief Louis B. Mayer and fixer Eddie Mannix. The monsignor visited Hollywood, where he was accorded special attention. His correspondence mentions meeting Clark Gable, Wallace Berry, Maureen O’Sullivan and other stars. He also met with Mayer himself. In an article Flanagan wrote entitled “I Meet Myself” he described an encounter with his screen alter-ego: “I have just returned from Hollywood where I enjoyed a unique experience — that of meeting myself. It is a strange feeling to meet, face to face and for the first time, the man who is to play the part of one’s self…my alter ego, my screen personality…Spencer Tracy. Yes, I sat across the table from him on the Metro-Goldwyn-Mayer lot at Culver City the other day and did just that…” Tracy apparently expressed qualms about playing the priest. To reassure Tracy Flanagan wrote him: “Your name is written in gold in the heart of every homeless boy in Boys Town…and every boy here and all of our alumni are talking about you, thinking about you and praying for you…You should feel happy that you have decided to be cast in a role of such a picture and Boys Town feels honored that it has such a noble representative.” On that same trip the priest met Rooney, well-cast as Whitey Marsh, the hard-case who softens under Flanagan’s gentle but firm hand. Flanagan noted: “Mickey, who incidentally reminded me strongly of one of our young city commissioners at Boys Town, gave me my most lasting impression of Hollywood, a town where — to borrow a journalistic phrase — a ‘man might bite a dog’ without creating a scene…Mickey astonished me by asking for, of all things, my autograph immediately after we were introduced.” “I think everybody was impressed by this wonderful Irish gentleman,” Rooney said by phone from his Calif. home. “He was a gentle, kind Irishman.” Attention and accolades followed Flanagan wherever he went after the movie. Flanagan, as prone as anyone to being starstruck, found Hollywood “not the city of idleness and riotous living contained in so many reports but…a hard-working, sincere group of actors, actresses, directors and working men creating in a new but powerfully effective medium…” He referred to “my most interesting trip” in a letter to Considine thanking him for the hospitality the studio extended. He was also pleased to find “much enthusiasm all over the Metro-Goldwyn lot about Boys Town.” He received frequent progress reports from MGM. Before the main company arrived in Omaha MGM producer Frank Whitbeck came in the spring to film a March of Time newsreel-style short, The City of Little Men, as a promotional-educational teaser for the feature. The one-reeler was a key part in the studio’s exhaustive exploitation campaign. Flanagan and Jacobs were themselves not above looking for angles. They lobbied MGM to test a pair of residents, brothers Jimmy and Andy Cain, for speaking parts in the feature. MGM did. Flanagan wanted the younger of the two, Andy, to play the part of Pee Wee that Bobs Watson eventually landed. In letters to MGM brass Flanagan flatly pointed out “publicity possibilities” News of the film netted Boys Town a steady stream of positive press and goodwill. In a letter to Schary Flanagan noted “people here are very enthusiastic over it and every mail brings questions about it.” The film began production in Hollywood June 6. Tracy and Rooney were hard at work. Then Rooney left for a couple weeks to complete a new Andy Hardy picture. He rejoined the Boys Town company in late June on the train caravan to Omaha. Considine wrote Flanagan the company sent to Nebraska “believed the largest and most important motion picture group ever sent to Middle West for location work.” Despite a telegram from MGM asking the lid be kept on the cast-crew’s arrival — “so as to keep crowds away” — word leaked out. Press accounts estimate some 7,000 people greeted the stars when they arrived at Omaha’s Union Station on June 23. Once filming commenced crowds daily made the pilgrimage to Boys Town, surrounded by farmland then, just for the chance to glimpse Tracy or Rooney. Smaller but no less excited crowds milled about the Fontenelle Hotel. Fans not only trekked to the country but braved the harsh elements, as the shoot coincided with a hot spell. Making matters worse, the campus on the former Overbrook Farm was mostly barren of trees, leaving onlookers scant shade to take refuge in. Flanagan and Tracy wore straw hats to ward off the sun. As filming proceeded on a tight schedule Flanagan took an active interest in events by serving as the defacto technical adviser. Much of the filming took place right outside his residence’s front yard, making his presence, even when not on set, keenly felt. Hollywood was on his turf now. He often had Tracy as his dinner guest. Most days the crew began setting up the first shot at dawn. Owing to the heat the company usually wrapped by mid-afternoon, when cast and crew packed up and headed back downtown. Each day’s exposed film was air-expressed overnight to Hollywood. The rushes returned the next day for Taurog and Considine to view. Boys Town alum Ed Novotny was a resident there when, he said, “the movie people came out with all their paraphenelia. It was just a new experience for us. It was quite an exciting time really.” He and buddy John Anthony were impressed by the crew’s efficiency and intrigued by the tricks they used. To simulate the evening in daytime they covered a large building in canvas to block out the sun for Whitey’s nighttime escape down a firescape. If boys were needed for a group shot they’d be let out of class. “Sometimes we’d stand there an hour-and-a-half before the sun was right” or until crew adjusted lights, laid down dolly tracks, reloaded film, adjusted lenses, Novotny said. Multiple takes might be made. Tracy and Rooney rarely needed more than a single take. The boys were expected to make up whatever lessons they missed while on set. They found the stars accessible. “They were always around and so you could visit with them.” Novotny said. “They were very companionable. Of course, Mickey Rooney as young as he was had quite a clientel following him around all the time. Afternoons Spencer Tracy would dish out ice cream at a stand the studio set up. Smoking his pipe. I can still him…” Cast and crew played catch on their down time. After 12 days in Nebraska the traveling circus that’s a film unit left to finish the picture on MGM sound stages and back lots. The first inkling Boys Town was something special came in a telegram from Considine to Flanagan in August: “Happy to report first sneak preview most successful…Audience received picture enthusiastically…We all feel sure we have great entertainment in Boys Town…” When the studio planned the world premiere for Washington, D.C. Nebraskans protested. Flanagan used his leverage to make Omaha the site. He wrote Frank Whitbeck about the “caustic” comments MGM’s plans were eliciting here: “For example, I have heard that a campaign might be established by the newspapers…in Nebraska denouncing the move…” He suggested separating the movie from “the mother city of Boys Town” would be unfortunate. He laid on the guilt and the pressure by noting the Bishop of Omaha, Rev. James Ryan, disapproved of a D.C. premiere. Flanagan added: “I had thought at one time Washington was the place because I was sold on the idea by certain people here but the more I think about it the less I think of the idea. I would favor Omaha than any other place. In reality Omaha gave us our first start and gave us our first building, and paid for it, and it is now our chance to pay back our debt to Omaha by having the premiere here.” The priest sealed the deal in Calif., where he and Bishop Ryan were invited to attend a sneak preview of the film in Inglewood. It went over like gangbusters. As soon as word reached town that Flanagan secured the premiere for the Omaha Theatre elaborate arrangements got under way. The preparations befitted what an official with Tri-States Theatre Corporation, operator of the theater, called “an important civic event.” The official assured Flanagan his office was “leaving no stone unturned to make this the outstanding occasion it so richly deserves.” The crowd that flocked to greet the movie company back in June was dwarfed by the multitude gathered at Union Station on Sept. 6 to witness the arrival of the Los Angeles Limited. En route the train made whistle stops in burgs like Grand Island so that Tracy, Rooney and Flanagan could acknowledge the assembled fans. Once in Omaha the movie party saw a station and downtown festooned with streamers and banners declaring “Home of Boys Town” and Welcome Father Flanagan.” An even larger turnout filled the streets and sidewalks for the Sept. 7 world premiere at the Omaha Theatre. Reports put the throng at 30,000. “I never saw so many people in my life,” said Novotny, who had the privilege of being there as a member of Boys Town’s acappella choir, which performed there. “It was a tremendous welcome. It was a big deal for Omaha.” The Omaha World-Herald’s Irving Green wrote: “There was not an inch of standing room on Douglas Street between 15th and 16th outside the theater. The huge crowd overflowed up 15th Street half way to Farnam…It covered another half block toward Dodge Street on 15th. Sidewalks on both sides of Douglas…all the way to 17th were swarming with people who could neither see nor hear, so far were they from the platform where Spencer Tracy, Maureen O’Sullivan and Mickey Rooney were introduced. “Rabid movie fans lined the roofs of buildings across from the theater. They took advantage of every store window fronting on Douglas…While 110 policemen and 40 firemen worked strenuously but efficiently to keep the crowd in check, impatient persons who had stood in the middle of Douglas…for more than two hours to see the event strained steel wires holding them back to near the breaking point.”
Green described the gala, pull-out-all-the-stops scene, including a live national radio hookup that broadcast the festivities to listeners from coast to coast:
“A 10,000 candle power searchlight visible for 10 or 12 miles played across the sky in true Hollywood style in front of the theater. The light was shipped in by special freight from Hollywood. As they alighted from limousines, principals mounted a carpeted stairway to a raised platform where they said hello to the huge throng and to listeners over 107 radio stations in a nationwide chain arranged by the Mutual Broadcasting System.” In his breathless style Green opined: “It was something Omaha had never experienced before. What’s more, it was something the film stars themselves had never seen in Hollywood.’ He backed up his claim with quotes: “‘This thing makes a Hollywood premiere look like a dying hog, Tracy, who plays the role of Father Flanagan in the picture, said. ‘I’ve never seen anything like it,’ Miss O’Sullivan said.”
It’s hard to imagine a crowd that size for a movie premiere. But this was the Golden Age of Hollywood, a full decade before TV invaded people’s homes, and Americans flocked to theaters in far greater numbers then now. Besides, movie stars were the closest thing to American royalty and with three stars the magnitude of Tracy, Rooney and O’Sullivan on hand fans queued up the way loyal, adoring subjects do. The Herald’s Green captured how far the adoration went: “The crowd began collecting outside the theater before 6 p.m. although the first celebrities were not due to arrive until 7:45 p.m. All traffic was routed away from the theater except cars bearing those with tickets for the show. At 7:15 the doors of the theater were thrown open and a steady stream of ticketholders continued until 8:30 p.m. Formal attire was rare among early arrivals but when the elite began coming in limousines just before 8 p.m. formal dress appeared the rule. “In two cars came the mayor of Boys Town, Jack Farrald; his chief of police, Bobby Paradise, and Boys Town’s five commissioners, John Waskiewicz, Jesse Ruiz, Clinton Simmons, Tom McGuire and Sam Turner. ‘I want to thank the people of Omaha for this splendid welcome,’ the Mayor said. ‘It is a recognition of and a tribute to a great humanitarian, Father Flanagan.’” Some overzealous fans caused a minor ruckus, Green noted: “Candid camera enthusiasts gave police a few busy moments as they broke through the lines to photograph the three stars. Smiling broadly, Miss O’Sullivan, Mickey and Tracy waved greetings in return for the throng’s cheers.” Nebraska dignitaries turned out en masse, led by the state’s governor, Ed Cochran. “All Nebraska is proud of Father Flanagan,” Cochran told the crowd. Bishop Ryan also addressed the gathering. MGM officials spoke a few words, including producer John Considine. Green wrote: “Then came the actors themselves. They were greeted with cheers which drowned out the words of Bishop Ryan who was speaking at the time. Mickey approached the microphone with the grin which has helped make him the fastest rising star in Hollywood. ‘This is the outstanding event of my young life,’ he said, emphasizing the ‘young’ and laughing heartily. ‘This crowd surpasses anything ever done in Hollywood. And, by the way –- if Hollywood is listening in -– hello Ma and Pa. It’s swell here in Nebraska.’” The scene inside the theater was just as surreal.
“…Mickey’s profuse blushing when he entered with an Omaha girl brought him a hand, and the crowd rose as one in an ovation for Father Flanagan. From the stage, flanked on either side by tall vases of chrysanthemums, Eddie Forester, manager of the theater, welcomed the star-gazing crowd, and introduced J. Francis McDermott, master of ceremonies…McDermott summoned up a red-carpeted ramp to the stage for talks…” by Omaha’s mayor, Nebraska’s governor and Bishop Ryan. Among the special guests was Henry Monsky, the Omaha attorney whose loan of $90 a quarter century earlier enabled Flanagan to open Boys Town. Monsky remained a loyal friend, board member and legal adviser until his death in 1947. The pawnbroker character of Dave Morris wa loosely based on Monsky, who asked MGM to keep his identity secret. Years later Walter Winchell broke the true story.
“After a brief stage appearance by Miss O’Sullivan, the Boys Town acappella choir sang ‘Vigil’ by Christians, and a new composition, ‘Boys Town,’ by Will J. Harris. A telegram was read from Norman Taurog, director…Then Father Flanagan spoke of the good he hopes the movie production will accomplish, and the film began. “Applause was frequent during Boys Town, especially when Omaha buildings were recognized and references were made to Omaha…When the film ended Mr. McDermott asked Father Flanagan to escort Tracy and Rooney to the stage. It was their first official appearance to the crowd in the theater. Tracy stood with his arm around Mickey’s neck, a pose made familiar by his use of it in the film. ‘Words fail me for the first time,’ said young Mr. Rooney…He predicted another Academy award for Tracy, for his performance in Boys Town.”
Rooney’s prediction came true six months later.
Novotny gave the film a thumbs up then. He sums it up this way today: “It was a continuation of Father Flanagan’s dream. Boys Town came on the map with that.” The Herald’s Green completed the opening night scene:
“The most dramatic incident of the entire program…was Tracy’s speech to the idolizing crowd. Despite a hush over the auditorium, his first words were inaudible. ‘You thanked us for coming here,’ exclaimed Hollywood’s outstanding male star. ‘We should get on our knees to you.’ After referring to Mickey as destined to ‘become one of the great actors of his day,’ he continued: ‘I do not like to stand here stripped clean of Father Flanagan,’ adding that if the picture is great, it is because ‘the great goodness and sweetness and beauty of the soul of this man shines even through me to you.’
“Father Flanagan sounded a benediction, ‘Good night, and God bless you,’ and…the crowd filed out into streets.” The film went on to play equally well across America. A legend persists that MGM boss Louis B. Mayer lacked confidence in the property. Some suggest he shelved the picture for a time, only releasing it at the urging of Tracy-Rooney. The record doesn’t support the claim. Boys Town fit the MGM program of good clean entertainment to a tee; besides, the film’s strong previews and extensive press build up boded well for its box office. The studio expected a hit and it got one. The capstone came when Tracy won the Oscar and dedicated it to Flanagan. MGM publicity head Howard Strickling cabled Flanagan, “You would have been very proud as we were to hear the address Spencer made before the Academy in which he told them that all credit for the award was due to you…” Flanagan, who’d grown close to Tracy, sent along his congratulations and gratitude to the actor, “Everyone at Boys Town rejoices with you today in the great honor that has been conferred on you…I need hardly tell you how happy everyone here is and my only regret is that I am not there to shake your hand…but my heart and spirit is with you — and it will always remain so.” Tracy added to the lore of the film and his/its association with Flanagan and the village when he gave his Oscar to Boys Town. It just arrived one day via air express in 1939. He inscribed on the statuette: “To Father Edward J. Flanagan, whose great human qualities, kindly simplicity and inspiring courage were strong enough to shine through my humble efforts, Spencer Tracy.” Flanagan wrote Tracy, “How can I thank you for this beautiful expression of your consideration of me and Boys Town? From the bottom of my heart I thank you for that magnanimous spirit which you have shown in sending this award to me.” During an assembly the boys lined up single file to gawk at and touch the Oscar, much like they might a holy relic, Novotny recalled. The Oscar sat in Flanagan’s office for a time. A tradition arose in which boys rubbed it for good luck. For years now the Oscar’s occupied an honored spot in the Boys Town Hall of History, which features several displays on the film. The movie’s success had an unintended effect at first. Donations dried up as the public assumed Boys Town made a killing on it, not realizing the home saw nothing of the proceeds. A desperate Flanagan asked MGM and Spencer Tracy, his alter ego, to get the word out that Boys Town needed help. Tracy signed a personal appeal letter sent donors. The money eventually flooded in. MGM, perhaps feeling guilty for having short-changed Boys Town on the ledger sheet, gave $250,000 for the construction of a dormitory. Boys Town further capitalized on the film when a nationally broadcast radio serial aired weekly dramatizations based on the lives of residents there. The Hollywood contacts Boys Town made led to the school’s football team playing the Black Foxe Military Institute of Los Angeles in a 1939 benefit game at L.A.’s Gilmore Stadium attended by 10,000. Numerous Hollywood stars turned out. Boys Town won 20-12. That began a tradition of Boys Town’s gridiron gang traveling the country. The film’s success led to a sequel, MGM’s 1941 Men of Boys Town, with Tracy and Rooney reprising their roles and Considine producing. It was not as well received but it still carried the home’s message and name. Where Flanagan-Monsky erred in securing a small rights fee the first time, they negotiated $100,000 for the sequel. When Considine broached the idea for a third pic, Flanagan shot it down, writing, “Men of Boys Townfell far below the standard of Boys Town.” Unless a strong script could be crafted Flanagan preferred another film not be made. It wasn’t. Mickey Rooney returned to Boys Town in 1988 for the 1938 original’s 50th anniversary. He recently said of the film: “It’s real. Anything that’s real is worth doing. And I’m certainly happy that I was fortunate enough to be associated with a great company (MGM) and a great outlet for children (Boys Town). Boys Town’s very dear to my heart.” The actor is the home’s honorary mayor for life. Inquiries about a new movie on the modern Boys Town sometimes surface. But as time’s shown, the original’s tough to beat. “The movie Boys Town had a major impact on the home. Still today many visitors comment on their memories of watching the movie,” said Tom Lynch. “On TCM the movie’s still shown each holiday season. Many people are still introduced to the home by watching the movie. All new residents of the home watch Boys Town as part of their orientation.” For more on the film visit www.boystownmovie.org.
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For anyone of a certain age, shopping at the downtown J.L. Brandeis & Sons Department Store in Omaha was a pinnacle experience for the sheer size, opulence, and wonder of it all. Any city of size had its equivalent, but I didn’t grow up in any city, I grew up in Omaha, and Brandeis was all I knew when it came to mega department stores. It was my Macy’s or Gimbels or Marshall Fields. This two-part story is my attempt at taking stock of the Brandeis legacy, which eventually grew to include many stores in many locations, although the downtown flagship store was always the one people remembered. I certainly did. I used to go there as a kid with my mom. It was always an occasion. The family that owned the downtown store and ultimately a whole chain of stores and other business enterprises lived liked royalty, and my story is as much about them as anything. Whether or not you grew up with Brandeis as I did, I hope you will find this interesting if for no other reason than the larger-than-life qualities of that store and that family. My story originally appeared in the Jewish Press and served as the basis for a script I wrote on the same subject for a documentary film. Although most remnants of the Brandeis department store empire are long gone, the jewel in the crown, namely, the downtown store building, remains intact, though retrofitted as a condominium tower. I know a man who lives atop that building in the fabled penthouse, but that’s a story for another day perhaps, another forum, not on this blog. The Brandeis Story Part I: The Family-Owned Department Store Becomes an Institution and Tradition
©by Leo Adam Biga Originally published in the Jewish Press There was a time when every great downtown featured an immense department store. New York had its Macy’s and Gimbels. Chicago had its Marshall Field’s. Further west, smack dab in the middle of the Great Plains, Omaha had Brandeis. As local family dynasties go, few evoke the nostalgia the Brandeis name conjures. That’s because for a century J.L. Brandeis & Sons ruled the department store market in Omaha, serving hundreds of thousands of customers each year. In its heyday, the symbol of the company’s and the family’s success was the downtown store. Period advertisements billed it as “the greatest store in the West.” Modeled after Marshall Field’s, nothing quite as elaborate as Brandeis could be found from the Windy City to the Rockies. “Any city of any pretension, any city of any caliber developed a huge department store,” said Omaha historian Dennis Mihelich. “When Brandeis built that store…Omaha was the 20th most populace city in the United States. That meant a city had arrived. It’s kind of like saying you’re a major league city today…If we go back to the turn of the century, what gave a city cachet…one thing would be that symbol. ‘Look where we get to shop.’ They were architectural symbols in the city.” Designed by John Latenser Sr. in the Second Renaissance Revival style, the half-million square foot, brownstone edifice included ornate ceilings, Corinthian columns and marble floors. Its vast, sweeping spaces contained every imaginable good and service. So distinct was the store, it became a destination stop for anyone visiting Omaha. Its sheer size, fabulous amenities, everything under-one-roof selection and first-rate customer service set it apart from the competition. “Brandeis was really the source of most of the things you wanted. It was where you bought your first suit. It was where you went to have dinner with your friends…it was 10 floors of just a wonderful array of things,” Omaha historian Barry Combs said. All things have their seasons and as downtowns lost their competitive edge to suburban malls in the 1950s and 1960s department stores began to feel the pinch. Many closed in the ensuing years. Omaha and Brandeis were no exception. As the suburbs beckoned, Brandeis followed — building a mall, opening outlets. At its peak in the early 1970s, the family-owned retail chain grew to 15 stores, 3,000 employees and $100 million in sales. As fewer folks shopped downtown the flagship store became a drag. When, in 1980, Brandeis closed the downtown store as part of a general downsizing, it marked the end of an era. A leaner Brandeis became profitable again by the time Younkers bought it in 1987. More than 100 years of Brandeis retailing was no more. The dynasty dates back to company founder Jonas Leopold Brandeis. This family patriarch set The Great Man precedent. Born in 1837, the Austrian-Jewish immigrant was a tanner by trade in his native Prague. J.L. came to the U. S. in his late teens, part of a flood of immigrants helping settle the frontier. His self-made success story in America began as a merchant in the wilds of Wisconsin, where he traded with Indians. He married Fanny Teweles of Milwaukee and the couple made a life for themselves and their family in Manitowoc. A sportsman tradition that runs through the Brandeis family began with J.L., whose prowess with a gun became legendary. He next set his sights south on Omaha, a booming transportation, mercantile and livestock hub with excellent rail and river access. He, Fannie and their four children, Sara, Arthur, Emil and Hugo, moved to Omaha in the early 1880s. J.L. built the first of what would be several downtown Brandeis merchandising enterprises. The first retail venture, The Fair, opened at 506 South 13th Street. By 1888 J.L. and his boys were full partners when they rented a new site at 114 South 16th Street, calling it The Boston Store, a then-popular name for retail outlets. The J.L. Brandeis & Sons name first appeared over the door there and would appear, on building plates, on all future Brandeis stores. Business soon outgrew that location and in 1891 the family built a second Boston store on the northwest corner of 16th and Douglas, near what would become the anchor spot for the burgeoning Brandeis empire. J.L. was determined to succeed and not even the total loss of the building in an 1894 fire could deter him. He built a new, larger, better store on the same site. It didn’t take long for the mutton-chopped J.L. to make his mark, drawing much attention with lighted store windows at night and illustrations in newspaper ads. Every Saturday he released a dozen balloons containing coupons redeemable for a free suit of clothes. Thus, from the very start, Brandeis was known as a pacesetter and innovator. These qualities would distinguish the company and the family members who ran it throughout the 20th century. “It seemed like Brandeis was always very progressive with the things they did,” said Omahan Ted Baer, whose father, the late Alan Baer, was a great-grandson of J.L and the company’s last owner/president. As a savvy merchant, J.L. knew a prospering city and Jewish community meant more good will and business for Brandeis and so he and his wife immersed themselves in civic pursuits. He was involved in helping establish one of Nebraska’s first synagogues. He, along with Carl Brandeis, a relative he brought to Omaha, actively worked to create a chapter of the Independent Order of B’nai B’rith. An Omaha chapter was founded by Carl, who remained active in Jewish activities. Fannie organized a sewing class for Russian Jewish immigrants and led efforts to establish the area’s first Jewish hospital — Wise Memorial — as a sanctuary from bias. When Fannie died the hospital board paid tribute to her with a resolution: “With patience and perseverance, undaunted by discouragement, she courageously carried forward her plan of founding a permanent institution…open and free to the afflicted without distinction as to creed or race.” Fannie and J.L. were also on the committee that promoted the largest event in Omaha history — the 1898 Trans-Mississippi & International Exposition, a five month-long fair of more than 4,000 exhibits on 108 city blocks that drew 2.5 million visitors. The Brandeis’ also served on the city parks commission that extended the system of parks and boulevards. By the early 1900s the Brandeis name owned currency with customers and vendors. His sons were already running things and they embarked on the family’s biggest expansion to date, construction of the giant Brandeis store, between 16th and 17th and Douglas Streets. Work began in 1906 and the $1 million building opened to much fanfare in 1907, displaying the latest goods from the post London and Paris trade centers. Eleven-year-old E.John Brandeis — Arthur’s son — was accorded the honor of laying the cornerstone. Originally 8-stories, the building qualified as a skyscraper by that era’s standards. Later additions brought the structure to its present height, complete with an Art Deco-style penthouse bungalow atop the 10th floor. Ads ballyhooed the new store as “absolutely fireproof,” a reference to the fire that destroyed The Boston Store a dozen years earlier. Brandeis pulled out all the stops to assure the public this store was unlike any before it. Elaborate window displays drew lines of spectators. Mihelich said, “Those window displays were virtual museum exhibits. They would change regularly and would reflect the seasons and the holidays.They were used to entice people in. People literally did window shop.” Former Brandeis VP Gene Griffin of Omaha said it was a showplace: “People came from near and far to see what was going on…” Gleaming glass counters and mirrors, polished marble floors and overbrimming bins filled the cavernous interior. “The display was key,” Mihelich said. “Christmas, of course, would be the most important of all.” At Christmas the 10th floor was transformed into Toy Land, a Santa’s workshop-inspired seasonal display that thousands of children and parents visited. Lines of kids waited to sit on Santa’s lap and to have their picture taken with Old Saint Nick. Ex-Brandeis VP Vic Mason of Omaha said, “People looked forward to going downtown and shopping at the store, especially at Christmas time, when they had those fabulous displays on the 16th and Douglas corner and the big Toy Land up on the 10th floor.” Any time of year the main floor mezzanine was a take-your-breath-away sight with its gilded columns, hanging chandeliers, copper-plated ceiling and brass-fixtured elevators hand-operated by white gloved attendants. A large clock near the 17th Street entrance was a popular meeting spot. A mosaic-tiled balcony offered secluded shopping and custom services. The bargain basement floor attracted teeming crowds. An arcade included an array of eateries — the Pompeian Room, the Tea Room, Hamburger Heaven and a cafeteria. “…there was a certain elegance to the department store. You had a shopping experience that you certainly wouldn’t have in a big box store today,” Omaha historian Harl Dalstrom said. “…just the surroundings, the showcases, the decor inside the building, the majestic construction of the buildings themselves, the high ceilings, the display of merchandise and, of course, the windows…” The Brandeis brand stood for something special, representing an ultimate shopping experience unequaled in these parts. A one-time Brandeis VP, the late Sam Marchese, may have put it best when a newspaper quoted him saying: “When my grandfather came to this country he could speak only three words of English: ‘Hello,’ ‘goodbye,’ and ‘Brandeis.’ From Omaha there are only four real institutions in the state: the University of Nebraska, the Omaha World-Herald, Creighton and Brandeis.” More than a flagship, the downtown store was THE center for commerce. It’s where people shopped and dined and caught up with friends or associates. It’s where you went to be seen. Where big wigs did business, sealed deals, made plans. Brandeis hosted fashion shows, parties, receptions, graduations and meetings. Dalstrom said, “You would find going to the big department stores such as Brandeis part of an overall urban experience. When you look at the Brandeis experience you need to consider it too as part of an overall orientation toward during important things downtown..,and so downtown shopping was very much the thing.”
Not to be overlooked, Brandeis was viewed as one of Omaha’s own. “Locally-owned. Local ties. That was different than all the other department stores. It was kind of funny growing up because everybody I knew either had somebody in their family who did work or had worked at Brandeis,” Ted Baer said. Every city has its movers and shakers. Big wheels turned early Omaha from a prairie town outfitting Western Plains settlers into a modern metropolis of railroad, meatpacking, livestock, banking and mercantile interests. The names of those who made it happen — Kountze, Storz, Joslyn, Dodge, Reed, Hitchcock, Clarkson, Millard, Doorly — adorn streets and public places. The Brandeis name lives on, too. The executives guiding the company were more than merchants. They were part of the elite inner circle that called the shots. Through the years Brandeis family members filled the top executive slots in the company, but with its growth Brandeis increasingly looked outside the family. Family or not, the Brandeis name opened doors. When Brandeis spoke, people listened. “At one time, Brandeis ran this town,” said former VP Helmuth Dahlke. “… in the heyday Brandeis pretty much controlled every corner of downtown Omaha, strategically, so that no one could move in. They controlled the real estate…owned the buildings, the properties. When we wanted something we called and one minute later they called you back. We had muscle.” “Yes, the Brandeis family and other major corporate executives of Brandeis provided substantial leadership in the business community, in civic affairs, in philanthropy,” Mihelich said. “They did it individually, serving on things like the board of governors of Ak-Sar-Ben…In all of these numerous kinds of activities the Brandeis family and the Brandeis company certainly for the better part of a century were as influential as any of the other major Omaha players.” Befitting their means, the Brandeis family lived like Midwestern rajahs with their mansions, stables of horses, recreational activities, parties, appointments, titles, world travels and charitable work. Newspapers detailed their comings and goings. Cousins George and E. John Brandeis cut dashing figures with their good looks and active pursuits. Fellow sportsmen, their exploits made much news: George with his prized horses and hunting of fowl in western Nebraska; and E. John riding, yachting, hunting on one of his big-game safaris or squiring eligible young women. “The Brandeis family were like rock stars,” Ted Baer said. “One of them was on the Titanic. E. John lived like the young Howard Hughes, playing polo, flying all over the place and doing pretty much anything he wanted to do.” There would be many stars in the Brandeis firmament, but none quite as bright as J.L. By his death in 1903, the company was already viewed as a linchpin in the local economy. An Omaha Bee article proclaimed: “…its prosperity has been a part of the growth of the city and its faith in the city has been shown by its constant endeavor to grow within the city.” Even in death, J.L. continued giving, as his will directed generous gifts to several charities, including the Creche, the Omaha Benevolent Society and Temple Israel, beginning a long tradition of charity by Brandeis heirs and descendants. Following in his footsteps, J.L.’s sons continued as community stewards. Arthur, Hugo and George each served on the Ak-Sar-Ben board of governors. The family’s association with the civic-philanthropic organization would last generations. After J.L.’s passing, his three sons found their niches. Arthur, the visionary, assumed the presidency. Emil, the builder, handled supervised construction and maintenance of the company’s early building projects. Hugo, the retailer, sent buyers to foreign markets and managed the store’s sales policies. Cousin George Brandeis joined them at the department store, first at J.L.’s urging and later at Arthur’s. George’s presence proved invaluable when a series of tragedies struck down J.L.’s boys, leaving George to take over. The first of these tragedies befell Emil. The lifelong bachelor had concluded his annual overseas trip in the spring of 1912, touring the European continent and Egypt with his niece and her husband. For his return trip, he boarded the Titanic as a first-class passenger and died in its sinking. He was 45. His body was recovered on an ice floe by the MacKay Bennett. He was wearing a dark suit, brown shirt with blue stripes, black shoes and silk socks. Among his effects were diamond cuff links, a gold knife, a platinum and diamond watch chain, a gold pencil case, a gold ring, a gold cigarette case and match box, a pearl tie-pin and a 500 francs note. Personal accounts of the disaster to reach the Brandeis family placed Emil at a card table when the “unsinkable” luxury liner struck the iceberg that spelled its doom. An old friend who survived the sinking, Mrs. Henry B. Harris, wired the family her own account of her and her husband dining with Emil on the ill-fated maiden voyage and how he proudly boasted to them of his recent travels. Once the ship was damaged and the evacuation begun, Mrs. Harris was put safely out to sea on a jampacked lifeboat and watched Emil and Mr. Harris remain among the throng of men on deck, stoically awaiting their fate, she reported, “without fear.” Emil was remembered as a solid citizen in a statement issued by the Knights of Ak-Sar-Ben published in the Omaha World-Herald:
“In the consideration of his distinguished services in the upbuilding of Omaha and in appreciation in the loss of his loyal devotion to her interests that his home city has sustained in his tragic death, we…have called a public meeting in memory of our late fellow citizen, Emil Brandeis…” Upon his death, Emil’s will directed funds to the Visiting Nurses Association, an organization the family continues supporting today. Only months following Emil’s death, brother Hugo died, after an operation, leaving Arthur as the only Brandeis at the helm. Soon, Arthur cast his eye to diversify Brandeis interests with development of the Brandeis Theater, which opened up next door in 1910, joining the spate of motion picture houses downtown. Meanwhile, Arthur’s son, E. John, began learning the business as a boy, occasionally accompanying his father on buying trips overseas. With the loss of his two brothers, Arthur turned to cousin George, then manager of the Boston Store in Chicago, to join the family empire. By 1914 a restless Arthur left the store’s leadership to George in order to attend to his extensive realty holdings and to become vice president of Stern Brothers dry goods store in New York, where he took up residence. When Arthur died in 1916, his will left in excess of $1 million in personal property and real estate, in a trust, to his son, E. John. As a boy E. John had laid the cornerstone of the Brandeis department store. E. John had worked under his father at Stern Brothers, but at 21 was not yet deemed ready to take over the reins at Brandeis, where George remained in charge as general manager. E. John would have to learn the business from the ground up. George mentored the heir apparent. George’s tenure at the top lasted longer than anyone’s in Brandeis history. He grew up in Lieben, Austria. His uncle, old J.L., was already a success in America when he visited Lieben in the early 1890s. Impressed by his uncle’s tales of riches, young George returned to America with J.L., who put him to work at the family’s Boston Store in Omaha. George began humbly enough — checking parcels for customers. Upon returning to Omaha to help manage Brandeis he told a reporter: “It was one of the surprises of my life to find…Omaha has grown to such a thriving city. And I was also greatly surprised at the enormous amount of business my cousin is doing. Why, they are selling higher class goods here…than in Chicago.”
On his watch George is credited with growing the store’s market share. The growth continued despite the Great Depression and two world wars. Just as Arthur Brandeis brought George on board to guide the company, George brought in a key lieutenant of his own, only this time someone from outside the family, Karl Louis, a German immigrant. Brandeis and Louis met at Chicago’s Boston Store, where the two men forged a professional and personal relationship that lasted 36 years. Louis got the nickname “Cyclone Kid,” as his arrival coincided with the horrific Easter Sunday tornado that laid waste to miles of Omaha on March 23rd, 1913.
Louis was George’s top aide and eventually made vice president and general merchandise manager. Helmuth Dahlke has fond memories of Louis. “He was a great merchant. He was a great guy. He ran the company all those years — under George — but he ran it. Longer than anyone else. I was in total awe of him.” With Louis looking after the store, George Brandeis turned his attention to developing Omaha’s downtown business district. Always looking to consolidate the store’s position and spur growth around it, George directed the Brandeis Investment Company in providing the land and the impetus for construction of the Fontenelle Hotel, the Omaha Athletic Club, the Elks Club and the Medical Arts Building. All became fixtures on the vital downtown scene. As Ak-Sar-Ben president George swelled the organization’s membership and led the drive to give Omaha toll-free bridges across the Missouri River. He was crowned King of Ak-Sar-Ben in 1931. Ak-Sar-Ben bestowed on him the honorary office of chairman of the board. Active in the Omaha Chamber of Commerce, George’s leadership extended to serving as a director of Omaha’s Union Stock Yards Company, operator of the world’s largest livestock market, and head of the Central Land and Cattle Company.
Mihelich said, “George Brandeis…was a mover and shaker…with a vision and a passion for his city…His name was associated with virtually everything going on.” George raised and trained show horses on his farm west of Omaha. Many of his saddle and harness horses won ribbons on the show circuit. He also owned a prized thoroughbred gelding, Hal Mahone, once valued at $20,000. Long before media titan Ted Turner invested in Nebraska’s rich ranch lands, Brandeis purchased a 30,000-acre Sand Hills spread, the T-O, south of Valentine, where he raised cattle. When Brandeis died in 1948 he was memorialized by newspapers as “a merchant and civic leader” and more: “Mr. Brandeis’ civic-mindedness reached into all corners of Omaha life. The story of George Brandeis…is the oft-told tale of the immigrant who achieved great business success. It is the story of a man who worked to build his community while building businesses.” With George gone, cousin E. John installed himself as president. His early immersion in the family business was interrupted by military service during World War I. E. John was assigned a machine-gun unit at Camp Funston, Kansas and later made inspections of aircraft production. After the war he returned to the fold, opening Brandeis’s New York office, from where he networked with big Eastern jobbers and traveled to European markets. He remained in the Army Reserves, retaining a captain’s commission. On many of his store buying trips — to acquire textiles, chinaware and leather goods — his companion was the “Cyclone Kid,” Karl Louis. In 1924 E. John came into possession of the Brandeis store and investment company held in trust for him since his father’s death. Confident in cousin George’s management ability, he left well enough alone and remained a background figure. E. John bided his time, waiting for his chance at the top. t came in the late 1940s. He would guide Brandeis through the early 1970s. A dynamic man with a penchant for high living and the outdoors, he spent most of his time at his ranch in California, where he moved in elite social circles. While on the coast or off on one of his many jaunts around the world, he received regular briefings on Brandeis affairs. On monthly visits to Omaha he attended to business. So it was this largely absentee owner oversaw the company at its time of greatest growth. Change was in the wind, however, and Brandeis would meet new opportunities and challenges that forever changed the company and hinted at its fate. The Brandeis Story Part II: The Family-Owned Department Store Dynasty Has It’s Last Hurrah
©by Leo Adam Biga Originally published in the Jewish Press By 1948 Omaha department store J.L. Brandeis & Sons ruled the roost with its grand downtown emporium. Founder Jonas Leopold Brandeis built an empire that his three sons, Hugo, Emil and Arthur, and a nephew, George, grew. Arthur’s boy, E. John Brandeis, took over as president/owner following George’s death in ‘48. When E. John assumed control Brandeis was still the only game in town. Its 10-story store was bigger, more impressive and offered more goods and services than any competitor around. Downtown was still the center of everything and Brandeis dominated that retail market. Things pretty well remained that way for the next decade. But the winds of change were blowing. By the late ‘50s-early ‘60s Brandeis faced an altered landscape. The new playing field changed the company’s status and forced a whole new way of doing business. Navigating Brandeis through this transition was E. John and his successor, nephew Alan Baer. Each Brandeis titan exerted his own style and influence. Without a doubt, E. John proved the most flamboyant. Start with his California retreat, the Open Bar Diamond ranch, whose house was a replica of his favorite big game hunting lodge in Kenya, Africa. A man who indulged his passion for the outdoors, he worked the spread himself. He lived most of the year at the ranch, but stayed in his Omaha penthouse atop the 10th floor of the Brandeis building on monthly Omaha visits. He held court there, playing bridge and hosting parties. The penthouse, appointed in Native American art and big game head trophies he collected, was featured in an Architectural Digest spread. Its interior was inspired by his ranch’s rustic decor. Despite spending much time away from Omaha and leaving daily operations to others, E. John professed a love affair for his hometown: “I’m a million percent loyal to Omaha. This is my life. I’ve traveled everywhere, hunted everything, but I still love to come back to Omaha and the store. I was born and raised here and I’ve got a confidence in the Midwest.” In an address he once made to store employees he spelled out just how closely Brandeis’ and Omaha’s fortunes were aligned. What set Brandeis apart from its competitors, he said, was its local-ownership and community-mindedness. He articulated how Brandeis ties to the area reaped loyal customers: “This is the only Omaha store owned by Omaha, owned by Brandeis. Nobody can even touch us because we are Omaha and Omaha is Brandeis. All the other stores take it out of Omaha, but we put it back into Omaha and Nebraska. That’s why this is the best store. We are the only store that has EVERYTHING.” The store that has everything became a mantra. For much of the store’s history it carried full hard and soft lines, from furniture to clothes, including all accessories and assundries. If Brandeis didn’t have something a customer wanted, it got it. No excuses. No questions asked. E. John made the policy crystal clear: “…if I find we haven’t got EVERYTHING, we must have it…”
“We were very, very keen on making sure we had what the customer wanted,” former Brandeis vice president Helmuth Dahlke said. “Anytime a customer would come to the store and something wasn’t available our clerks had to write it down on a slip and it came through a system to central. It was typed up and then brought back to the buyer with the order, Buy this. The other thing is, we shopped our competition all the time for comparison.” E. John’s disciplined habits found him riding and playing tennis most days. He was a regular at the Los Angeles Tennis Club, then the center for tennis in the U.S., and at Omaha’s Dewey Park courts. On the coast his playing partners included top pros and movie stars. When he wasn’t recreating, he was off on one of his hunting jaunts to Africa, India, Alaska or some other exotic locale. He bagged lions, tigers, rhinos, bears. He was on safari in Africa when word reached him the U.S. had entered World War II. At his request he went back on Army active duty, serving in the Transportation Corps at bases on the west coast. By war’s end he’d made the rank of lieutenant colonel. He remained on reserve status for years afterwards. When at his California ranch, he called daily to get sales reports. A top-line man, he always insisted on 10 percent increases across the board, regardless of conditions. E. John declared: “…I want the store to be running 10 percent ahead because if you don’t run 10 percent ahead you’re running behind…” The bottom line and details didn’t interest him. He spent an average of one week a month in Omaha, where he conducted inspections, chaired meetings, presided over special functions and hosted guests. No big changes in the company happened without his approval. Said Dahlke, “There wasn’t anything major that would happen when E. John wasn’t around, without E. John giving his blessing. He would call every morning from wherever he was and want to know how business is. He knew exactly what was going on.” Punctual to a fault, he expected the same from others, especially for the noon executive meeting or the two o’clock tennis game. “If you were delayed, if it was even 12:01, you would not dare to enter the executive dining room,” Dahlke said. “If you got to the court at 2:01, you wouldn’t play. I mean, he was fiendish about it.” E. John’s military-style inspections of the downtown store were legendary. With operations manager Ray Powers and other execs in tow, Brandeis would begin his tour on the 10th floor and work his way down to the basement, setting a brisk pace, alert to any speck of dirt or anything askew.
“He marched. He literally marched,” former VP Gene Griffin said. “And the executives that were with him — just making sure to keep up. If they saw something out of place they’d try to hide it before he got to it.”
“He was totally fanatical about cleanliness. I mean, if he saw anything amiss, he’d let you have it,” Dahlke noted. Always immaculately attired and groomed, he expected the same from his employees, who could expect a stern dressing-down if they didn’t look just right. Knowing he despised long hair on men, managers scrambled to hide, out of sight, personnel with offending locks. Even worse was if he overheard an employee say the store didn’t carry a certain item. And one never balked at an E. John order or request. “My predecessor made a big mistake one time,” Ray Powers recalled. “Mr. Brandeis was talking to him about something and this guy said, ‘Well, that’s not my job.’ I thought, ‘Oh, he’s dead,’ and he was dead,” Fired. On the spot.
“He was quite a formidable man, and you didn’t walk up to him just to say hello,” said Marcia Baer, whose late husband Alan Baer was E. John’s nephew and the man who succeeded him as president.
Dahlke saw another side of E. John. “He was a very direct, very strong, very firm leader. He was a dominant person but a good person and the most loyal person,” he said. “In those days we had some people that needed to be let go…and he would not allow it. He was very loyal to his people.” As in any kingdom, Brandeis also had department heads who ruled over their territories like lords. Maury Aresty had the Bargain Basement. Meyer Reuben, “The Famous Fifth,” where high-trafficked hard-lines were sold. Lester Marcus, the main floor. Turf wars were common on the sales floor. It’s what came with high-pressure jobs, strong personalities and rivalries to see who sold more. “These were the merchandise managers. They were tough guys. Brandeis was a rough-and-tumble environment. We had people working there that were big shots. I mean, they were kings,” Dahlke said.
Away from the fray of the sales floor, things were more serene — usually. Much as George Brandeis immersed himself in shaping Omaha, E. John made it a point to convene meetings with fellow movers and shakers. These confabs, held in a private executive dining room at the downtown store, would bring Brandeis together with titans of commerce and industry. Their discussions put in motion projects to revive a restructured downtown amidst rapid westward expansion. Dahlke recalled, “At Brandeis you made it when you became a member of the private dining room and I worked very hard to get there…You would have E. John Brandeis, Alan Baer, Peter Kiewit, Leo Daly, the head of At & T, the head of the World-Herald, and these people ran this town, period. It was a working lunch. Basically, they discussed the city. They discussed projects.” In line with post-war trends that made Americans more dependent on creature-comforts, E. John, with Karl Louis and Ed Pettis now as his right-hand men, began a modernization program that saw the installation of escalators and air-conditioning. Responding to Americans’ love affair with their cars and a tight parking situation downtown, E. John ordered construction of the 18th Street parking garage. Affordable vehicles and gas meant greater mobility, a vital economy meant more disposable income, prompting the Great American migration to the suburbs. All of which led Brandeis to look at expanding beyond downtown. Omaha’s mid-town Center Mall was a harbinger of the future. Brandeis kept a close eye on it. When VPs Karl Louis and Ed Pettis broached the idea of leasing land on the outskirts of Omaha, at 72nd and Dodge, for a future outlet, E. John approved the acquisition. Louis and Pettis drafted plans for a dramatic new chapter in Brandeis history.
“They had that property, which was pretty much the end of Omaha. That’s where the streetcars and the buses stopped. It was nothing but cornfields. And they were very nervous about it,” Dahlke said.
Ted Baer, a son of Alan and Marcia Baer, said, “That was pretty progressive thinking…Stores didn’t have outlets like that back in that time. There weren’t malls yet really. They probably took a lot of heat for it, too.” Marcia confirmed the skepticism, saying, “Yeah, it was, How crazy can they get to think this would work?” But it did work. Brandeis took the plunge in 1959 qirh construction of the $10 million Crossroads Mall, anchored by the first new Brandeis store in half-a-century. Crossroads opened in 1960 to a lukewarm response before the mall caught on with the public.
“We were very disappointed with the grand opening and the initial performance of Crossroads,” Dahlke said. “It was so new, so different. But then gradually it took off and it became a $36-$40 million anchor store for us and a very, very successful shopping center for us.” The project set in motion an era of unprecedented expansion, including the purchase of Gold’s department store in Lincoln, Neb. and construction of a massive distribution center in west Omaha. “…the Brandeis family saw that expansion was necessary, that anchoring the entire business on the one store downtown was not likely to continue,” Omaha historian Dennis Mihelich said. Fellow Omaha historian Harl Dalstrom said it showed “Brandeis could and did adapt to the changing times.” Guiding much of the later expansion was Alan Baer, the next generation to rise to prominence in the Brandeis dynasty. A nephew of E. John and a great-grandson of J.L., Baer was an Army veteran. He grew up in the San Francisco area. On summer visits to Omaha he got a taste of the retail trade. After the war E. John invited Alan to take a greater role in the store’s operations. Alan moved to Omaha and learned the ropes under Karl Louis, his mentor. With Louis’ death in 1959, Baer’s influence in the company grew. More and more, E. John deferred to Baer. “They had a tremendous relationship,” Dahlke said. Considered a visionary, Baer became the chief architect of Brandeis expansion with the addition of new stores in north, south and west Omaha, and for the first time — in out state Nebraska and in Iowa. Dahlke recalled, “Alan would have more ideas in an hour than most people have in a lifetime. He was an amazingly mentally agile person.” When E. John was still in charge, Baer would pitch him ideas, pushing for new stores, new ways of doing things. Not everything Baer proposed made the grade but enough did to keep Brandeis ahead of the curve. “Basically the guy that would sell it to him was Alan Baer. He would sell it to him and he know how to sell it to him and many times he had to…” Dahlke said. E. John put into words and Alan Baer put into action the Brandeis motto: “We have to keep rolling. If you don’t go ahead, you fall behind.” In his last few years, E. John’s active involvement waned except for pronouncements, groundbreakings, ribbon cuttings. He was more ceremonial figurehead than CEO. He continued making inspection tours. He also gave generously: $60,000 for construction of the Hanscom-Brandeis Indoor Tennis Center; and animals and big game trophies to the Henry Doorly Zoo. Where E. John had little input in day-to-day business, VP Ed Pettis did. “He was a crusty old guy. Very strong,” Dahlke said of Pettis. Pettis carried on the tradition of Brandeis executives involved in civic affairs. Dubbed “Mr. Omaha,” Pettis chaired the Golden Spike Days celebration in 1939 and directed Omaha Industrial Development Council activities. He lent his expertise to 4-H, United Community Services and Creighton University. He’s best remembered as general chairman of the College World Series when the popular event was still in its infancy. Pettis, along with advertising giant Maury Jacobs and Omaha mayor Johnny Rosenblatt, made the early CWS a success. “Ed Pettis was the one who really got the College World Series going. Without him and Maury Jacobs, it wouldn’t have happened,” said former VP Vic Mason. When Pettis died in 1963, Brandeis executive Jack Diesing Sr. assumed many of his duties, among them chairing the series. Diesing is credited with building the CWS into a national phenomenon and keeping it in Omaha. Today, his son, Jack Diesing Jr., heads College World Series, Inc. “…I think Brandeis had a lot to do with the College World Series being here. There’s a lot of things Brandeis did as a community service,” Ted Baer said.
More than anyone except E. John, Jack Diesing Sr. became the face of Brandeis. From the early ‘60s through the early ‘70s, the executive team of E. John, Alan Baer, Diesing, Vic Mason, Lester Marcus and Ray Powers charted the course. Where E. John and Diesing were public ambassadors, the others were classic behind-the-scenes men. Much as George Brandeis did with Karl Louis, E. John found in another German emigre, Helmuth Dahlke, an ambitious young man brought into the Brandeis sphere. As the trusted assistant to Alan Baer, Dahlke became an important cog in the Brandeis machine. He would remain with Baer long after the stores were sold. E. John’s 1974 passing brought an end to an era of bigger-than-life leadership. A newspaper described him as “a fascinating and colorful figure.” In his eulogy, Rev. Carl Reinert said: “Brandeis believed the God-given pleasures of this world are to be enjoyed with zest….He showed a fatherly concern for the large family of Brandeis employees.” He was also a major supporter of the Pratt Institute for Individual Instruction. He left an estate valued at $12.7 million, half of which went to the E. John Brandeis Foundation, now the Alan and Marcia Baer Foundation. He also left $1.5 million to nephew Alan Baer, who took full control of Brandeis upon his death. Where E. John was a fashionplate who lived large, Baer was an introspective eccentric whose austere, frugal, bargain basement tastes fit his simple lifestyle. In his unconventional way, Baer might plop himself down on the floor during a business meeting. “But that’s the way he operated. A little eccentric. But a brilliant mind,” former VP Gene Griffin said. “Totally disarming. He was what I call an ice-breaker,” Dahlke said. Where E. John made a show of inspections, Baer made himself inconspicuous, passing himself off as a shopper. His door was always open but he wasn’t always in his office. He might be out on the floor or playing tennis – he loved the game almost as much as his uncle — or traveling to some exotic spot. Baer met his wife, the former Marcia Miller, at Brandeis, where she clerked in the French Room. Besides Dahlke, no one had Alan’s ear more than Marcia. By the late ‘70s Baer saw the changing retail landscape and realized it posed a threat. The emergence of national discounters like Target and the inroads made by departments store chains like Dillards and Younkers squeezed the market, cutting into Brandeis’ share and putting the Omaha company at a competitive disadvantage. A great booster of downtown — just as J.L., George and E. John were — Baer adored the flagship store but realized consumers preferred shopping at suburban malls. The times were making the giant downtown facility a white elephant. “He was very interested and he was way ahead of the crew because he felt department stores as they existed in the ‘60s were dinosaurs,” Mason said, “and he was kind of right.”
“Brandeis was a big deal locally, but when you looked at it in the big picture, Dillards was ten, probably, a hundred times bigger,” Ted Baer said. “Brandeis could compete with a Dillards or with a Younkers, but we really couldn’t compete with both of them at the same time.”
“It was very apparent that going forward a private company like ours would have a tough, tough time staying in business with the big boys — the national companies,” Dahlke said. In a move to streamline operations and maximize profits, Alan brought in new management teams from outside Omaha, the first led by Jim Gibson and the second by Sid Pearlman. Departments were scaled back. Hard line, big ticket items dropped. Brandeis could no longer afford to be “everything to everybody.” The resulting staff downsizings were tough. Tougher decisions followed, none more so than the 1980 closing of the downtown store — the monument of the whole Brandeis empire — along with closing three other stores. The announcement made headlines. The downtown store’s last close-out days drew huge crowds. Generations of customers and employees expressed their nostalgia. It was like losing a beloved family member or dear friend. The building remained as a mixed retail and office center but with Brandeis gone the tradition was lost. The Brandeis store at the Crossroads became the chain’s new flagship. Renovations were made. But try as company officials might, it just wasn’t the same anymore. The oomph and awe were gone. Baer’s decision to close downtown was not made lightly. It meant letting go people who in some cases worked there decades. In larger terms, it meant abandoning the very core of what Brandeis represented. But as much as he wanted to keep the downtown store alive, he couldn’t. Ted Baer recalled, “It definitely was not a popular decision, either in the Brandeis community or within the larger community, because Brandeis was really one of the last stores to hang on and keep downtown, downtown. I know it was a very, very tough decision for him. Gut-wrenching. It was a tradition, Brandeis.” Still, Brandeis moved on and rebuilt its financial health. A fifth generation family member, Ted Baer, was being groomed to take over one day. Just as Alan and Marcia did, Ted and wife Kathy met working at Brandeis. When Dillards and Younkers tendered attractive offers to buy the company, Alan Baer ran the numbers and decided to sell the family business to Younkers in 1987. The sale price: $33.9 million. It was a classic case of head over heart. He wanted to keep the stores that were his family’s legacy but Brandeis neither generated the profits nor owned the capital to stay competitive. Once the deal was struck he didn’t look back, except to offer a hint of regret that Brandeis hadn’t parlayed its success to become a regional giant like Younkers. He told a reporter: “My goal had been to hang in there until I died. If we had the bucks behind us…if we’d had the finances and the courage, we could have done what Younkers is doing.” Alan kept ownership of Brandeis Food Service and began Alan Baer & Associates, an umbrella company for wide-ranging business interests — from coffee and nuts to travel services to publishing to sports teams to butterflies. Ted and his father’s longtime assistant, Helmuth Dahlke, joined Alan in the new venture, which gained a reputation for turning around small companies..
Dahlke remains a bit in awe of Alan Baer: “He was a man of incredible curiosity and quick wit. His energy was endless. Alan would ask lots of questions and, to be sure, he knew all of the answers…Alan was a networker. He always worked. He was always on the phone, always talking to someone. He was always exploring something. He went after everything. An uncommon common man.” Father and son continued the family’s sportsmen tradition: Alan as an avid tennis player and Ted as a championship-level amateur bowler. They bought an amateur hockey team, the Omaha Lancers, that became a phenomenal success under Ted’s guidance. After his father’s death Ted went on to own a second amateur hockey franchise, the Tri-City Storm. He’s since divested himself of his hockey interests to concentrate his sports holdings in bowling with the Thunder Alley and Thunderbowl centers. Another Brandeis tradition, philanthropy, has continued. “Alan and Marcia were very generous. A lot of their generosity got no publicity,” Dahlke said” Countless examples abound, he said, of them quietly paying the rent or medical/dental bills of Brandeis employees in need. As it has for decades, the Alan and Marcia Baer Foundation grants monies to local cultural, educational and health initiatives. To the end Alan Baer searched for new endeavors to engage him, always on the look out for businesses to invest in, new challenges to overcome. It’s why Baer & Associates had a piece of so many different things. “You know what I always thought it was? It was like Brandeis, but not under one roof, because we had everything. We did everything,” Ted Baer said.
Baer, who died in 2002, lived the credo that was the Brandeis slogan under his uncle. E. John Brandeis: “To build a business that will never know completion, to create an enviable reputation and be worthy of it, to satisfy every customer individually, through quality merchandise and friendly service.”
Marcia Baer admits she doesn’t know much about early members of this fabulous family she married into. “I don’t know anything about them, except they obviously built a place called Brandeis,” she said.
The solid foundation J.L. laid down, and that successive generations added onto, stood Brandeis alone, at the top of the heap among retailers and the city’s leadership. All things have their season,and after a century of success, Brandeis left the scene. Except it will never quite be gone. The downtown building where so much of its history was made still stands. It still goes by the Brandeis name. A dynamic new use for it is under way. Then there are the memories, which never quite seem to fade. Ted Baer said, “When we run into an old Brandeis employee it’s like we’re seeing an old family member we haven’t seen in awhile. It’s like old home week.” “Yeah, it’s like suddenly a step back in time, but it’s a good step back,” Marcia said. “Yeah, it’s a very nice warm feeling,” added Ted.
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The story that follows is a kind of sequel to the first story I did on Art Storz Jr., the beloved Omaha eccentric who had a magnificent obsession with his family dynasty and the mansion they built and that he tried to preserve as a lasting tribute. That initial story is also posted on this site. This follow up story was published in The Reader (www.thereader.com). Art fought the good fight to retain the mansion but in the end he had to give it up. The historic home was donated to Creighton University, which has since sold it to an Omaha couple who now reside in it and are restoring it. That would have made Art happy. The Storz Saga: A Family Dynasty — Their Mansion, the Brewery that Built It, the Man Who Loved It, a Legacy of Giving, the Loss of a Dream
©by Leo Adam Biga Originally published in The Reader (www.thereader.com)
Once the centerpiece of an Omaha German-American family’s brewing empire, the brawny Storz mansion at 3708 Farnam Street is the brewmeister house that beer built. Much like the Storz brewery ranked as a dominant family-run business for 90 years until sold by the clan in 1966 and shutting down five years later, the big gabled house was a high society icon during the 20th century but now, for the first time, it’s fallen out of the family’s hands. This is a story about a house that defined an era in Omaha affluence and connoted the influence a family wielded in shaping the city. It is the tale of a magnificent obsession by one Art Storz, Jr., a third-generation heir and self-described black sheep of the family, who, with the aid of a gambling tycoon, warded off creditors in trying to make the house a brick-and-mortar tribute to the Storz heritage. It is a story of industry, intrigue, money, love, fear, desire, loss and legacy played out in public and private arenas. A fitting symbol for a family enriched by their conspicuous manufacturing success and openhanded with their generous community support, the 27-room residence was built from 1904 to 1907 to the scale and opulence of the area’s affluent Gold Coast standards by Storz Brewing Co. founder Gottlieb Storz. The German emigre, an honored citizen in his native Benningenam, worked as a brewmaster before starting the company that bore his name at age 24. Boasting a third-floor ballroom serviced by an elevator, a sun room patterned after the solarium aboard the Bremen oceanliner, a music room, servants quarters, a grand foyer and a richly appointed decor featuring mosaic-tiled fireplaces, quarter sawn oak woodwork and stained glass windows, the mansion was designed by architects George Fisher and Harry Lawrie in the Jacobethan Revival style. The exterior includes relief panels displaying key ingredients in the brewer’s art: barley, hops, grain. A carriage house adjoins the mansion. Guests were, by definition, members of the social elite and therefore feted in the Victorian era’s rich style. Family lore has it that as children Fred and Adele Astaire, son and daughter of Fritz Austerlitz, Storz Brewing Co. employee, often whirled around the ballroom at parties and recitals. Holidays were marked by extravagant celebrations and decorations. The house, which outside the Joslyn Castle has few local counterparts in its old-style grandiosity, is on the National Register of Historic Places. Preservation Magazine once featured it in a spread. “They’re not going to be building houses like that anymore,” said Art Storz, Jr., 82, the last member of the family to occupy it. After the family patriarch, Gottlieb, died in 1939, the mansion was home to one of four sons, Arthur C. Storz, Sr., and his family. During his reign as master of the manor, Arthur, Sr., a brewery VP and president, made the home into what Art Storz, Jr., the eldest of Arthur’s two sons, called “a showplace.” A combination bon vivant and man’s man, Arthur C. Storz was a race car driver and World War I aviator, a rugged outdoorsman, an amateur gourmand, an astute business executive and a classic hail fellow-well met chap. He hosted lavish black-tie bashes, trimmed with elegant place-settings and floral arrangements, for an eclectic and gilded circle of friends. For special occasions, the house was transformed into giant set pieces, once as a replica of a showboat and another time as an airplane. “They were just fantastic parties,” Art recalled. His father imported finely-trained German chefs and butlers to head the domestic staff. Art likes painting his folks as common people, saying, “My mother and dad were not ostentatious. If any of us kids would of showed any inkling of that, I think they would have kicked our butts.” Still, their privileged lifestyle set them apart. Art and his brother Bob actually grew up in a Field Club area home with an indoor boxing ring, rifle range and pool room. A meticulous person who demanded order in everything he did, the old man ruled with an iron hand at home and at work. One who never suffered fools gladly, he could reduce anyone to putty with his withering stare and sharp tongue. “My dad scared a lot of people. He was a tough guy. He’d rip ya, but once it was all over, it was done. He’d never hold a grudge,” Art said. Expressions of affection were rare. “My dad knew the word love but he didn’t use it.” With his charisma and connections the senior Storz became a powerful civilian advocate for the U.S. Air Force and the airline industry, using his abode and his storied hunting sanctuary, Ducklore Lodge, near Lisco, Neb., to court military brass, industry titans, politicos, celebrities and assorted movers-and-shakers. Among the who’s-who attending Storz sprees were cinema star Jimmy Stewart, a former flyer himself, broadcasting personality Arthur Godfrey, SAC commander Gen. Curtis LeMay, wartime hero Jimmy Doolittle, WWI ace and race car legend Eddie Rickenbacker, whom Arthur Sr. flew with and raced against, and various big-wigs, including Omaha moguls Peter Kiewit, W. Dale Clark and Leo A. Daly. In son Art’s opinion, the mansion may be without peer locally as a historic residence: “I doubt if any home in Omaha can even come close to it as far as history and the significant people that have been in and out of there over the years.” The same was true at the handsomely outfitted Ducklore refuge, where Arthur Sr. hosted everyone from Hollywood legends Wallace Beery and Robert Taylor to Air Force top dogs to the heads of General Motors and Union Pacific. But the place was not just reserved for blue bloods. Enlisted men were welcome there along with Storz employees. An annual Storz-led Armistice Day celebration in nearby Lisco fed and entertained thousands. Also a strong advocate for the city and state, Arthur Sr. is credited with influencing the placement of the Strategic Air Command at Offutt Air Force Base as a player in the Air Force Association and steering the early growth of Eppley Airfield as Omaha Airport Authority chairman. His staunch support of air power netted him the Exceptional Service Award, the highest civilian citation the Air Force bestows. With Arthur Sr.’s death in 1978, his son Art said Omaha “lost a real champion for this area.” Two of Arthur Sr.’s brothers and Art’s uncles made names for themselves, too. Adolph, who headed the United States Brewers Foundation, was a noted breeder and exhibitor of show horses. Through his two marriages he merged the Storz’ with two other preeminent American families, the Haydens, owners of the former Hayden Brothers Department Store, and the Anheusers, of the St. Louis brewing company fame. Robert Herman Storz’ many interests included raising prized cattle, serving on such community boards as the Chamber of Commerce and Ak-Sar-Ben, spearheading the building of Clarkson Hospital and the development of Memorial Park, whose dedication President Harry S. Truman attended, and donating millions to the Joslyn Art Museum and Omaha Community Playhouse. Also a media baron, in 1949 he joined his son Todd in purchasing Omaha radio station KOWH, which anchored Storz Broadcasting Co., a chain of radio stations Robert Herman Storz became president of after the tragic 1964 death of his son, at age 39, of a cerebral hemorrhage. As a long-standing family brewing dynasty, the Storz’ moved easily in the high society echelons of the brew world, where many German emigres made their fortunes. While the families socialized together, their empires engaged in fierce fights for consumer preference. “My folks were very close with the Coors’, the Metz’s, the Millers, the Strohs and others,” said Art, “but they were awful competitive, too.” At its peak, he said, Storz didn’t take a back seat to anyone. “We were an old-line company. We’d been successful, like the other companies, in selling the family name and been a leader for year after year after year.” Art Storz, Jr. assumed his role in the brewery in the 1950s, directing its marketing and advertising. After its sale and the death of his parents, he dedicated his life to preserving the mansion. His late brother, Robert Hart Storz, was also a brewery executive. When World War II erupted each brother, like their father before them, became a flyer in the service of their country. But where Bob served with distinction, leading the famed 1943 raid on the Romanian Ploesti oil fields, Art got dressed-down for a stupid stunt. It would always be that way — with Bob, the dashing chip-off-the-old-block, seemingly doing no wrong and Art, the insecure one, never measuring up to their father’s “stringent yardstick.” Besides making the house his residence, Art rented it out for receptions, gave tours and led an effort to turn the residence into a museum. His life there was a contradiction. Amid all the opulence, he lived austerely after renouncing his inheritance in a dispute with family members over the disposition of the home. He handled much of the house’s and property’s upkeep himself. He had no car. He dressed like a handyman, preferring corduroys, jeans or shorts, a t-shirt and a cap. Despite acute shyness, he often opened the home to guests and visitors. Despite his near pauper status the Storz name gained him entry into powerbroker circles. While unable to raise sufficient funds for the house’s restoration or rebirth, he did make it a kind of living-working museum by keeping its possessions largely intact and displaying memorabilia relating to his father’s exploits. Eventually, he ran into financial difficulty, owing some $70,000 in back taxes, and came close to losing it all in the late ‘80s, but was bailed out by a family friend, Michael Gaughan, the son of Art’s former Creighton Prep-Creighton University classmate, Jackie Gaughan, who made millions as a Nevada casino-hotel owner. The younger Gaughan, also a well-monied Las Vegas casino-hotel magnate, paid the back taxes, bought the property and subsidized its upkeep. In an oft-quoted assessment of why he intervened Gaughan, who once worked at the brewery, said it wasn’t so much historic preservation as it was “to preserve Art” (Storz). When, last June, Art took a bad fall at home, breaking a hip, his nieces convinced him it was no longer safe for him to be cooped-up all alone in such a massive place — there had been break-ins and items stolen — and moved him into the Westgate assisted living facility, where he remains today. He resisted the move. He wanted to return home. But since he was a tenant, not a title-holder, he had little say. Meanwhile, the house he made into a shrine was donated to Creighton by its owner and his benefactor — CU alumnus Michael Gaughan. The university has not announced plans for the house, although it will likely host tony alumni affairs. Family members offered up a variety of objects and furnishings from the house in an estate sale last December at Collectors Choice. Storz, who hates being separated from the place he fought very public battles over, is upset with himself for not securing it as a permanent memorial to his family and their deeds. “I saw this coming,” he said. “I get pretty down on myself over the home because I feel I didn’t do the job I should have done. I was in over my head with this thing, but I couldn’t walk away. I was in love with the whole damn place. And, well, now I guess Creighton’s paying the bills.” His mind often rehashes his fight to hang-on to the home. “I think it was kind of crazy, you know, trying to do what I was doing because I didn’t have this,” he said, rubbing his fingers together to indicate money. “I let my love get involved with it. It hurt me, too, boy. I feel bad because a lot of people helped financially, none more than the Gaughans, and I failed.” Hardly a failure. After all, it still stands as a proud symbol. Since moving he’s received an outpouring of notes and cards from people expressing cherished memories of the home and admiration for his fight to save it. As for the home itself, he hopes something of the Storz legacy is “retained” in whatever new life Creighton decides for it and that, under no circumstances, it be converted into a frat house, the fate of another vintage Storz mansion, at 40th and Dewey, also owned by Creighton. A third old Storz dwelling, at 39th and Harney, has found new life as the Renaissance Mansion. Two other Storz homes were long ago razed by the University of Nebraska at Omaha to accommodate parking and new construction on campus. During his travails to retain the house Storz was dogged by the irony that he, of all his polished relations, should be carrying the Storz banner given youthful indiscretions that brought unwanted attention to the family. There was the “buzz job” he pulled during World War II when, as an Air Force pilot he flew his Flying Fortress low over a wide swath of Omaha, just for the thrill of “showing off.” At one point he maneuvered the four-engine B-17 bomber close to the old Blackstone Hotel, right across from the mansion, swooped by the spires of St. Cecilia Cathedral and roared over the homes of an uncle and aunt. A general panic ensued and, once his superiors got wind of it, he was court-martialed, never rising above the rank of captain. There was also his penchant for speeding in cars. “I was a rebel,” Art said of his heller days. “I took some tremendous chances.” Then, in the early ‘50s, a breech-of-promise suit surfaced weeks after his only marriage, which ended in divorce. His wife, a member of a Nebraska ranching family, got custody of their two kids. He’s had little contact with them over the years, especially after fighting-off his adult children’s attempts to claim the house in the ‘80s. Being a Storz has often been a burden. “I felt terribly intimidated by it all,” he said. It didn’t help that his milquetoast personality was no match for his father’s and uncles’ domineering presence and the looming shadows they cast. “I’ve always been very insecure because I’ve known there’s no way I was ever going to walk in any of my family’s footprints,” he said from the one-room apartment he’s turned into a mini-Storz hall of fame at the Westgate care center he resides in. “I just wasn’t cut out to be what they were. My family left some big footprints, you know.” They were, he said sheepishly, “a hard act to follow.” Still, his devotion to his family never wavered. Perhaps it was his desire to still measure up in his father’s eyes, but he wanted the Storz’ many contributions to the community remembered. In a sense, they are. The Storz Expressway is named after his father and everything from a hospital wing to a museum gallery is named in honor of his uncle, Robert Herman Storz, and his wife Mildred, whose $1 million gift renovated the Joslyn fountain court. “Our family played such a prominent role,” Storz said. “When you think of the economic contributions Storz Brewing alone meant and then how my family always got involved in so many civic things, I think we’re an awful important part of this area. It makes me proud.” The family keeps giving, too. The Robert Herman Storz Foundation, with assets of more than $7 million, supports a wide range of community organizations. The thriving business that provided the capital to pay for the Farnam Street Storz mansion along with the other palatial Storz estates, and that made possible the family’s well-known civic philanthropy is largely unknown today except by oldsters. Only the red brick smokestack and a scattering of buildings, now in disrepair, still stand as reminders of this industrial juggernaut. Spread-out over a multi-acre site along North 16th Street, the Storz Brewing Co., which operated from 1876 to 1966 under family ownership, employed anywhere from 300 to 500 workers and produced more than 350,000 barrels of beer a year. A strong regional and select national brand in Nebraska, the Midwest and on Air Force bases (courtesy the family’s Air Force ties) Storz was the most prominent player in what was once a booming local brewing scene and a name that prompted strong loyalty among consumers. Its state-of-the-art production and packaging operation, occupying more than 15 buildings, featured spotless red tiled floors and walls, burnished stainless steel and copper fixtures, millions of dollars worth of gleaming equipment, ranging from mashers and brew tubs to bottling and labeling machines, along with massive cellars for storing beer and huge garages for sheltering and maintaining the company’s large fleet of delivery trucks. Railroad tracks ran right up to the back of one building to allow for direct box car access — with imported hops, barley and grain off-loaded and cases of beer on-loaded. A hospitality room, patterned after a brewhause and hunting lodge and adorned with the stuffed heads of big game bagged by Arthur C. Storz, treated employees and customers alike to food and beverages. A Storz-owned tavern, one of many the brewery had, was adjacent to the plant. The whole works ran with the Prussian-like precision and efficiency demanded by the Storz’, who oversaw every step. To assure quality, early brewmasters were brought over from Germany, where Gottlieb himself learned the brewing arts, and later brewmasters trained under their fathers. It was, as Art likes to put it, “a class deal. Everything was immaculate. All I can say is is that everything was of the finest quality. We had a top-level operation.” That quality extended to Storz marketing-advertising campaigns, which spared no expense in using the finest materials and devising the most discriminating images for positioning its beer as the purest brew around. Outdoors themes became a Storz trademark. A classic ad pictured snow-capped mountain peaks and green Douglas firs in the background as cowboys on horseback ford an icy-cold river and make their way to a big frothy mug of Storz beer in the foreground with the pitch — “Refreshing as the whole outdoors…take some home for your weekend pleasure” — scripted below the idyllic scene. A cursory web search finds Storz memorabilia bringing prices comparable to bigger brand names. “It says to me we did things very well,” Art said. “Our material never looked ma-and-pa. It held its own against anybody.” He has the awards to prove it. Storz also got in on the ground floor of tying their product to sports, as the company hired gridiron legend Red Grange and diamond legend Leo Durocher as spokesmen for early network telecasts of NFL football and major league baseball, respectively, that Storz helped sponsor. Almost from the start, the brewery enjoyed fat times. Then, when Prohibition went into effect in 1920, lean times hit. The company laid off much of its work force but unlike other breweries continued operating, making near beer, ginger ale, soft drinks and ice. When Prohibition was repealed in 1933, Storz picked up where it had left off. Over the years the Omaha-brew won medals in Paris and Brussels and gained increased market shares. By the early 1960s Storz controlled 51 percent of the Nebraska market, outselling all its competitors combined. It finally met its match when national brewers began selectively underpricing their beer in Storz home markets. “The national brewers never could make any inroads in our markets, but then they started playing dirty,” Art said. “It was pretty obvious they were trying to get us. That always burned me up, too. I will always wonder how they got away with that. That had to be a bitter pill for my dad. My father had great love for the business and he wouldn’t have sold unless” declining profits and rising expenses forced his hand. In 1966 Arthur Sr. and one of his brothers, who together owned all the stock, sold the brewery to Iowa Business Investment Corp., a consortium of Iowa investors that then leased the operation to Grain Belt Breweries of Minneapolis, under whose management the brewery lasted a few more years before finally closing for good in 1972. The former brewery buildings have found some reuse in the years since. Art rues that he and his brother Bob “never had the opportunity to carry-on the family business.” Art tried getting his father to meet the nationals “head-on, but he wouldn’t go for that,” opting instead to sell rather than fight. Art used to visit the old brewery site, but it’s too painful for him to see the ruins left behind. “I could cry when I look at it now. It’s all torn to hell. My family worked very hard to make the Storz name whatever people think of it today. My family was one of Omaha’s very few industrialists. We made our own product and we marketed it successfully against the biggest names in the land.” As for the imposing family mansion that sits empty and that no he longer has a key to, he said, “I would have gone to hell for this house. I know it sounds crazy, but I would have died for this house. It was a love affair.”
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The late Art Storz Jr. was a strange, lovely man whose fierce devotion to his family and to their legacy as successful beer brewers, as civic leaders, as philanthropists, knew no end. He was a mass of contradictions. Generous to a fault. Shy, unassuming, and eccentric to the end. Getting him to give me an interview the first time was like pulling teeth, and then when he did what should have taken an hour or two became a marathon session of three or four hours, followed by another, before he finally got comfortable with me. The following story, which appeared in the New Horizons, was the first I wrote about him. I did a subsequent piece, which I have also posted. The mansion in the headline or title of the story offered here really was Art’s magnificent obsession. He finally did have to leave there for a nursing home, where I visited Art a few years ago. He was as sweet and squirrelly as ever. A little broken-hearted, too. He’s gone now but hardly forgotten. He will always remain one of the most unforgettable characters in my life. The Magnificent Obsession of Art Storz Jr., the Old Man and the Mansion ©by Leo Adam Biga Originally published in the New Horizons First-time visitors to the historic Storz mansion are unsure what to make of the shy, self-effacing old man greeting them at the front door. In his ball cap, T-shirt, baggy trousers and sneakers, he might be mistaken for hired help or an overripe guest when actually he’s a reluctant heir to the Storz Brewing Co. fortune. The 77-year-old eccentric is Art Storz. He lives austerely in the brawny, brick Farnam Street mansion that his beer baron grandfather, Gottlieb, had built in 1907. While the sole occupant of the imposing, gabled, gargoyle-adorned home on Omaha’s fabled Gold Coast, he’s never quite alone there. Not with a well of precious memories to tap. Memories of a golden bygone era that, for him, is never far away or forgotten. Anyone familiar with his oft-troubled past must find it ironic that this one-time “heller” ended up master of the mansion after committing some highly publicized indiscretions. The most infamous episode came in 1943 when, as a U.S. Army Air Forces pilot, he guided his four-engine Flying Fortress dangerously low over a wide swath of Omaha for the thrill of “buzzing” his hometown. During the brazen stunt, which he describes today with both sheepish regret and cockeyed pride, he used St. Cecilia Cathedral’s spires as pylons to angle the massive B-17 bomber right past the Blackstone Hotel and over the mansion. Then he repeated the maneuver. The sight and roar of a low flying bomber caused a minor panic, including a stampede of pedestrians and rash of auto pile-ups. “Thank God nobody got hurt,” he said in a recent interview at the opulent mansion. “If I would of ever hit anything, I’d of wiped out things for blocks. I could have killed a lot of people. I think I was a good enough pilot that I didn’t have to worry about that, but it’s easy to say that now.” Amazingly, after causing all that commotion mid-town he headed west to “buzz” the homes of an uncle and aunt. “My uncle was shaving with a straight-edge razor when I went through his backyard. He damn near became Robert “Van Gogh” Storz because he nearly clipped off his ear,” the nephew recalls impishly, adding that his aunt, who liked imbibing, was so shaken that she “was fishin’ bottles out of the chandeliers.” The stunt got him in hot water with civilian and military officials and he was ultimately given a general court-martial. He remained in the service, but never went overseas and never rose beyond the rank of captain during a 29-year Air Force reserve career. His punishment might have been more severe if not for his late father, Arthur C. Storz, a former flier and well-connected aviation supporter. It was a scandal the family found hard living down. There were to be others, including a divorce. Always, Storz most acutely felt the disapproval of his father, a stern family brewing chief and taskmaster. “My dad used to like to put me down because I was kind of the Peck’s Bad Boy of the family,” he said. “But I deserved to be put down. I was an embarrassment to the family – and he didn’t like it. And he didn’t let me forget it. He really was a good guy, but boy, was he tough. He’d really take it out on you if you got out of line. He had a stringent yardstick.” Storz also lived in the shadow of his younger brother, Robert Hart Storz, an Abel to his Cain and the apple of their father’s eye. Art suffered by comparison. Where he was a self-described “rebel,” Bob was a model citizen. Where he disgraced his uniform, Bob was a decorated hero. Where he was barely tolerated at the brewery, Bob was made a top executive. Controversy followed Art in later years too, most notably in the battle he waged in the 1980s to hold onto the mansion in the wake of foreclosure proceedings. Despite his black sheep image, he has a genuine personal stake in the Storz success story. He was, after all, the brewery’s advertising director during some of its fattest years – designing multi-media campaigns that won numerous awards, even if his father discounted them. Inside the 27-room home today, he’s surrounded by mementos that recall an era when his family’s empire still reigned – before national brewers’ predatory pricing strategies forced the sale of the company in 1966. “It was like cutting my heart out when Storz Brewing Co. was sold,” he said, “because I’d always hoped my brother and I would get a chance to run it. I loved the brewing business.” For three-quarters of a century Storz beer dominated the Nebraska market, flowing from taps like pure gold. At peak capacity, the firm’s north Omaha plant employed hundreds of workers, ferrying its own fleet of refrigerated box cars and trucks. The Storz name carried enough clout to open doors and get things done. Storz likes nothing better than immersing himself in such sweet remembrances of things past. Of rich old times at the mansion – when the family entertained on a grand scale with lavish parties, fancy balls and sumptuous feasts. When prominent industrialists, politicians, military officials and screen idols were feted there and well-trained servants manned each of its three floors. When it wasn’t just a home, but a showplace. If its walls could only talk, oh, the stories they might tell. Of back room business deals and garden romances. Of juicy gossip and heated debate. Of late nights filled with music, laughter and lively conversation. Fortunately, Storz is around to serve as storyteller and guide, even if it comes hard for someone so shy. He’s never been comfortable being the son of industrial titans and society mavens. “I was terribly intimidated by it all. My family left some big footprints and I’ve always been very insecure because I’ve known I was never going to walk in any of their footsteps. I just wasn’t cut out to be what they were.” To avoid meeting people he’d make himself scarce at social functions. “It was so painful for me that I would take a powder. My brother and sister were just the opposite. They were polished and self-assured. I never had that. I just always felt very inadequate. And I still deal with that to this day.” Yet for all his insecurity, he loves showing off the home. It’s held special meaning for him as long as he can remember. After his grandparents’ deaths, he moved there with his siblings and parents in 1939. He’s lived there continuously since the mid-’50s. His father died at home in 1978, and his mother, Margaret, lived there until shortly before her death in 1981. He helped care for his parents in their final years. Near the end, his father finally uttered the words he’d always craved: “He said, ‘Art, I love you,’ and he kissed me on the side of the face. I always knew he loved me, I’d just never heard him say it,” he emotionally recalls. A promise he made to himself in 1981– to stay in the home and care for it – still drives him today. His fondness for it runs so deep that he’s risked everything to save it. He nearly lost it several times in the face of legal challenges and financial crises. His fight to retain the home even pitted him against family members. What made him persevere and pay such a steep personal price? “It’s been a love affair,” he said. “It really is a deep feeling of love for the place and for the history of the Storz family. I doubt if any home in Omaha can even come close to it as far as its history and as far as the significant people that have been in and out of here. There’s too much history here for me to walk away…I’d go to hell for this house today. I would give up anything for it – anything. I’d even give up my life.” Some say it is his life. When people arrive for tours, his dour demeanor visibly changes. His eyes brighten, voice lightens, posture straightens and step quickens as he swells with pride at the prospect of telling the Storz saga again. And what a saga it is. A dynasty marked by entrepreneurial spirit, philanthropic generosity, civic boosterism, visionary deeds and fabulous bashes. Gilded memories are among the few luxuries Storz has allowed himself since renouncing his inheritance during a 1981estate dispute with his siblings. Aside from straining his relationship with his brother and sister, he said, “That wasn’t hard, because money’s never been important to me. What hurt really bad was when my kids got control of the money and tried selling me down the river.” He alludes to when his two adult children, from whom he’s now estranged, tried ousting him from the home. Since the early ‘80s he’s subsisted almost entirely on his monthly Social Security check, a small pension and the largess of friends. He has no car and can often be found pounding the pavement many blocks from home. Except for a part-time helper, he maintains the extensive, well-manicured grounds himself. While recent hernia surgery has slowed him, his passion for the home and its vibrant history remains unabated. Only with the help of friends has he nourished his dream for the mansion. A dream for this Omaha landmark and National Register of Historic Places designee to be preserved as a museum and lasting monument to the Storz legacy. He has indeed made the home a kind of shrine to his family’s storied past. Throughout are displayed photos, paintings, letters, awards and assorted other memorabilia that document far-ranging activities and accomplishments. He’s turned a basement room into “The Eagle’s Nest.” There, framed photos and newspaper clippings salute his father’s prominent role in aviation, which had its beginnings in World War I flying alongside ace Eddie Rickenbacker. Over the years, the elder Storz kept in touch with the flying fraternity and keenly followed aviation advances. As WWII dawned, he counted among his close friends such Air Force luminaries as Gen. James “Jimmy” Doolittle, Gen. Curtis LeMay and Brig. Gen. James Stewart, the late beloved actor. During the Cold War, he played a key role in selling top military brass on the idea of locating the Strategic Air Command here and he spearheaded the development of Eppley Airfield. He was awarded the military’s highest civilian honors. Another passion of Papa Storz’s was the great outdoors, and his son has converted a basement room into a mini-“Ducklore Lodge” – the family’s beloved hunting resort near Lisco, Neb. – whose walls practically sag from the weight of so many trophy fish and fowl the old man hooked and bagged. Family brewing patriarch Gottlieb Storz built the home and two equally impressive family palaces nearby as conspicuous symbols of Storz success. Edifices to the American Dream made good. While all three homes survive, only the Farnam mansion remains in the family. Nothing was spared in its design or construction, which took three years. Much of it appears as it did in its heyday. A glaring exception is the interior’s painted-over walls and ceilings, which obscure their original quarter-sawn oak finish. Storz one day hopes to have the paint stripped and the wood restored, but that project – like others on hold – awaits needed funding. The mansion’s Old World craftsmanship survives in leaded-glass doors, stained-glass windows, Tiffany lamps, ornately carved woodwork, mosaic tile fireplaces, exquisite murals and countless other fine details. The pale brick facade includes limestone panel carvings depicting the stuff of the brewmaster’s art – barley, hops, corn. The third-floor ballroom, where the legendary Fred and Adele Astaire began dancing, is off-limits while awaiting renovation. The main-floor solarium is a sublime replica of the sun room aboard the famed Bremen oceanliner his grandparents sailed on. The study, music room, parlor and dining room are arranged and decorated in period detail. Storz can offer insights about every room, antique and feature and recall anecdotes of stars (Wallace Beery, Robert Taylor, Arthur Godfrey) and dignitaries (Doolittle, LeMay) who dined there. Those close to him agree his near obsession with the home is a Prodigal Son’s symbolic attempt to win his father’s approval. Storz himself said hopefully: “I think my father would probably say, ‘Art, you did a helluva job.’ I think he really would be proud of me.” The demands of maintaining an elaborate old home have strained his own meager finances and those of the Storz Preservation Foundation he created in 1982. Things have gotten so tight at times that the utilities have been shut off. “I was in some terrible messes,” he recalls. “I was totally broke once, and I was petrified.” When he first took on the project, friends and family members considered it Art’s latest folly. “I felt that way, yes,” said his brother. “I felt it was too much. There was too much involved to preserve it.” Art said he was tempted to sell the home – “to take the money and run” – rather than keep it. “The reason I wanted to run is because I was afraid I would embarrass the family name. I really couldn’t visualize managing this operation. It’s a helluva big job. I knew it was going to cost a lot of money. And I thought, ‘Where the hell is it going to come from?’” But he stubbornly stayed on. “I never did run because the love’s too great,” he said. He takes satisfaction in the fact he eventually kept the mansion despite the many hurdles, long odds and nagging doubts. “I gave it everything I had – my heart and soul – because I love the place. I think I’ve really been tested. There were times when it felt like I’d been in the ring with Muhammed Ali. I hung in even when I was whipped.”His brother, with whom he’s grown close again, has come to respect his devotion: “I give him credit. I don’t know how he did it. I have admiration for him. He loves that house. It’s a love affair – it really is.” Others still marvel he pulled it off: “I was afraid he was going to lose the whole shootin’ match and end up on his rear out in the cold,” said Omahan *** Deaver, a fellow flier and lifelong friend. “I give him credit for seeing it through.” The constant struggle did take its toll. As Art explains, “The pressure was just tremendous. That kind of stress had a disastrous effect on me. I got really depressed. I was just browbeat so bad that I didn’t even want to be around anybody. I let the place go. And I hate to even admit this, but I got suicidal.” He purchased a gun for the deed. “I was really going to knock myself off, but I never could pull the trigger,” he said. Storz, who still suffers from depression, adds, “I’d rather take a good whippin’ physically then take one that emotionally tears you into little pieces.” In the end, he couldn’t bear disgracing his family that way. Besides, he still had his mission – the home. Retired Omaha World-Herald reporter Howard Silber, who’s known Storz for years, said, “I don’t think he’d be alive today if it weren’t for that mission and that zeal. He lives for that.” Storz survived his darkest days with the aid of friends. “When I look back and think about the people who helped me, I just thank God I had friends like that. I’ll never forget what they did for me. And don’t think it wasn’t hard for me to accept. I feel a great debt.” His lowest point came in 1988 when, due to delinquent property tax payments totaling more than $73,000, the home was auctioned off at a forced sheriff’s sale. It was purchased by a bidder who planned turning it into a restaurant. A judge gave Storz two years to redeem the taxes and allowed him to remain in the home. When an effort to raise the needed money failed, things looked bleak. With the deadline only weeks off, a father-son tandem of Las Vegas gambling magnates came to the rescue. The father, Jackie Gaughan, was a classmate of Storz’s at Creighton University, and when he heard his old chum was in trouble he enlisted his son Michael’s support. Once the taxes were paid and the home reclaimed, Michael Gaughan became its legal owner and Storz its chief trustee. A trust fund helps defray the property’s operating costs and taxes. “If the Gaughans hadn’t bailed me out, I would have gone down,” said Storz. “They were my biggest benefactors.” He’s also grateful to the local media for its sympathetic coverage of his plight. “The media made me sort of like David and the people trying to knock me out like Goliath,” he said. That depiction suits him fine. “I’m a staunch competitor. I would never quit.” Even with the home’s immediate future secured, he frets what will happen after he dies. “I’ve got 16 years here of fighting for my life and I don’t want to lose it now. Everything I’ve done has come from my heart. When I’m gone I hope somebody says, ‘Well, he’s carried it far enough – it should be kept intact.’”
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I was raised Catholic. Long after I became a lapsed Catholic, my mother and an aunt attended a church on the south side of Omaha that offered a Mass said in Latin. I am barely old enough to remember that Masses said in Latin, with the priest’s back to the congregation, were once the standard Mass of the church. Then Vatican II came in and the Latin Mass was quickly abandoned, as the church, to its credit, began opening the service up, through language and music and engagement, to make it a more accessible, welcoming, inclusive experience. The Latin Mass was relegated to fringe or alternative status, but its proponents, though small in number, were fierce in their devotion to it. When a priest friend of mine became pastor at the very church my mom and aunt attended, and he told me about the schism in his own church between the Latin adherents and the mainstream Mass followers, I felt called to do a story. The following story, originally published in The Reader (www.thereader.com), is the result. Devotees Hold Fast to the Latin Rite ©by Leo Adam Biga Originally published in The Reader (www.thereader.com) There is a small band of tradition-minded Roman Catholics whose affection for the largely disbanded Latin Mass is so strong they endure a certain scorn to attend this austere, orthodox ceremony that, as local Latin rite worshiper Steve Mahowald puts it, “more effectively expresses the mysteries of the faith I believe in.” The fervor that Mahowald and his fellow worshipers — who can be regarded as the fundamentalists of the Catholic church — have for the Latin Mass is what has kept this old sacramental rite alive amid these liberal times and made its followers a thorn in the side of church hierarchy, who view dissent as a threat to unity. While the Latin Mass is not officially disapproved of by the church, which effectively abandoned it in favor of the modern, vernacular rite — the Novus Ordo — in 1969, it has been suppressed in recent decades and its adherents have been made to feel like they stand uneasily on the fringes of mainstream Catholicism. Starting in 1969, when decrees from the Second Vatican Council held earlier that decade replaced the heavy, somber Tridentine Mass said in Latin with the lighter, more upbeat Novus Ordo said in the vernacular tongue, the traditional Mass not only fell out of disfavor with the church but its celebration became an act of defiance against religious leadership. Defenders of the Latin Mass and the traditions bound up in it openly questioned church leaders. Splinter groups within the church evolved, notably among followers of renegade French Bishop Marcel Lefebvre and his Society of St. Pius X, who openly rejected the Novus Ordo, along with the modern trappings accompanying it, and instead continued embracing the Latin Mass and all other things traditionally Catholic. Lefebvre, who defied the Pope by consecrating four bishops to aid him in his crusade, was excommunicated. Later, the Society of St. Pius X reached an accord with the Vatican that allowed the nearly schismatic group to provide the Latin Mass for those faithful still attached to it. For decades, Society priests have crisscrossed the country on an informal circuit to celebrate the Mass for devotees of the old ways. Often, these Masses are held secretly, in settings other than churches, because many bishops have been slow to recognize indults by the church granting permission for the Latin rite. Local “Latins” or “Trads,” as they have come to be derisively called, petitioned then-Archbishop Daniel Sheehan during the 1970s and early ‘80s for permission to have the Mass at a local church, but their entreaties were denied. Frustrated by what they considered aberrations or abuses in the new Mass, including altar alterations and displacements, the introduction of non-sacred music and the use of laity as liturgists and extraordinary ministers, Trads solicited the Society of St. Pius X for priests to come and offer the Mass they knew and revered. In Omaha, the Latins organized under the name St. Michael Chapel. The group furtively attended their outlaw Mass, not unlike the huddled few apostles in the Bible, at various locations around town — ranging from the Sapp Brothers chapel to Lil Willy’s restaurant to a series of motels before finally settling on the Ramada Inn Airport. The group made regular pilgrimages there, where a large 5th floor party room was turned into a makeshift place of worship. An altar was cobbled together from tables draped in linens. The faithful, whose numbers ranged from 50 to 100, variously sat in folding chairs arranged in front of the altar and knelt on the floor. A closet was used as a confessional and a bar in the back for storing vestments. A member outfitted a suitcase to carry nearly everything visiting priests needed for saying Mass — the ciborium, the chalice, the cruets, et cetera. Members of St. Michael Chapel faced the odd dilemma of worshiping at what once was and what they still believed to be the one true Mass but having to attend that rite outside the confines of a church and without the permission of their own bishop. Timothy Fangman, a coordinator with the group, said at the time, “It’s very embarrassing and it’s very humiliating to attend Mass in a hotel room. Some officials regard us as renegade dissidents, but when in reality we have been more faithful to our religion than many of them.” A worshiper from that group who requested anonymity because she “doesn’t want to get into trouble” said, “I can’t say I felt embarrassed. We did feel persecuted in some ways. But, to me, it was such a relief to find this Mass and to find the faith still lives. Most of us were ready to put up with anything. Going through what we did made us appreciate it more, too.” All during the time the local Latin community struggled to be taken seriously by the archdiocese, they had an ally in the Rev. Lucian Astuto, the then-pastor of St. Patrick Catholic Church in south Omaha. Sympathetic to the group and their convictions, he made his church a forum for the Latins and worked behind-the-scenes to validate their position and their passion. Finally, in 1984, Sheehan allowed the Latin Mass to be said, one day only, at St. Pat’s following a decision by the Vatican’s Congregation for Divine Worship, which left the rite’s celebration up to the discretion of local bishops. In 1988, the Ecclesia Dei promulgated by Pope John Paul II further legitimatized the Mass and established an order of priests, the Fraternity of St. Peter, with a mission of ministering to the traditional faithful and celebrating sacraments in Latin. According to Archdiocese of Omaha Chancellor Rev. Michael Gutgsell, the Pope’s action wasn’t done merely to placate “a certain group or devotion of people, it was a public and universal recognition of the legitimacy of the 1962 Roman missal and a matter of the unity of the church. The schism of Lefebvre is, of course, the backdrop for this particular permission of the 1962 missal. Rome devised a means to safeguard the unity of the church by providing this special fraternity with an authorized missal and other sacramental rites to allow priests to exercise their priesthood in union with the Pope.” An “unauthorized” Latin Mass is offered in Omaha at Mary Immaculate Catholic Church, 7745 Military Ave. Gutgsell said the group sponsoring the rite, the Congregation of Mary Immaculate Queen, “is not in union with Rome. They have sort of created their own community. They do not recognize the Pope. They do not recognize Archbishop (Elden) Curtiss.” Officials with Mary Immaculate Church, however, assert they do heed Papal authority, just not its infallibility. By the late ‘80s the Latin Mass was a fully-condoned fixture at St. Pat’s, where Astuto, now retired, celebrated the rite. In recent years St. Pat’s has hosted a Fraternity of St. Peter priest to serve the traditional faithful there. Although the Latin Mass is secure for now, Trads still feel marginalized in their own church and fear they may not have their beloved celebration much longer. They point to the fact their Mass is confined to only one church, that services are relegated to inconvenient times and that vigorous promotion of the rite is at least implicitly discouraged by the church’s ruling class. “It is though they’re keeping us in check where we can’t do a lot of damage,” said one worshiper who preferred to remain anonymous. Another worshiper who also requested anonymity, said, “You get the feeling, even if you’re not paranoid, that they don’t like you.” As confirmation of that, Rev. Eric Flood, the Fraternity of St. Peter priest stationed at St. Pat’s, said, “I’d say at best we’re tolerated. I think we’d fit any sociological analysis done on a minority group. We’re often scared, thinking that we can’t speak our own mind or proffer our own opinion because what we say may take away the good things that have been handed us. I, myself, have been ridiculed when I’ve given talks about the Fraternity. I’ve been scolded by people who say, ‘You’re not with the church — get out of here. You’re the one causing the problems.’ In some churches Latin rite priests hide their missals from the pastor. I do know of some places where we’re not even allowed to advertise in the diocesan newspaper or even put out a sign saying, ‘Latin Mass here.’” He said such reactions stem from a widely held misconception the Mass is forbidden, “I think it’s fair to say maybe half of all Catholics don’t even know there’s such a thing as a Latin Mass or they think it’s not allowed. There are others who think the Latin Mass is just here temporarily. That in another 10 or 15 years it’ll die out. But, in fact, we see the trend is that won’t occur.” He estimates 100,000 Catholics attend the Mass in the U.S., where more than half of all dioceses have it, and the Fraternity’s seminaries, including a new one just outside Lincoln, Neb., are filled to capacity. St. Patrick’s, 1404 Castelar Street, continues as home to Omaha’s lone sanctioned Latin Mass. The faithful attending the rite there — 7 a.m. Monday through Saturday and 8:30 a.m. on Sunday — are drawn by a common set of beliefs and an overriding desire to keep this core sacrament of Catholicism free of what they regard as not only cosmetic changes but fundamental deviations in the way the mainstream Mass is said today. Here, in this tiny brick church, both the profound presence of silence found in long stretches of the Latin Mass and the strange but sublime sounds of Gregorian chant sung during many intervals of the rite set the other-worldly tone for the sacred proceedings. The priest, garbed in full vestments, is a figure of reverence in the restrained way he moves, in the fact he keeps his back to the congregation and in the quiet way he recites the long litany of prayers that are the foundation of the Mass. The faithful, ranging from silver-haired seniors to a surprising number of families with young children, display a reserved, pious countenance, with much bowing and genuflecting, and little talking. As was customary before Vatican II, women are veiled in head coverings and wear loose-fitting clothes revealing little more than their submission. Latin rite followers flock to the traditional service because, for them, it retains a sense of sanctity and wonder they find missing from the new Mass. “I guess it comes down to the reverence — the fact that I feel God is here,” Marcia Hardman said after a recent Sunday service. “You go to the others (English Masses) and you get a lot of music, you get a lot of entertainment, you get a lot of whoopdedo, but you don’t get much else. You’re looking for God all the time and you’re just wondering where He is. I think we’re mainstreaming people right out of the church.” Maurcicio Abascal, a native of Mexico City who moved with his wife and five young children from Texas to Omaha two years ago, said, “I find with this Mass (the Latin) we can worship with more reverence, with more dignity, with more devotion. It is respectful and it leads people to really understand they are present on Mount Calvary.” For the faithful few that attend, the Mass is a sanctuary from the unending changes they feel have been made to this most solemn expression of their faith. As Hardman said, “I watched the changes come and I didn’t like the changes. I think it was change for change’s sake. That’s not a good idea.” Sharon Cooney, who regularly attends with her husband Tom, said that before the Novus Ordo, the Latin Mass provided a constant source of identification for her faith. “Wherever you would go, all over the world, there used to be a Catholic Mass you could go to and it would always be the same.” Then, when the new Mass arrived with much of the old rite’s rituals stripped away, she felt the underpinnings of the sacrament undone. “I felt crushed. Church was not a worship place anymore. It was more of a meeting place. The Mass lost its sacredness. I call it a production now. Our church is built on tradition. The tradition started with Abraham when God spoke to him and he built an altar to worship God. Our Mass has developed from Abraham to Jesus at the Last Supper to all down through the line. Well, every church now has their different service. The priest doesn’t even follow the same words. You’re not sure what you’re supposed to say in responses.” In the aftermath of the reform movement that swept through the Catholic church in the 1960s, heralded by the Second Vatican Council’s call for full active conscious participation by the faithful, the traditional Latin Mass was revamped all around the world. In America, this meant it was no longer said in Latin but in English or Spanish or whatever language predominated each parish. The priest, who out of reverence mainly faced the altar, began facing the congregation. The altar itself, traditionally an ornate tabernacle at the head of the church, often got scaled-back and moved from its place of awesome prominence to more pedestrian settings in order to be closer to the people. The Gregorian chant sung by the choir was replaced with more contemporary hymns. Many of the prayers said by the priest in the old rite were eliminated and responses only uttered before by the altar servers became the new province of the faithful. Kneelers in some churches were removed. Instead of receiving the Holy Eucharist by kneeling at the altar railing, the congregation began received it while standing. The consecrated host, historically placed on the tongue, was now presented in open hands. The decorum of the Mass dramatically changed too with the addition of the sign of peace before communion. Where before, no overt interaction occurred between worshipers, handshakes, hugs, kisses and words of peace are exchanged. In later years, the laity have played an ever bigger role in the liturgy — from reading scriptures to distributing communion. As traditionalists rejected the new order of things, rifts developed — even in families. “When the new Mass was introduced it brought about a lot of confusion and hard feelings…Families were torn apart by it,” Mahowald said. “I‘m the youngest of nine children and my family now thinks I’m crazy for going to the Latin Mass. Some of my own children go to the Novus Ordo. Free choice. But they’re all going to Mass — I’m happy about that.” Cooney added, “People sort of look down on you” when they hear “you’re a Latin riter.” As change upon change piled up, traditionalists were left feeling out in the cold — that their church was betrayed by “progressivists” and “modernists” in what amounted to “the Second Reformation.” In describing what it’s like to remain rooted, perhaps stubbornly, in tradition while the whole church around them is swept up in change, one believer said, “How did I get so wrong just by standing still?” Allied by their shared rebel status, believers have formed a close community. Many know each other by name and subscribe to publications like The Remnant that champion traditional Catholic practices. Flood said many faithful feel uneasy with the laxness in the sacraments today, especially when priests go well beyond the intentions of the Novus Ordo to create something altogether new again. “The Mass has changed so dramatically and for reasons that are unexplained to the faithful that people are lost and question how they should worship God. Worshipers here are tired of changes in the English Mass. So many go from church to church and find so many differences that they wonder when it’s going to stop. So often with the new Mass it becomes what the priest wants to do. You don’t see that so much in the Latin Mass, outside the homily, because the priest is really structured. I am told where I have to keep my hands and where I am supposed to stand, and to not sway from that requires humility on my part. It requires an act of obedience to follow all the rubrics. For the faithful, there is a solidity in the Latin Mass in that it doesn’t change.” According to Rev. “Roc” O’Conner, an instructor in the theology department at Creighton University, “the original idea” of Vatican II reformers was “that only sections of the liturgy would be done in the vernacular and then, what happened was, that goal was just kind of overrun because there was such an initial delight in having the Mass” in the native tongue. He said those decrying changes made to the Mass ignore the fact this rite has seen many revisions before, albeit not on so encompassing a level as those imposed by Vatican II. “There was great variety probably through the time of Charlemagne in the 9th century. Charlemagne was the first person to mandate a certain way of doing things for the sake of the unity of the empire. Then, with the Council of Trent in 1570, the missal of Pius X came to predominate.” He said when it comes to the question of which Mass most truly reflects the faith, one must consider the Mass is a reflection of that “living-breathing organism” — the church — that has been in a process of formation for two millennium. “ There’s a battle of history in this whole thing. Is the Latin Mass used today something that’s been celebrated for thousands of years or does it really mainly go back to 1570? Which tradition do you want? It depends on your definition of tradition. Even things like “the Last Gospel” and the prayers to St. Michael the Archangel are accretions that got put in and became traditional. So, do you want to go back to the 4th century or the 9th century or the 16th century? It depends on where you want to land.” As he sees it, the church’s strength lies in the worshipful rituals that have evolved among ethnic groups over time to become standard. The church, he said, is “not just a museum piece. At the local parish level remarkable things come out of the people. It’ll be interesting to see what effect the growing Hispanic community has on mainstream practices.” Steve Mahowald, whose personal faith journey has ranged from a traditional Catholic upbringing to spiritual estrangement to a reawakening while serving time in prison, said the new Mass has “lost its focus” amid all the change. He echoes the view of other traditionalists who feel the bright, shiny, noisy new Mass impedes reflection. “It’s forced the people into a position where they can no longer contemplate. They can no longer sit back and meditate on the mystery of their redemption, which is their role in the Mass.” The role of prayer at Mass, O’Conner said, is not just an individual matter but a communal one, too. “Something the Council (Vatican) looked at is some movement towards a corporate sense of worship. We’re still far from that, I think. It seems to me people are still pretty passive in church.” He said the notion of how the church prays can be looked at from different vantage points. “Is it a lot of individual separated units each contemplating and therefore implicitly in community? Or is it people growing in a sense of themselves more explicitly as a community and then offering worship as part of that body? People go to where they’re being touched.” O’Conner believes people today “are looking for more of an integration” of old and new. He said the problem in discussing the relative merits of the Latin Mass and the Novus Ordo is that “you get an ideological battle. It’s either one or the other. And, to my mind, it’s more of an integration of the sense of the sacred and the community, instead of one or the other. I know a lot of parishes today are employing chant, either in translation or in Latin, at various celebrations. There’s also been a growing use of incense. I think we’ve learned something in the last 33 years, but not everything. It’s part of a development.” Meanwhile, the Latins intend to remain true to their traditional beliefs. “I’m going to stay right here where I am,” said Sharon Cooney. “There’ll always be a remnant left.”
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Nebraska doesn’t have mountains or oceanfront beaches. What few iconic things it does have speak to the work ethic of its people. Omaha Steaks is a national brand, like Mutual of Omaha insurance or Berkshire Hathaway and Warren Buffett, that people know and trust. It’s dependable, just like Nebraskans and the Nebraska family that founded the company and still run it today. This story, which originally appeared in the Jewish Press, is an appreciation for the history and growth of this food industry titan. This Version of Simon Says Positions Omaha Steaks as a Food Service Juggernaut
©by Leo Adam Biga Originally published in the Jewish Press First cousins Bruce and Todd Simon engage in the back and forth banter of media talk-jocks, except theirs isn’t idle chat but the dialogue of two men at the top of a food service industry company giant whose annual sales fast approach a half-billion dollars. In an interview at the headquarters of their family-owned Omaha Steaks empire, 11030 “O” Street, they revealed themselves as wry sophisticates with a knack for brokering deals, managing people and anticipating the next big thing. After working together 20 years, their close familiarity finds each interrupting the other to complete a sentence or to make a point or to poke fun. They seem to enjoy the give and take. It’s all part of being the next generation, the fifth to be exact, to lead the corporate giant. Each apprenticed under his dad. Each holds fast to cherished lessons passed down from above. For 89 years the company’s found innovative ways to market fine meat and other foods to residential and commercial customers around the nation and the world. Along the way the Omaha Steaks name has become such an icon synonymous with quality beef that its hometown enjoys crossover brand recognition. Bruce is president/COO and Todd is senior vice president, but their bond supersedes titles or labels. They’re family. Two in a long line to lead the business. “You know what we have? What we have here, we have an entire company of people who we trust — that we feel like we’re family with. That’s what we have here,” Bruce said. “That blood bond is really a family bond and it traverses not only the Simon family, it includes our executive committee, all the way down. There are guys I know in the plant that were there the day I started and I feel the same bond with them as I do to my cousin Todd. We all feel a responsibility to each other to make this place successful.” As is their habit, Bruce turned to Todd, asking, “Don’t you think?” Whereupon Todd opined, “Well, I think it starts with the fact we’re a family business that allows us to really take those kind of family values into the whole business.” “Not in a Bush sort of way,” Bruce joked. A nonplused Todd continued, “And it shows in the benefits we provide for our team in terms of family leave benefits or vacation benefits or day care. Scholarships.” “All that stuff,” Bruce interjected. Legacy is never far removed from the Simons’ thoughts, as their fathers still take an active part in the company, always looking over their sons’ shoulders to ensure the family jewel is well-preserved. Bruce’s father, Alan Simon, is chairman of the board/CEO. Todd’s dad, Fred Simon, is executive vice president. The cousins’ late uncle, Steve Simon, died recently after years serving as senior VP and GM. “My dad was and is pretty much the operational guy. He’s the guy who ran the meatpacking plant and who was the bean counter,” Bruce said. “Bought the meat,” Todd offered. “Yeah, bought the meat,” Bruce confirmed. “And Todd’s dad was the real marketing guy and Steve (Simon) was the sales guy.” The three brothers — Alan, Fred and Steve — learned the business from their father Lester Simon, who in turn learned it from his father B.A. Simon. It all began when B.A. and his father J.J. Simon, both butchers, left Latvia for America in 1898 to escape religious persecution. With the meat business in their blood, J.J. and B.A. settled in Omaha, a meatpacking center, and worked in several area markets. In 1917 father and son opened their own meat shop, Table Supply Meat Company, downtown. Their niche was to process and sell beef to restaurants and grocers. As the decades progressed Table Supply responded to the growing food service sector by supplying meat to Union Pacific Railroad in support of its large dining car services as well as to more and more restaurants here and in other parts of the country. Cruise lines, airlines, hotels and resorts became major customers. Lester Simon first took Table Supply to the public via mail order ads that enabled households to receive packaged shipments of cut beef. In 1963 the company published its first mail order catalog, whose product offerings soon extended far beyond beef steaks. Shipping-packaging advances improved efficiency, helping widen the company’s increasingly national and international reach. By 1966 all this growth warranted an expansion in the form of a new plant and headquarters on South 96th Street. With the new facilities came a new name, Omaha Steaks International. The 1970s saw Omaha Steaks take new steps in customer convenience by adding inbound and outbound call centers and a mail order industry-first toll-free customer service line. An automated order entry system was installed in 1987. The first of its retail stores opened in 1976. There are now 75 and counting in 19 states. Visioning the online explosion to follow, Omaha Steaks helped pioneer electronic marketing as far back as 1990. Omahasteaks.com became the banner web site for what is the company’s fastest growing business segment. A new web site, alazing.com. promotes the company’s convenience meals brand, A La Zing, which offers a line of complete frozen prepared meals. Omaha Steaks underwent another expansion phase in the ‘80 and ‘90s, consolidating administration and marketing in two new multi-story glass and steel buildings whose sleek interiors abound with examples from the Simons’ extensive art collections and displays that tell the history of the family business. In a family of arts supporters, Todd’s an elected member of the Board of United States Artists and board president of the Bemis Center for Contemporary Arts. If Bruce and Todd feel burdened carrying the legacy of a company that boasts two million-plus customers and employs some 2,000 folks, they don’t show it. Guiding their interaction in family and business dealings are the principles they picked up from their elders. By living those principles they fulfill their obligation. “Our parents taught us to do the right thing. That’s really the only responsibility we have — just do the right thing. Do it all the time. Try to produce every single box of product perfectly. Try to satisfy every single customer perfectly. Do it right every time,” Bruce said. “It’s all about being honest. Everybody in our family has been impeccably honest. We don’t take advantage of people. We sleep good.” “Right,” Todd said, “and I think it also extends to the environment we create. We could sit around and stress out about the fact we have 2,000 employees and their livelihoods in a lot of ways depend on the decisions we make. And I think we always have that in mind. I also think one of the things that makes it so we don’t stress out is that so many of those 2,000 people think the same we do and they take responsibility for what they need to take responsibility for. And because they do that the stress we carry is minimized.” “But the whole thing is doing the right thing,” Bruce said. “I mean, if you’ve got building blocks and you set them up properly you’re going to have a very strong building. And that’s what we have and it’s because of every single block. Look, if spacemen came and took either one of us away there’s no question in my mind…this place would continue on because of the values that J.J., B.A., Lester, Alan, Fred, Steve and now Todd and I hold dear. It’s our whole corporate culture.” The confidence they exude may be attributed in part to the up-through-the-family-ranks training the pair got and to the well-balanced team they form. “It’s interesting,” Todd said, “because I think in a lot of ways we’ve both sort of followed in our fathers’ footsteps. You know, Bruce is very strong operationally, purchasing, finance…All the sort of back-office stuff is his forte. And mine is the out-front stuff — the marketing, sales. Managing the customer service aspect of that, motivating the front-line people to be people-people.” “And somebody has to manage him, too,” kidded Bruce, before turning serious again. “Yeah, I think that when you’re a leader sometimes you’ve got to fake it. My dad used to say to me, ‘When in command, command.’ And that’s what I think we do. I mean, our dads built a helluva business and, you know, you always want to top it. I mean, George W. (Bush) just had to get Saddam and we’ve just got to sale a steak to every Chinaman,” Bruce said, smiling. Unfazed, Todd said, “I think Bruce and I really complement each other well. I would say I’m an optimist and Bruce isn’t as much an optimist…in the sense that when we both come up with ideas I’ll see one side of the picture and he’ll see the other side of the picture. And since we’re both open too each other’s perspective on it, it really helps us balance it out.” The way Bruce puts it, “I think our management styles complement each other as well. He is really detail-oriented sometimes and I am really detail-oriented when he’s not. And about different things. There’s some stuff that Todd goes, ‘Well, so, get it shipped.’ And I just look at him and I go, ‘OK…well, just sell it.’ He looks at me and says, ‘OK.’” Whatever the situation, they make it work. “Yeah, we do,” Bruce said, “and we get along, which is great, too.” With two father-son teams comprising the ownership-executive ranks, the potential exists for family disputes that upset the company’s inner workings. The Simons diffuse those bombs with open dialogue and transparent dealings. “For as long as I can remember the way we operate as a family is we get our ideas out,” Todd said. “We don’t bulldoze over each other. We’re all forceful about our ideas and our opinions, and we’ll raise our voices and we’ll do whatever we need to do to get our point across. But we basically come to consensus and we don’t leave the room unless everyone’s comfortable with the direction we’re moving in.” “Right,” Bruce said. “We don’t fight about things. If there’s a reason to do something we discuss it and we figure it out. Because, hell, we’re all on the same page. What’s good for one is good for all. We’re never very formal, either. Usually we’ll discuss things over lunch.” Talking business within the family doesn’t follow a 9 to 5 schedule. “Business doesn’t stop and start at the office for us,” Todd said. “I mean, Bruce could be on vacation and just decide to call me about something that’s on his mind.” “Well, technically, what will happen,” Bruce said, “is when you’re away from the place and the day-to-day that’s when you really get some good ideas and then we’ll call each other. I remember before cell phone were prolific I was in Italy and Todd was in Japan and we had this fax dialogue going on.” Vision is important in any organization and each year Omaha Steaks holds an off-site brainstorm session with its top managers. Ideas and initiatives fly. “A lot of times those come not from me or Bruce but from the people out there in the trenches dealing with our customers every day,” Todd said. In the end, “Todd and I decide with our fathers where we’re going” as a company, Bruce said. Two affiliate companies sprung from this visioning — the A La Zing line of convenience meals and OS SalesCo., an incentive division. Fred Simon entered the publishing world with The Steak Lover’s Companion, a cookbook co-authored with Mark Kiffen. Simon adapted classic dishes from recipes developed by James Beard, an Omaha Steaks consultant for many years. More cookbooks followed. Simon’s developed Omaha Steaks-affiliated restaurants. Many more restaurants exclusively serve the Omaha Steaks brand on their menus. The company’s also approaching 100 of its own retail stores nationwide. Trust in themselves and in the team they’ve assembled explains why the Simons are open to new marketing avenues and new technologies that enhance the ability of the company to serve customers. A toll-free customer service line. Online ordering. In-store purchases. New product lines. Seasonings, sides, desserts. Whatever passes muster with the Simons or in the Omaha Steaks test kitchens gets rolled out. “While we have innovated a lot here and we’ve developed a lot of proprietary tools and analysis and internal stuff, I wouldn’t say we’ve been on the bleeding edge of technology,” Todd said. “Because I think what we want to do is to use technology that’s going to help us to help our customers. We were one of the first companies to put in an 800 number because it made sense to help our customers communicate with us. When we implemented a centralized computer system one of the first applications was order taking.” “We’ve had to do these things. The Internet was just very logical — Sure, we should have that. And the fact the entire world put a PC in their living room helped,” Bruce said. “But it was easy for us because when you think about it we were just bypassing the guy on the phone.” As “easy” as he makes it sound, Bruce added Omaha Steaks has taken great pains to enhance its order-processing systems via the Web and the phone. “I’ve seen a lot of them and I’m proud of ours — I think it’s the best one I’ve ever seen. Our development team has done such an outstanding job with those products.” “I still think what it gets back to is that we say to ourselves, How do we solve a problem for our customers? Whether that problem is placing an order quickly and efficiently or being able to log onto the web site and access their gift list or whatever it is. And then asking, Can technology help us with that? As opposed to implementing technology in search of a problem” to solve,” Todd said. Online sales account for an increasing chunk of the company’s profits and Omaha Steaks will accommodate the dot com craze as the demand dictates. “Our philosophy is be wherever your customers want you to be,” Todd said. “A lot of people love to shop online. I’m one of those people. But we’ve got a lot of customers today that don’t. People still fax orders in. People still mail orders in. People like to come into our stores. So, whatever works.” The retail segment has “grown as fast as we’ve been willing to add resources internally to support it,” Todd said. Plans call for 15 more stores this year alone. That may seem an odd way to go with cyber commerce on the rise, but he said even a cursory look around town reveals a boon in retail development. “So the economy is alive and well for a number of different sales channels to prosper.” Success may make some tycoons complacent but not the Simons. “I feel like with this business I can be an entrepreneur. There’s always new challenges, new products to be developed or whatever. That gives me a lot of satisfaction,” Todd said. “What gives me a charge is just seeing the business grow, being successful in business, messing around with our dads in the business. And just the sheer volume of product we go through — it’s just staggering sometimes,” said Bruce, who figures Omaha Steaks processes up to 250,000 pounds of just top sirloin each week and close to 50,000 pounds of tenderloin a week. That’s tens of millions of pounds of beef a year. They’ve been at Omaha Steaks a combined 46 years now — Bruce since 1980 and Todd since 1986 — and there’s no reason to think they won’t be there 46 more. But it was never a lock they’d be there in the first place. University of Pennsylvania grads, like their fathers, each weighed other paths before falling in line. Bruce came aboard first. Right out of college. But not before he looked at “a couple other opportunities.” Neither his first nor only option, Omaha Steaks was a sure thing. He worked there as a kid. “I wanted to do it. I liked the business. I understood the business. When I was at school I thought about the business.” What finally swayed him, was the offer of $1,000 signing bonus his dad put on the table. When it was time for Todd to graduate a few years later he faced a similar dilemma. “My dad was encouraging me. I think he wanted to work with me. I was a little bit hesitant,” Todd said. Like Bruce, Todd too worked at Omaha Steaks as a kid. But he and some college friends had started a sound production company (they later sold). He had other career choices. He turned to his cousin for advice, asking, Is this a good thing? Bruce assured him it was. The pull of family won out. “I kind of at the end of the day felt like I owed it to my family,” Todd said. “This family has provided so much for me.” Neither is sorry he made the leap into the family pond. “Yeah, it’s turned out OK,” Todd said in a classic understatement. Working with their fathers has meant learning from the best. Their dads, along with their late uncle Steve, were recently inducted into the Omaha Business Hall of Fame. Todd’s dad Fred is an inductee in the national Direct Marketing Association Hall of Fame. The company’s won awards and praise for its marketing and technology applications. As for the cousins’ fathers retiring anytime soon, Bruce said, “We don’t say that word. They will never retire. They will never semi-retire. And the minute anyone would suggest such a ludicrous thing they would start coming into the office every day raising hell about every item on the balance sheet. They’ll never retire. They might go on vacation…” And that vacation may last for some time. But retire? No. A sixth generation of Simons entering the business may be on the horizon. Todd doesn’t have children and Bruce’s are still quite young. However, Bruce can see one of his daughters already thinking like a future mogul. On a visit to the zoo they waited in a long line at a concession stand, noting how the supervisor let the workers fall way behind, whereupon Bruce’s little girl said, “You know, Daddy, I don’t think that person is doing a very good job of managing that stand. That’s not a very good operation is it, Daddy?” He had to agree, his chest puffed with pride.
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My most extensive *** Cavett story among a handful of stories I’ve written about the entertainer follows. What I try to do in this piece, and I believe I succeed, is lay out the impressive scope of his career and humanize him. Cavett was a superb talk show host but I always felt he was almost too glib, on occasion too obscure, for his own good in terms of the quips and references he made, which in the first case him appear to be superficial and in the second case made him come off as elitist. That sometimes awkward combination is why I feel he never resonated with the general public as easily as, say, Johnny Carson, a fellow Nebraskan like Cavett. It’s been my good fortune to do several interviews with Mr. Cavett, who is always an amiable subject. This story originally appeared in the New Horizons, preceding another Cavett story posted on this site. Look for more Cavett stories in the near future. Homecoming is Always Sweet for *** Cavett, the Entertainment Legend Whose Dreams of Show Biz Success were Fired in Nebraska
©by Leo Adam Biga Originally appeared in the New Horizons *** Cavett’s longing to be “under the lights” burned so hot as a boy in post-World War II Nebraska that nothing seemed more enticing than the prospect of far-off glamour in New York. Then, as now, the Big Apple loomed as the center of all things, certainly of show biz, which the young Cavett saw as his future. “Always the shot of the New York skyline spoke to me where it didn’t to others my age,” the 70-year-old comic and former talk show host said by phone from his historic coastal retreat, Tick Hall, on Montauk, Long Island. The 19th-century, Stanford White-designed home is where Cavett and his late wife Carrie Nye spent time away from the tumult of New York. The house burned down in 1997 and over three years time the couple had it reconstructed to historic specifications, an epic project that is the subject of a documentary, From the Ashes. The house hasn’t been the same since Nye died from cancer last July. She had a way of filling any room she was in with her bright spirit and hearty, Southern drawl-tinged laugh. She and Cavett were married 42 years. Today, when not at the beach, he stays at the Manhattan apartment the couple shared. This son of career educators lives a life steeped in culture — books, the theater, films, fine dining. He writes letters and op-ed pieces. His ability to engage in literature, history, gossip, trivia and one-liners sets him apart from some entertainers. Words fascinate him. He loves finding just the right one with which to *** or prod or parry. Exposing grammatical errors is a hobby, nigh-compulsion. Cavett, the forever puckish wit, was born in Gibbon, Neb. and raised in Grand Island and Lincoln. Precociously bright, he got laughs from an early age, when he’d surprise others with his large vocabulary, double entendres, confident delivery and deep voice. His humor’s never left him, not even in his grief. Since Nye’s death, however, he has grown more reflective than usual about his Nebraska upbringing and the close ties he’s kept here throughout his nearly half-century career. Nebraska is where he came back only three months after Nye, a noted actress, passed. He headed out alone by car to its far western reaches, a road trip he’s made many times over the years as a kind of pilgrimage. When things get too oppressive back East, Nebraska is his escape. Here, away from the glare, the noise, the crowd, he can unwind and breath under the clear, open, quiet skies. “Yeah, it is that in a way,” he said, “especially when I do almost my favorite thing in the world to do, which is get in a car and go out into the Sand Hills. I remember one great teacher I had in high school, after I had just been to the Sand Hills, said, ‘Oh, it’s just heaven. Aren’t you glad the tourists haven’t found it?’ A lot of the tourists wouldn’t dig it or get it. But the idea you could take the family car as I did and drive 416 miles on the 4th of July for however many hours and hours it took and see just four other cars on those old roads…,” he said, his golden voice trailing off, choked with the wonder of the memory. When he’s back, he stops in on old friends like Dannebrog’s Roger Welsch, the folklorist-author, and Lincoln’s Ron Hull, the avuncular Nebraska Educational Television legend. He visits his stepmother, Dorcas, now 90 but still sharp as a whip. Welsch said, “*** loves Nebraska and especially the Sand Hills and whenever he can roams aimlessly around the state pretty much taking the place and its people in. He is as likely to show up at a cowboy tavern in Arthur as he is a church dinner in Broken Bow. Or here. He calls us with some frequency and we have hour-long talks.” A favorite Welsch anecdote involving Cavett concerns the “night he called about nine and we talked until after ten, and as we wound down our conversation I suggested he really should come by and visit us and even stay over some time when he got out our way here in Dannebrog. ‘Really?’ he said. ‘You’d invite me to come by?’ ‘Sure would, ***!’ ‘Well,’ he said, ‘I might just take you up on that….I’m kind of in your area.’ ‘Oh…really? Where?’ I sputtered. ‘The Dandee Drive In.’ That would be the old ice cream shop at the edge of town… “So I went up to our bedroom where my wife Linda had already gone to bed and said, ‘Uuuuuuuh, Linda…*** Cavett says he’s going to come visit us sometime. ‘Did he say when?’ she said sleepily. ‘Yeah….in about five minutes.’ She never did forgive me…or ***…for that one.” Hull said Cavett’s affinity for Nebraska is “genuine. There’s not a phony bone in his body. He’s a very, very honest person.” Cavett often comes back at Hull’s request to emcee benefits or to lend his famous face and voice to a documentary or spot. “He’s never turned me down,” Hull said admiringly. “He’s a very generous guy. He’s always come through. And he’s always done it pro bono, just as a friend. He’s been a very good friend of Nebraska. That’s one of the things I like about him — he didn’t forget his roots. He is proud of those roots. He never lost touch with that.” Whether at work in the studio or at play over dinner, Hull said Cavett’s “so much fun to be with. He is curious about everything. He listens. He has this marvelous, retentive mind. He’s so good at words. Don’t ever play Scrabble with him.” “He is a pleasant soul,” Welsch said. “It’s hard not to like Cavett. His visits here are…definitely not an exercise in royalty visiting the peasants. Yes, he talks about Woody Allen and Mel Brooks…while I talk about my pal Bondo, the auto body repairman, or Dan the plumber, but somehow there isn’t a feeling of inequity. He appreciates the humor I find in ordinary people out here and in turn shows me the ordinary side of the notables in whom he finds his humor. I really don’t consider *** Cavett to be a famous person who is a friend of mine; to us he is a friend…and oh yes, I guess he’s also famous. Perhaps the best part is that even as a world-famous star and intellect, he is still, through and through, a Nebraskan.” Cavett’s love for the wide open spaces, solitude and history of Nebraska was implanted early on, via road trips his family made out West when he was a boy. Book, film and museum images of Plains Indians fixated him. As an adult he immersed himself more deeply in the land and legacy of its native peoples, familiarizing himself and the nation with the works of John Neihardt, Willa Cather and Mari Sandoz. He’s proud of the remarkable figures Nebraska’s produced and will name, without any prodding, some of the great film, theater, literary and athletic icons from here. Whenever someone suggests there’s a characteristic that describes a typical Nebraskan, he’s quick to point out that personalities as diverse as William Jennings Bryan, Darryl Zanuck, Fred Astaire, Marlon Brando, Johnny Carson, Malcolm X, Sandy Dennis and Johnny Rodgers emerged from this same terra cotta. For the book Eye on Cavett he wrote of returning a celeb to his Lincoln High class reunion. He and Welsch were classmates and bandmates, not buds. Cavett suspects Welsch thought he was “one of the fancy people.” Welsch confirms as much, but adds, “I admired him…He was always one of the stars at the talent shows, theater productions, and that kind of thing, and yet he was never an arrogant pain in the ass…just a nice guy who had a lot of talent.” They both coveted luminous Sandy Dennis, another classmate bound for fame, but neither had the guts to ask her out, much less speak to her. Cavett later got to know her in New York. Nebraska is where Cavett’s heart is. New York’s where the action is. Even as a boy, he felt the pull of that place. How could it not beckon a starstruck kid like him? Especially after he nearly committed to memory the classic book, The Empire City, an anthology of great stories about New York by great writers. “It’s just wonderful. Every famous writer who ever wrote anything about New York is in there,” he said, “from E.B. White to Groucho (Marx) to F. Scott Fitzgerald and Ben Hecht. And I would read that thing and then read it again. I knew more about New York then, sitting on the glider on the porch reading that book than most New Yorkers did. I could describe Chinatown and how to get to it and around it and in it,” without having been there. In the book Cavett he co-authored with friend Christopher Porterfield the entertainer calls New York “a siren call.” Made all the more alluring by anecdotes of it told by his parents’ friends or the genuine New York actors he shared the stage with one season of summer stock in Lincoln. For him, the future was a New York or bust deal. He wasn’t sure what path would take him there — “I had no idea how you got there” — but he knew his destiny lay in the crackle and glow of theater marquees, not the scraping of chairs on floors and chalk on backboards. His late parents, and stepmother, were all public school teachers and while he suspects he too would have excelled at it, he would be dissatisfied knowing he’d missed out on his dream. “I think I could have enjoyed being a teacher a great deal,” he said. “They would have liked me. I would have been funny and all the things you didn’t associate with most teachers.” Like his dad. “My father was always the most popular teacher anyone in Lincoln ever had,” he said. “My father always attracted the most forlorn types…and made them feel better and gave them confidence and all these things. He gave them meaning. He didn’t mean to do that, but it just happened.” One of those the elder Cavett tried reaching out to was the garbage man on their block, a young, sullen, self-made rebel named Charlie Starkweather, an obscure boy and striking name soon to strike fear on the Great Plains. Cavett’s “toyed with the idea” of what might have been if he hadn’t left Nebraska. “Would I go nuts? Probably not. But I certainly wouldn’t have had what I wanted and at times got more than enough of later on. Let’s just say I can’t imagine contributing a covered dish to the picnic of the neighborhood,” he said dryly. As “drawn” to show biz as he was, he said, “I can’t think of ever wanting anything else. It wasn’t as though, If I can’t become a comedian or a magician I’ll become a lawyer or a plumber and I’ll be happy doing that. Noooo…” That didn’t stop some from trying to dissuade him. “I didn’t have any interest in dental college, one of several things — it seems so humorous now — my father tried to interest me in. And of course his pitch was. ‘You’re talented, but you know a lot of people don’t make much of a living in your business, You really ought to think about something that’s going to be steady.’ I just nodded and let it pass.” Once bit by the bug, no appeal to practicality could change his mind. “Yeah, because in effect you don’t really have any choice,” he said. “The thought of trying to go to law school was not even in question. I didn’t want to have anything to do with it.” The death of his mother from cancer when he was 10 only made him retreat more into the world of make believe. On the whole he counts his childhood a happy one, but the trauma of his mother’s death still stings. “The worst part of that was not only watching her dying,” he said, “but no other kid I ever heard of lost a parent. Nobody.” He said his wife’s death made him relive the pain of his mother’s death and elicited “the resentment of, Screw this — I have to do it again? That was awful.” There were also molestations he suffered at the hands of strangers, once at a Lincoln movie theater. He doubts the abuse triggered the depression he struggled with for many years, although he doesn’t discount the possibility. But mostly he looks back fondly at a solid rearing. While his folks were far from bohemians, they were no squares, either. His mom and dad were intelligent, culturally astute people. As is his stepmother. His dad and step-mom co-founded a high brow social club, the C.A.s, whose name was a closely guarded secret. Critics Anonymous brought together a group of like-minded adults, plus ***, for celebrations and excoriations of different subjects or themes. Sometimes, a country’s music, food, literature and customs came under scrutiny. All the talk of exotic places only fueled his fire to see the larger world. Like the boy who runs away with the circus, Cavett heeded the call of the lights, only gradually, in small measures. While growing up here he did some magic, some acting, some announcing. Even his favorite athletic pursuit, gymnastics, put him out front, under the lights. He studied the great comics, absorbing their stances, their inflections, their timing. His models were as near as Johnny Carson, then a popular magician on the Chautauqua circuit and, later, a dashing television-radio personality in Omaha, and as distant as the greats he glimpsed in the movies or on TV. He once saw a young Johnny’s Great Carsoni act, and it left an impression. Perhaps, he thought, he could emulate a fellow Nebraskan’s success on stage. And once in awhile one of those bigger-than-life legends, as Bob Hope did, would come to perform in Lincoln or Omaha, giving him a first-person dose of show biz magic. On those occasions, Cavett would, through sheer pluck, wend his way backstage before and after the show, something he continued doing once he finally made it to New York, becoming a habitue of the club-theater-network TV district, all the better to run into celebs. Just seeing Hope in the flesh was enough to feed his imagination and project himself into that rarefied company. Besides Hope, long a hero of his, Cavett’s star gazing in Nebraska found him finagling seats and trading backstage banter with the likes of Charles Laughton, Basil Rathbone, Phil Silvers and Spike Jones. Each encounter only intoxicated him more with the idea that he belonged “in that world” with them. Still, the stars were ethereal enough that even his “wildest dream could not convince me I would one day have Hope as a guest on my own show.” But he did. After one of those head-in-the-cloud nights in Lincoln, enraptured by the sight of his idols and the exchange of a few words with them, his return to dreary Earth felt like defeat. “To go to school the next day was just murder,” he said. I thought, ‘I belong with them (the stars)’” as they set off by train for the next stop under the lights. Wanderlust ran in the family. His maternal grandfather was a Baptist preacher who immigrated from Wales and evangelized his way across the Great Plains. “My hell-for-leather Uncle Paul, as my father always called him,” was a rover who rode the freight rails. A young Cavett was captivated by their experiences of setting off for distant spots. “Oh, yeah, they had dramatic adventures in faraway places,” he said. “But I didn’t want to be T.E. Lawrence or Frank Buck. I didn’t see myself in jungles or deserts, though I’ve been to both…” He said he was like this character from a long-forgotten novel who startles her parents when they ask — ‘What do you want to be, a nurse or a school teacher?’ — by saying, and my wife used to quote this, ‘I want the fast cars, the bright lights and the men in tuxedos.’” Only substitute women in cocktail dresses for men in tuxes. Cavett was spotted early on as a talent to be watched, even if he didn’t know exactly what talent might send him on his way. As a teen he acted in and eventually directed, too, a Lincoln Junior League Theater program, Storytime Playhouse, on popular radio station KFOR, the same station Carson used to launch his career. Cavett once did a 15-minute Macbeth. “One day out on the street I run into Bob Johnson, who was of course this huge celebrity in Lincoln because he was a longtime announcer on KFOR. He did Bob Johnson’s Musical Clock and Bob Johnson’s this-and-that. We were both heading for the studio and he said, ‘Let’s walk around the block,’ as if he was about to bring up something sensitive and didn’t quite know how to. So we made small talk and then he said, ‘You know, ***, I have a feeling about you — you’re going to get up and out of here the way Johnny did.’ And it was a poignant moment because it was a man in his middle age saying, I’m as far as I’m going to get and I faced up to that, but you and Johnny, well… “I didn’t know what to make of it. I didn’t know what to say. I kind of hoped he was right, but I didn’t know how Johnny did. I can’t imagine what we said for the last half-block.” Johnny was of course Johnny Carson. “Johnny was 10-12 years older than I was,” Cavett said. “He was doing his television show (The Squirrel’s Nest) in Omaha and soon going on to New York for various things, He hadn’t utterly ‘made it’ yet, but as far as anyone in Lincoln was concerned he had.” Cavett’s since wondered what might have happened if they had bumped into each other then to discuss their nascent show biz dreams. He’s sure they would have recognized in themselves then what kindred spirits they were. As it was, they both made it big time, their careers following nearly parallel courses. Cavett was a talent coordinator and writer for Jack Paar’s Tonight Show, the slot Carson, who’d hosted TV game shows and written for Red Skelton, inherited when Paar retired. Carson made Tonight an even more popular and lucrative brand name for NBC. Cavett joined Carson’s staff of writers before getting his own talk show. “I guess I just always had this sort of pull, as I think he (Carson) must have, to go where the action is. Mingle with Jack Benny and Bob Hope and Lucille Ball and maybe Groucho if you were really lucky.” Cavett’s opportunity to leave Nebraska for the bright lights came courtesy of a family friend, another older man who saw in him the hunger and potential to excel. “A friend of my parents by the name of Frank Rice taught at Omaha Central. Frank sort of looked like Vincent Price. He had a Whitney Fellowship, I think it was called, at Yale for a year. He came back and said, ‘*** should apply at Yale.’ Nobody took this very seriously and Frank insisted. And somehow that came about.” “I remember Frank saying, ‘You’ll like it at Yale, if you’re lucky enough to get in, because the Shubert Theatre is right across the street from your freshmen campus. Every week or two a new Broadway show comes through on its way to New York.’’ Broadway show? I didn’t even care it would cost me a dollar-forty to sit in the front row of the second balcony.” This was it — his entree to the glimmer of New York theater and culture. If he could get in. And then one day, as he tells it, he was “on the same glider on the porch that I was probably readingThe Empire City on” when the mailman brought a letter from Yale that said, ‘You have been accepted in the Class of 1954.’ And the whole world just swam for a moment. ‘What will all this mean? God, what could happen from this? It’s hard to say. Damn near anything.’ I walked around in a daze.” By the time he headed east he was a certified TV junkie, so much so he said that when his family got their first set in the mid-’50s “I did almost nothing but watch it. Sundays, my God, I got out graham crackers and peanut butter and started with ‘Super Circus, live from Chicago, and went all the way through the evening, including Mr. Peepers, What’s My Line?, Ed Sullivan, The Web…I made the mistake of getting a date once on a Saturday night and she did not want to watch Show of Shows, so that was the end of that relationship. “When I thought of going away to college I wondered, Will they let me watch all my television?” Yale let him have his catho ray tube fix, although with only one set in the dorm he couldn’t always watch his favorite shows. More importantly, New Haven, Conn. put him within easy reach of where it all happens. With such close access to New York, his idea of a good time was far different than most of his fellow red-blooded Yalies, who had scoring girls on their mind. “Instead of going to girls schools on the weekends, Wellesley, Smith, Vassar, I went down to New York. I thought, How can you be so dumb as to want to go there when you can go to New York…see a play with the Lunts, Paul Muni or Bette Davis, and sneak into the Jackie Gleason Show and What’s My Line?,” a show he ended up guesting on. As he did in Lincoln, he gushed to classmates about the stars and shows he saw and that he sometimes talked to. There were more all the time. Now that he was an Ivy Leaguer and a big city sophisticate, he wanted to go home “to parade around” in his Oxford blue shirt and tweed, three-button jacket from Saks and regale everyone with where he’d been and whom he’d seen. “That was everything I’ve lived for — to come back and cause amazement,” he said. It was also a case of homesickness. But as he found nothing stays the same. “My first trip from Yale back to Nebraska I couldn’t wait to get to Grand Island and as soon as I got around the corner to see where we used to live, it was gone,” he said. “There was a Safeway there. They had obliterated the Christian church, my best friend Mary Huston’s house, our house, the whole block. And it was one of the most devastating things that’s happened to me. How could they raze this without my permission? A horrible feeling. It hurts me right now.” He was near finishing up Yale when walking on campus one day in 1957 he heard the news stand jockey hawking papers, Cavett recalled, with “the words ‘murder in Nebraska.” An incredulous Cavett remarked to the man, “It sounded like you said murder in Nebraska.” He confirmed he had. “There in the Journal American, now defunct, in big letters just short of what you put War Declared in, it said, ‘Ghastly Murders, Lincoln, Nebraska.” The headline referred to Charlie Starkweather’s killing spree. It gave Cavett the creeps. “I don’t know now if I thought, I hope nobody I know was murdered. I guess you wouldn’t necessarily assume it. Had I known and glanced down at the name Starkweather I could have had a horrible moment recalling if my father said, ‘That’s our garbage guy.’ My father said he always seemed like a kind of forlorn kid. He seemed nice enough. My dad made people seem nice enough that weren’t anywhere but in his presence. Though I suppose I doubt if my father was anyone he toyed with as a victim.” Even that incidental connection to a serial killer was enough for Cavett to closely follow the Starkweather manhunt, capture, trial and eventual execution. By the time the notorious case became a sensation, Cavett was taking courses at Yale School of Drama and that’s when he met the woman who would become his life partner. Carrie Nye was her theatrical name but also her full first name. When Cavett met her her surname was McGeoy. She was flamboyantly Southern. Brilliant. Funny. Serious about her craft. Independent. Opinionated. An original. The Greenwood, Miss. native attended Stephens College where, Cavett said, she “probably had the record number of violations there of books not returned, walking on the grass, smoking behind the lockers…” His reaction upon first setting eyes on her? “I didn’t like her very much…I said ‘God, who the hell is that? She looks affected,’ or something like that to one of the guys at the drama school and he said, ‘But have you met her?’ I said, ‘No.’ When I did I saw what he meant. She was not like anything or anybody I ever met before. No one could ever say, ‘She’s just like Carrie Nye.’” Their drama mates included, at one time or another, Paul Newman and Julie Harris. Cavett and Nye performed at Yale and in summer stock at Williamstown, Mass. They were soon an item, marrying in 1962. For a time, her career overshadowed his. When things broke for him, they broke big. Working for Paar, Carson, Jerry Lewis. Doing his own standup comedy act. Guesting on panel/game shows. Hosting his own late night network TV show, followed by TV desk-jock stints on PBS, then cable. Prime time specials. Commercials. Voice-overs. Films. Plays. She enjoyed success in regional theater and on Broadway, also taking occasional small and big screen parts. Their marriage survived the ups and downs of their respective careers. ]It’s been awhile since Cavett’s had a talk-show gig. He laid to rest any question of whether he’s still “got it” with his 2000-2002 role as the narrator in the Broadway revival of The Rocky Horror Picture Show and his 2006 appearances on Turner Classic Movies, which revived some of his late night ABC shows with Hollywood greats. For a new TCM special he taped with Mel Brooks, Cavett proved his quick wit and verbal acuity are still intact. The Hollywood shows are out on DVD, as is a rock icon collection. A new DVD set featuring him with jazz-blues legends is planned.par It’s interesting to note that even after all the dreaming he’d done of New York and all the trips he made there from New Haven to cozy up to the stars, Cavett still hadn’t made plans to move there after graduating Yale. He was doing summer stock when, he said, a fellow actor remarked, “‘Well, I guess you’ll be heading for New York, looking for an apartment.’ But to that point I hadn’t thought very far beyond the edge of the season. I really hadn’t thought it out. I figured I’d probably trip back to Nebraska. But as soon as I heard ‘you’ll be going to New York,’ I did.” Cavett lived the life of a struggling young hopeful, making the rounds in casting offices, taking bit parts here and there, working all kinds of side jobs to keep himself alive. He was a copy boy atTime Magazine when he screwed up the nerve to go to the RCA Building with a batch of jokes he’d written for Paar, the king of late night. His plan? To somehow bump into the Great Man, slip him the material, and be discovered for the brilliant comic mind he is. Amazingly, it all came true. He still marvels at “the sheer chance of taking the monologue to Jack Paar,” running into him in a hallway, Paar accepting the envelope containing jokes penned by a unknown, then sitting back in the live studio audience to hear his one-liners go out over the airwaves from the mouth of a star; and later, backstage being thanked by the star and encouraged to feed him more jokes. It all led to Cavett being hired on staff. The surreal experience was just one of “the phenomenal breaks, coincidences and other such things” that helped launch his career. Cavett found his niche as a writer. “Once I get an idea I can go with it,” he said. “That was true as a monologue writer. If Jack or Johnny would give a subject, then I could be very fast and, to the irritation of the other writers, the first one to Johnny’s desk. Not that it mattered, because the first was not always the best.” He gets a high from writing that’s akin to the buzz he gets from ab libbing. Some, like old friend Ron Hull, suggest the entertainer could be a serious writer. “Yeah, I’m reasonably certain I could have made a living that way,” Cavett agrees. While the two never talked about it, Cavett said he and Carson understood they shared a special connection. Like Carson did, Cavett’s given back to his home state. He recalled one of the rare times the intensely private and supposedly cold Carson invited him out to dinner in L.A. “That night we were sitting in a booth, just two guys from Nebraska in California, and he described the special (Johnny Goes Home) he’d just done in Norfolk and he said ‘there was this moment when I opened the
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